Instrukcja obsługi Summit Audio DCL-200
Summit Audio
edytor
DCL-200
Przeczytaj poniżej 📖 instrukcję obsługi w języku polskim dla Summit Audio DCL-200 (10 stron) w kategorii edytor. Ta instrukcja była pomocna dla 3 osób i została oceniona przez 2 użytkowników na średnio 4.5 gwiazdek
Strona 1/10
Summit Audio Model DCL-200
Dual Compressor-Limiter
Operating Manual
IMPORTANT!: CAREFULLY READ THE ENTIRE INSTRUCTION MANUAL
BEFORE HOOKUP OR OPERATION OF THE DCL-200.
WARNING!: HIGH VOLTAGE. THIS UNIT CONTAINS NO USER SERVICEABLE
PARTS. SERVICING SHOULD ONLY BE DONE BY QUALIFIED SERVICE
PERSONNEL OR FACTORY. DO NOT OPERATE THE DCL-200 WITH THE
COVERS REMOVED.
Summit Audio Inc.
1183 Baltic Suite A
Gardnerville, NV 89410
Copyright 1992, 1997, 1999 Summit Audio Inc. ALL RIGHTS RESERVED. Printed in
the U.S.A. Doc.# 522A00
Product Introduction
The Summit Audio DCL-200 is a dual channel compressor/limiter with
stereo linking capabilities. Based on a hybrid design, the DCL-200 combines
the most desirable sonic characteristics of vacuum tubes with the increased
reliability of solid state devices. DCL-200 circuitry incorporates selected
12AX7A vacuum tubes with high reliability 990 op-amps in a
transformerless signal path, giving you an incredibly clean, precise sound,
with the overtones and warmth of tube technology.
Features include:
Continuously variable attack and release times
Adjustable threshold
Variable slope (ratio)
Output gain control
Soft-knee transition characteristic
Stereo link switch
Dual true VU meters
Side chain insert
Bypass switch
Hand crafted in the USA
Having found this manual, carefully unpack the DCL-200 and it’s power cord. Save the
carton and packing material should it be needed for future shipping. Before powering the
unit, read this manual. Please observe the cautions for HIGH VOLTAGE. Proceed by
doing the following:
1. Set the line voltage switch to the proper position
2. Determine the proper fuse size by referring to the specifications
3. Check for pilot illumination when powered up.
THE CONTROLS
1. BYPASS: Removes the compressor/limiter from the signal path, although the tube
circuit is left in the signal path. The meter will show gain reduction and
output level as if the compressor/limiter is in the signal path.
2. GAIN: Sets the input level of the DCL-200. When linking both sides of the DCL-
200 for stereo operation, this control will still need to be set individually
for each side.
3. AC
THRESHOLD: This controls the amount of gain reduction that will take place and the
level at which compression starts. A high setting (far left) will require a
large amount of signal to pass for compression to start and a low setting
(far right) will require less signal to start compression.
4. SLOPE: Controls the compression ratio of the DCL-200. The higher the setting, the
higher the compression ratio. This ratio changes depending on the signal
level and the setting of the AC Threshold, and can vary from less than 1.1
to 1 to as high as 7 to 1.
5. ATTACK: This determines the time it takes the DCL-200 to respond to an incoming
signal. A setting of 0 on this control yields a fast attack time of about .1mS
and a setting of 10 produces a slower attack time (about 100mS).
6. RELEASE: The release control determines the amount of time it takes the DCL-200 to
return to unity gain after compression. A setting of 0 is the fastest release
time (up to 35mS) and 10 is the slowest (up to 10S). As the release time is
increased, the DCL-200 becomes more and more program dependant.
1) NOTE: The attack and release values are not on the dial because they
interact with each other and vary with different amounts of gain
reduction, AC Threshold and Slope control settings. The given values
for attack and release times are measured with 12 dB of gain
reduction and full signal change.
2) NOTE: The DCL-200 has the capability of extremely fast attack and
release times. This may tend to modulate complex waveforms,
especially those with lots of low frequency content. A “clicking” sound
may result. Increase the release (clockwise); this should alleviate the
artifact.
7. METER
SWITCH: This switch selects the VU to meter either output level or gain reduction.
8. LINK: Links both channels of the DCL-200 for stereo operation. When in stereo
(linked) mode, the AC Threshold, Slope, Attack, and Release controls of
the top channel (channel 1) will control both channels. The bypass switch,
meter switches, and the gain controls need to be set individually.
9. POWER: Switches the DCL-200 on and off.
10. OL LIGHT: The overload or cliplamp is an LED that will light between .25 and .5 dB
before clipping. The lamp has a pulse stretcher circuit to make it easier to
see on quick peaks. The OL lamp is always in the main signal path.
Specyfikacje produktu
Marka: | Summit Audio |
Kategoria: | edytor |
Model: | DCL-200 |
Potrzebujesz pomocy?
Jeśli potrzebujesz pomocy z Summit Audio DCL-200, zadaj pytanie poniżej, a inni użytkownicy Ci odpowiedzą
Instrukcje edytor Summit Audio
6 Sierpnia 2024
Instrukcje edytor
- edytor Yamaha
- edytor Hikvision
- edytor Roland
- edytor Bose
- edytor Asus
- edytor Allen & Heath
- edytor Black & Decker
- edytor HP
- edytor Heritage Audio
- edytor Shure
- edytor Alpine
- edytor Datapath
- edytor Digitus
- edytor LD Systems
- edytor DataVideo
- edytor Pyle
- edytor Zoom
- edytor ART
- edytor TC Helicon
- edytor Vivolink
- edytor Eventide
- edytor DBX
- edytor Lindell Audio
- edytor Smart-AVI
- edytor Ashly
- edytor Gefen
- edytor SEADA
- edytor Radial Engineering
- edytor Arturia
- edytor Lectrosonics
- edytor Blackmagic Design
- edytor TOA
- edytor Neutrik
- edytor Tascam
- edytor SPL
- edytor BSS Audio
- edytor Chandler
- edytor RGBlink
- edytor Rupert Neve Designs
- edytor Dangerous Music
- edytor Matrox
- edytor Intel
- edytor Fredenstein
- edytor QSC
- edytor Golden Age Project
- edytor Sonifex
- edytor Solid State Logic
- edytor Black Lion Audio
- edytor Mathew Lane
- edytor Warm Audio
- edytor Drawmer
- edytor SIIG
- edytor Manley
- edytor MuxLab
- edytor Helix
- edytor Christie
- edytor Rane
- edytor AMD
- edytor Lexicon
- edytor Empirical Labs
- edytor AudioThing
- edytor Avenview
- edytor Audibax
- edytor FabFilter
- edytor Metric Halo
- edytor Henry Engineering
- edytor MyMix
- edytor Decimator
Najnowsze instrukcje dla edytor
7 Stycznia 2025
7 Stycznia 2025
7 Stycznia 2025
7 Stycznia 2025
7 Stycznia 2025
7 Stycznia 2025
7 Stycznia 2025
7 Stycznia 2025
7 Stycznia 2025
7 Stycznia 2025