Instrukcja obsługi Dangerous Music Master Cutter
Dangerous Music
edytor
Master Cutter
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The Dangerous Music Master
Setup and Operation manual
The Dangerous Music mastering transfer console represents the culmination of over 25
years of experience in the design and implementation of custom mastering equipment in
many of the world’s top mastering studios by the designers at DMI. This experience has
been distilled down to a two-rack space unit of exceptional ergonomic and sonic
performance. In conjunction with the Dangerous Music , the addition of one’s Monitor
favorite analog processing equipment and A/D/A converters, the Master makes the setup
of a world-class analog mastering system easier than it has ever been. This manual
explains the features, controls, connections, and suggestions for the operation of this unit.
Introduction 1
Safety Review 2
Overview 3
Rear panel connections 4
Front panel controls 5
Internal jumpers 6
Specifications 7
Safety Review
Certain precautions should be taken when using electrical products. Please observe the safety hints by
reading the manual and obtaining qualified help if necessary to adhere to the precautions. The power
supply must be switched to the proper mains voltage. Please check the red window on the power
supply to verify the correct setting for your location before connecting the mains plug.
1. . Please do Always use a properly grounded power supply cord with this product
not defeat the ground pin on the mains plug. This connection provides earth to the chassis and
signal grounds inside the device for clean and quiet operation. The “Grounding and interface”
section can help the user/installer clear up a buzz problem if one develops.
2. Avoid high temperature operation in equipment racks by providing air
circulation. The number one killer of electronic gear is HEAT. Vented rack panels may look like
wasted space to an interior decorator, but they look like to a technician or equipment beauty
designer! If the front panel is hot, it is roasting inside the box.
3. . The steel chassis of is designed to shield Avoid areas of high magnetic fields Master
the circuits from EMI and RFI (magnetic and radio interference). When installing equipment in
racks, it is prudent to put power amplifiers and large power supplies at least several rack spaces,
if not in a different rack, away from equipment that deals with low level signals. Separation of
high level and low level equipment can pre-empt trouble caused by heat and EMI.
4. Care should be taken to avoid liquid spills around equipment. If a spill occurs,
please shut off the gear and disconnect the mains. A qualified technician should investigate
accidents to prevent further equipment damage or personnel hazards caused by spills.
5. If one is uncomfortable with opening gear and changing jumpers or making
adjustments, please seek qualified help if necessary.
6. If adjustments or jumper changes are required, please disconnect the mains plug
before opening the top. Dropped screws or tools on a live circuit board can manifest themselves
as burn marks and smoked components. While we feel your pain, (been there) subsequent damage
is not covered by the warranty.
Dangerous Music Incorporated reserves the right to change the specifications or modify the designs
of its equipment. Sending in the registration card is our way of keeping in touch with users of our
equipment should this become necessary. Registration information is always kept confidential and never
disclosed to third parties for any reason. Company contact information is on the last page of this manual.
-2-
The CE sign on this product signifies the fact that the Master has been tested and
verified to conform to the applicable standards of 89/336/EEC. EN55103-1
(emissions) EN61000-2 (immunity) and EN60065:2002 (safety requirements)
Overview
The Dangerous is easy to set up and use. It is designed to be the platform that Master
turns a few pieces of analog outboard processing gear, a D/A or analog source, and an
A/D hooked up to an editing computer, into the backbone of a mastering rig.
An analog source is fed to the input where the input gain control lets one precisely set the
level and balance into the insert stack.
Your favorite analog processing gear is hooked up to the inserts. When an insert button is
pressed, that loop is in line. The second loop can work in stereo or “Sum and Minus”
mode. In S&M, one can alter the center pan information of a mix without affecting the
sides and vice versa. For instance, the lead vocal is too bright but the guitars panned to
the sides are dull? The bass in the middle is muddy and the guitars on the sides need
some bottom grunt? Use stereo EQ in S&M to fix both problems! A de-esser can fix
spitting vocals without killing the air on the drum overheads. A limiter with a fast attack
time can tame the snare on an overhead mic pair and let the rest of the kit bloom. These
are the tricks of the big time mastering engineers. We know because we built the
equipment for them! The Width control allows adjustment of the stereo image width. It
works even when Insert 2 is not pressed when S&M is selected. Remember, while S&M
is fun, too much can be a bad thing!
The writer’s favorite suggested processing goes like this:
Insert 1 gets a stereo EQ to set the tone correct for the rest of the stack.
Insert 2 gets a parametric EQ, De-Esser, and Limiter to fix any problem with a mix.
Insert 3 gets a Compressor to control dynamic range for loudness.
The Output Gain control let’s one precisely ‘hit’ the A/D converter at the correct level.
The Input/Output Monitor Selector lets one compare the dry and processed signal and
there is an Input Monitor Offset control so that comparison can be made even after
adding several dB of loudness to the mastered signal. This also allows an easy way to tell
how much apparent loudness has been added to the signal (by matching the apparent
levels and reading the difference on the IMO gain control).
Specyfikacje produktu
| Marka: | Dangerous Music |
| Kategoria: | edytor |
| Model: | Master Cutter |
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