Instrukcja obsługi Joranalogue Generate 3

Joranalogue nieskategoryzowany Generate 3

Przeczytaj poniżej 📖 instrukcję obsługi w języku polskim dla Joranalogue Generate 3 (8 stron) w kategorii nieskategoryzowany. Ta instrukcja była pomocna dla 7 osób i została oceniona przez 2 użytkowników na średnio 4.5 gwiazdek

Pobierz PDF
Strona 1/8
GENERATE 3
THROUGH-
ZERO MULTIPHONIC SIGNAL GENERATOR
1
INTRODUC TIO N
Any signal can be expressed in terms of a few
parameters: frequency, phase, amplitude and
timbre. It is through modulation of these aspects
that synthesists create electronic sound. With
Generate 3, it is now possible to create a signal
and control all its -parameters by through zero
modulation within a single 12 HP wide module.
Everything starts with the exceptionally precise
triangle-core voltage controlled oscillator (VCO)
at the module’s -heart. Through zero linear
frequency modulation (FM) enables rich yet
pitch-stable FM sounds, by allowing the oscillator
to run backwards into ‘negative frequencies’.
The resultant wave triangle is then processed by
the through -zero phase modulator, providing a
total phase shift range of 900°. Phase modulation
offers an interesting alternative for FM, as it
enables - deep FM type tones without actually
changing the oscillation frequency.
The timbre of a signal is determined by its
harmonic content. This full set of harmonics can
be grouped into three main parts: the
fundamental, even and odd harmonics.
Generate 3’s harmonics generator separates out
these three timbral ‘channels’. By adjusting their
relative amplitudes, a vast array of different
waveforms can be created, including but not
limited to the classic sine, saw and square waves.
While the amplitude adjusts can be ed manually,
each timbral channel -supports through zero
amplitude modulation, also known as balanced
or ring modulation. When -audio frequency
modulation signals are applied, the harmonics
become ‘split’, enriching the spectrum.
In addition to all the usual analogue synthesis
techniques, th set of modulation e extensive
options makes Generate 3 especially suited for
exploring multiphonic synthesis: a monophonic
source creating a complex timbre, much like
throat singing, yet by electronic means.
CONTENTS
In the Generate 3 box, you’ll find:
Product card, stating serial number and
production batch.
16- -10-to pin Eurorack power cable.
Mounting hardware: two black M3 x 6 mm
hex screws, two black nylon washers and a
hex key.
The Generate 3 module itself, in a protective
cotton bag.
If any of these items are missing, please contact
your dealer or support@joranalogue.com.
GENERATE 3
THROUGH-
ZERO MULTIPHONIC SIGNAL GENERATOR
2
CONTROLS & CONNECTIONS
1 R SWITCH FREQUENCY ANGE
This switch determines over which frequency
range Generate 3 will operate: low frequency
(VCLFO) or audio frequency (VCO).
2 F F K COARSE AND INE REQUENCY NOBS
The oscillation frequency is determined by these
knobs. In the audio frequency mode, with the
fine knob centred -and at default through zero
FM settings, the coarse knob has a range of 22 Hz
to 22 kHz at the fundamental signal output. The
f 5 6 ine knob’s range is % of the coarse knob (
semitones . in audio mode)
In low frequency mode, the total range is
2.8 6 180 mHz (a period of minutes) to Hz, with
1 Hz when both knobs are centred.
GENERATE 3
THROUGH-
ZERO MULTIPHONIC SIGNAL GENERATOR
3
3 - I THROUGH ZERO FM NPUT, KNOB AND AC
AND ES BIAS SWITCH
An internal zero FM -through voltage directly
controls the VCO core, determining the overall
range of the exponential frequency modulation.
For example, the low and audio ranges
mentioned earlier assume a through-zero FM
voltage of +5 V.
Increasing or decreasing this voltage has a
corresponding effect on the frequency. But
unlike standard linear FM, the voltage can also be
negative, causing the oscillator to flip direction
and run backwards. This allows for incredibly
deep and dramatic FM sounds.
0 V will cause the VCO to stop. However, since a
+5 V normalisation is present on the through-
zero FM socket, it is not necessary to plug in an
external voltage for the VCO to oscillate. Set the
polariser knob to the maximum setting and both
bias and AC switches off, and the module will run
within the selected range (low/audio). This is
considered the default configuration.
The knob can then be used to apply linear
detuning, through the zero point and into the
negative realm, or adjust the modulation depth
if an external through- zero FM signal is applied.
The bias switch, when enabled, then adds a +5 V
offset to this modulation. This makes it easy to
toggle between through-zero FM (bias off, up)
and normal linear FM (bias on ). In the , down
default configuration with no modulation, the
effect of enabling the bias is a doubling in
frequency, or an increase in pitch of one octave.
Enable the AC switch to AC-couple the LFM
input. This rejects any DC offset or very low
frequency content that may be present in the
modulation signal, preventing a fundamental
pitch shift from appearing during audio rate
modulation. Note that this will also remove the
normalised +5 V that is present on the through-
zero FM socket by default.
4 V P O I OLT ER CTAVE FM NPUT
This input is used to modulate the frequency in
an exponential fashion, with a standard 1 volt per
octave response, to create accurate pitches. In
the low range, the sensitivity is increased to
approximately 0.66 volt per octave.
5 I K EXPONENTIAL FM NPUT AND NOB
This second exponential FM input includes a
polariser knob to set the modulation depth, with
0 in the centre, +1 volt per octave maximum and
−1 volt per octave minimum in audio mode. In
low mode, the sensitivity is increased to
approximately 0.66 volt per octave.
6 F I RESET AND LIP NPUTS
In addition to the through-zero and exponential
FM, two types of oscillator synchronisation are
available: reset (hard sync) and flip (soft sync).
A rising edge on the reset input causes the VCO
output voltage to instantaneously go to 0 V.
Oscillation will then resume as before. On the
other hand, the flip input merely flips the triangle
direction (rising or falling) on a rising edge.
Both sync types have a very different effect to the
VCO and thus yield different sonic results. Reset
sync is considered ‘harder’ since the fast edges
caused by the instantaneous resets create high
harmonic content. Flip sync is free from these
fast edges, and has a ‘softer’ sound as a result.
The two sync types can be combined at will and
affect all outputs.

