Instrukcja obsługi Marshall MG100DFX
Marshall
wzmacniacz gitarowy
MG100DFX
Przeczytaj poniżej 📖 instrukcję obsługi w języku polskim dla Marshall MG100DFX (11 stron) w kategorii wzmacniacz gitarowy. Ta instrukcja była pomocna dla 4 osób i została oceniona przez 2 użytkowników na średnio 4.5 gwiazdek
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Owners Manual
MG
S E R I E S
100
HDFX
MG
S E R I E S
100
DFX
From Jim Marshall
I would like to personally thank you for selecting one of two
100 Watt models in my new MG range – the MG100DFX
1x12"
Combo or the MG100HDFX Head.
As a musician myself, I fully understand what it takes to
perform live in a band situation. In addition to talent,
dedication and a lot of hard work, you also need equipment
that will help you deliver the goods in each and every playing
situation you find yourself in. With this goal firmly in mind, I
set my experienced R&D team the task of designing a new
range of affordable MG amplifiers that will deliver the tone
you’re looking for at all volume levels – from quiet late night
practice to a full-blown live gig and all points in-between – in the way only a Marshall can.
Utilising groundbreaking new technologies, some of which were developed for our critically acclaimed
AVT range, the new MG Series raises the standard for what can be expected from a value-for-money
range of guitar amplifiers and defines a new benchmark. For example, the power amp section of your
new combo boasts FDD (Frequency Dependent Damping) – a radical new feature that is exclusive to
Marshall Amplification and accurately mimics the way our all-valve amplifiers interact with a
loudspeaker. As a direct result of FDD, your new MG100DFX or MG100HDFX will give you a sound
and feel never before thought possible in such an affordable, non-valve amp.
The DFX (Digital Effects) featured in both the MG100DFX Combo and MG100HDFX Head have been
custom voiced by our in-house digital effects experts. Each one of the five effect types on offer
(Chorus/Delay, Delay, Chorus, Flange and Reverb) have been designed to emulate the much sought
after warmth and feel of analogue effects, but in a highly flexible digital format. Furthermore, a wide
range of variations for each effect are quite literally at your fingertips – merely tweaking the three DFX
controls (Preset/Adjust & FX Level controls for the Chorus/Delay, Delay, Chorus and Flange options;
and a separate Level control for the Reverb) on the front panel, will give rise to sounds that range from
subtle to radical, while always remaining both natural and musical.
Like all the amplifiers in the new MG range, state-of-the-art manufacturing and stringent quality control
procedures ensure that these combos meet the high standard of build you have come to expect from all
Marshall products. The MG100DFX and MG100HDFX were completely designed and engineered at my
Headquarters in Milton Keynes, England.
Whether the MG100DFX or MG100HDFX is your first ever Marshall, or is the latest addition to your
arsenal of amps, the tone, flexibility and feel of these compact, rugged units is guaranteed to deliver the
goods – from bedroom to backstage to onstage!
I wish you every success with your new Marshall. Welcome to the family...
Yours Sincerely,
1
ENGLISH
WARNING! - Importa
!
!
!
!!
1. INPUT jack
Use a good quality guitar cable (i.e. one that’s
screened/shielded) to plug your guitar in here.
2. Clean Channel GAIN control
The Clean Channel has two selectable modes,
Clean & Crunch. When in Clean mode, the Gain
control takes you from clean, bell-like tones to a
mild, bluesy distortion at high settings. When in
Crunch mode, this control takes you from a creamy,
‘70s crunch, to the roar of a hot-rodded JCM800
and all points in-between.
3. CLEAN / CRUNCH Select
Push switch to select either clean or crunch
sounds on the normal channel (push in for Crunch).
4. Clean Channel BASS control
Turning up the Bass control will add warmth and
low-end depth to your clean sound. The Bass control
can be used in conjunction with the FDD switch (21) to
produce deep sounding, valve-like clean tones that
are well defined yet still full and round.
5. Clean Channel MIDDLE control
Adjusting the middle frequencies in your Clean
Channel will vary the amount of body to your sound.
Attenuating (decreasing) the middle by turning this
control anticlockwise will yield a more hollow sound
with the bass and treble frequencies appearing to be
more accentuated. Conversely, increasing the
middle will add body to the Clean Channel’s sound.
6. Clean Channel TREBLE control
Increasing the Treble will make your clean sounds
brighter and more cutting, turning it down will
decrease your tones edge and make it sound softer
as a result.
7. CHANNEL SELECT switch
This push switch allows you to change between
the amp’s two channels, Clean and Overdrive, via
the front panel. When this switch is ‘out’ the Clean
Channel is engaged, pushing it ‘in’ switches to the
Overdrive Channel. Channel switching can also be
done via the included two-way footswitch (when the
footswitch is connected the CHANNEL SELECT
switch is not functional).
Note: When the Overdrive Channel is selected,
the OD LED (8) will light up red.
8. OD LED
When illuminated, this LED indicates that the
Overdrive Channel has been selected by either the
Channel Select switch (7) or the supplied two-way
footswitch.
9. Overdrive Channel GAIN control
Turning up the Gain control will increase the
amount of preamp distortion generated in the
Overdrive Channel. Low Gain control settings will
produce classic rock and blues tones. Crank this
control for fat and aggressive sounds that are
perfect for soloing or hard rock and nu-metal riffing.
10. OD1 / OD2 Select
OD1 mode (switch out) offers more distortion than
most amps, OD2 (switch in) takes you to the next
level and is definitely not for the faint-hearted!
11. Overdrive Channel BASS control
Turning up this control will add extra low-end
‘thump’ to high gain riffs and a warm, natural
sounding depth to lower gain crunch tones. Using
the Bass control in conjunction with the FDD switch
(21) will allow you to dial in the exact amount of low-
end ‘thump’ and tightness you are looking for.
12. Overdrive Channel MIDDLE control
Adjusting the middle frequencies in your Overdrive
Channel will vary the amount of body to your sound.
Attenuating (decreasing) the middle by turning this
control anticlockwise will yield a more hollow sound
with the bass and treble frequencies appearing to be
more accentuated. Conversely, increasing the
middle will add body to the Overdrive Channel’s
sound.
MG100DFX & MG100HDFX Front Panel Features
1 2 3 4 5 6 7 8 109 11 12 13 14
ENGLISH
3
Specyfikacje produktu
| Marka: | Marshall |
| Kategoria: | wzmacniacz gitarowy |
| Model: | MG100DFX |
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