Instrukcja obsługi Fischer Amps Hardwired In Ear Body Pack XL

Fischer Amps Zatyczka do uszu Hardwired In Ear Body Pack XL

Przeczytaj poniżej 📖 instrukcję obsługi w języku polskim dla Fischer Amps Hardwired In Ear Body Pack XL (4 stron) w kategorii Zatyczka do uszu. Ta instrukcja była pomocna dla 8 osób i została oceniona przez 2 użytkowników na średnio 4.5 gwiazdek

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Manual
HARD-WIRED IN EAR BODY PACK XL
Dear customer:
You have decided to buy a product. Thank you.
Please read this manual carefully prior to the first use, you will get important information for
use and safety of the unit. These safety and operating instructions should be retained for
future reference.
Should you have further questions, please do not hesitate to contact FISCHER AMPS.
Product Description:
The Body Pack XL has the same functional principle as the Fischer Amps Hardwired In Ear Monitor
Belt Pack plus an additional Mic-In to add-on a microphone signal to the stereo or mono mix received.
The integrated low-noise microphone preamp has standard features such as 48V phantom power,
PAD switch to reduce the input signal by 20 dB, and gain control from +12 dB to + 60 dB. An
additional feature for the microphone input is the parallel out which allows to loop the microphone
signal.
The Body Pack XL is powered with a 9V battery or a mains adaptor (not included).
This Body Pack is a compact in ear solution not only for orchestra musicians who want to mix their
own microphone signal to the incoming in ear signal, but it is also an excellent tool for engineers to
monitor microphone signals.
Basic information on the use of in-ear monitoring systems:
CAUTION:
Using this system at too high sound levels may cause permanent hearing defects. Adjust the
volume so that you can hear sufficiently. Ringing in the ears can indicate that the adjusted
hearing level is too high. Use headphone systems with good fit which suppress the ambient
noise well. This allows that the required listening volume can be low which is kind to your
ears.
Description of the Actuators (Front Side) :
(1)
3.5mm (1/8“) Stereo Jack: Connection of the headphone system (minimum impedance 12 ohms per
channel)
Maximum output power 40 mW per channel into 20 ohms.
Tip = left signal, Ring = right signal, Sleeve = ground
(2)
Battery Control LED: This LED controls the capacity of the battery or rechargeable battery. After
switching on with a newly inserted battery the green LED lights. With
increasing operating time and decreasing battery power (remaining
capacity approx. 20%) the LED lights orange. When the LED lights red, the
battery should be replaced.
(3)
Volume Control: Adjusts the volume of the left and right side of the headphone for channels
1 und 2. The microphone signal is adjusted with a separate volume control.
(4)
Change-over switch Stereo/ Mono-Mix Mode
Stereo Mode: The device outputs the signal fed into the left input at the left headphone
and the right signal at the right headphone.
Mono Mix Mode: Channel 1 and channel 2 are mixed and output to both sides of the
headphone.
By means of the Pan (balance) controller the ratio between both channels
can be adjusted.
(5)
Pan (Balance) Controller
In Stereo Mode: Adjusts the balance of volume of channel 1 and 2 between the left and the
right headphone system.
In Mono Mix Mode: Adjusts the volume level ratio between channel 1 and channel 2. Channels
1 and 2 are output mutually to both headphone sides. In middle position
both channel levels are equal;
at left stop only channel 1, at right stop only channel 2.
(6)
Microphone Gain: Adjusts the gain of the microphone signal from 12 dB to 60 dB.
When the PAD switch is activated, the adjusted gain is reduced by -20 dB.
(7)
LED Microphone Signal: Controls the level of the microphone signal after the microphone preamp.
When LED 0 dB lights, the working level is adjusted correctly. Peak levels
cause the LED to light red for a short period of time, however, the LED may
not constantly light red.
(8)
PAD Switch: The PAD switch reduces the adjusted gain value by -20 dB (which is
required for signals with a higher level).
(9)
LOW Cut Switch: Adds on a 70Hz Low-Cut with 18 dB/oct. after the microphone preamp; this
reduces deep bass signals.
(10)
Microphone Volume: Controls the volume of the microphone signal at the headphone output
(L/R)
Description of the Actuators (Back):
(1)
DC-In Connector: Possibility to connect a 230V mains adaptor with DC output 9V with
(lockable) minimum 250mAh output current. When a battery or rechargeable battery is
inserted, the battery is switched off after plugging in the adaptor.
When unplugging the adaptor, the Body Pack XL operates with the battery.
Polarity (+ tip, - ring)
Fischer Amps offer a suitable mains adaptor with lockable DC plug.
(2)
Power On: Activates the voltage supply of the device. This switch is flush so that it is
protected against being inadvertently switched off.
Activation of 48V phantom power is only possible, when the device is
switched on.
(3)
+48V for MIC INPUT
(Activation of Phantom Power): Add-on of 48V phantom power for the microphone input.
Activate phantom power only when a microphone is connected which
requires phantom power. 48V phantom power should only be activated at
one of the devices which are connected to the microphone.
(4) – (5)
XLR Inputs (L/1) and (R/2): Connect the input signal from the mixing console.
Assignment: 1 = Ground
2 = Signal +
3 = Signal -
With asymmetric wiring, assign PIN 3 to Ground (bridge in connector plug).
Maximum input level +5dB
(7) MIC-INPUT: Symmetric XLR connector to plug in the microphone
(6) MIC-LINK-OUT: XLR output to loop the microphone signal to another microphone input.
Mic In (7) and Mic Out (6) are coupled and function even when the device
is switched off.
Mono Operation of Body Pack XL:
With mono monitor mixing, the signal is connected to one of the two input channels, the change-over switch is
set to „Mono-Mix“ (press (4) front side), and the pan controller is in middle position. Thus the mono signal is
output to both headphones.
Mono-Mix Operation:
This operation mode is the easiest way to create a user-specific monitor mix. An over-all mono mix of the band,
for instance, is supplied to channel 1, the signal of the musician to channel 2. Thus the musician can
individually adjust the optimum listening signal by means of the PAN controller (ratio of over-all mix and
instrument). The PAN controller has no effect on the microphone signal. The microphone signal is output at the
Headphones output with the same level for left and right.

Specyfikacje produktu

Marka: Fischer Amps
Kategoria: Zatyczka do uszu
Model: Hardwired In Ear Body Pack XL

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