Specyfikacje produktu

Marka: Joranalogue
Kategoria: nieskategoryzowany
Model: Generate 3

Potrzebujesz pomocy?

Jeśli potrzebujesz pomocy z Joranalogue Generate 3, zadaj pytanie poniżej, a inni użytkownicy Ci odpowiedzą


Instrukcje nieskategoryzowany Joranalogue

Joranalogue

Joranalogue Cycle 5 Instrukcja

14 Lipca 2024
Joranalogue

Joranalogue Dim 2 Instrukcja

13 Lipca 2024
Joranalogue

Joranalogue Route 4 Instrukcja

13 Lipca 2024
Joranalogue

Joranalogue Contour 1 Instrukcja

13 Lipca 2024
Joranalogue

Joranalogue Compare 2 Instrukcja

13 Lipca 2024
Joranalogue

Joranalogue Fold 6 Instrukcja

13 Lipca 2024
Joranalogue

Joranalogue Generate 3 Instrukcja

13 Lipca 2024
Joranalogue

Joranalogue Select 2 Instrukcja

13 Lipca 2024
Joranalogue

Joranalogue Mix 3 Instrukcja

13 Lipca 2024
Joranalogue

Joranalogue Orbit 3 Instrukcja

13 Lipca 2024

Instrukcje nieskategoryzowany

Najnowsze instrukcje dla nieskategoryzowany

Asko

Asko DBI644MIB.S.TW/1 Instrukcja

28 Października 2024
Asko

Asko DFS233IB.S.TW/1 Instrukcja

28 Października 2024
Emko

Emko EZM-9920 Instrukcja

27 Października 2024
Emko

Emko ESM-3712-H Instrukcja

27 Października 2024
Emko

Emko ATS-10 Instrukcja

27 Października 2024
Emko

Emko EAOM-11.2 Instrukcja

27 Października 2024
Emko

Emko EPM-3790 Instrukcja

27 Października 2024
Emko

Emko EPM-7790 Instrukcja

27 Października 2024
Livarno Lux

Livarno Lux IAN 108340 Instrukcja

27 Października 2024
Livarno Lux

Livarno Lux HG06009A-BS Instrukcja

27 Października 2024