Instrukcja obsługi Hughes & Kettner FSM-432 MKIII

Hughes & Kettner wzmacniacz gitarowy FSM-432 MKIII

Przeczytaj poniżej 📖 instrukcję obsługi w języku polskim dla Hughes & Kettner FSM-432 MKIII (36 stron) w kategorii wzmacniacz gitarowy. Ta instrukcja była pomocna dla 4 osób i została oceniona przez 2 użytkowników na średnio 4.5 gwiazdek

Pobierz PDF

Strona 1/36

Manual 1.2

• English • Deutsch • Français • Italiano • Español • にほんご • 中文

中文

中文中文

1 General

The development of the Hughes & Kettner FSM-432 MK III

is based on the FSM-432 MK II which you might know if

you have ever used the Hughes & Kettner SwitchBlade

or CoreBlade. Optimised for the Hughes & Kettner

GrandMeister 36, the MK III version however offers all

functions of the FSM-432 MK II, so it can be used not only

for GrandMeister 36, but also for SwitchBlade, CoreBlade,

and TubeMeister 36

Like its forerunner, the FSM-432 MK III comes with a

7-pin MIDI cable. Used with one of the above-mentioned

Hughes & Kettner amps (SwitchBlade, CoreBlade,

TubeMeister 36, GrandMeister 36), you do not need an

external power source for the FSM-432, because phantom

power is provided through the amp’s 7 pin MIDI In socket.

If you wish to use a 5-pin MIDI cable, you will however

need a wall wart. For such cases, the FSM-432 provides an

innovative mains port that accepts any AC or DC adapter

rated for 9 to 15 volts and providing at least 250 mA.

If the FSM-432 MK III is connected correctly, it will run

through the following starting sequence, once switched

on: The display shows the version number, all LEDs light

up from left to right. After this, the display will either

change to “1”, if the FSM-432 is in Preset Mode or “Sb”, if

the FSM-432 is in Stompbox Mode (read more about the

two modes and their functions in section 3.1). The LED

below the button A lights up continuously in both modes.

The FSM-432 is now ready to operate.

2 Handling Basics of the FSM-432

Those who know the MK II version of the FSM-432 can

skip this section and continue reading in chapter 3. If

you don’t know the FSM-432 yet, please read these

instructions carefully to learn more about the handling

basics of all FSM-432 versions.

To date, the FSM-432’s main function was selecting

presets stored in the above-mentioned Hughes & Kettner

amps. All of these amps offer 128 memory slots arranged

in 32 banks of four presets each. The preset buttons A,

B, C, D as well as the Bank Up/Down buttons serve to

select presets.

2.1 The preset buttons A, B, C, D

Presets within a bank activate directly, that is, you can

switch straight from A to B within the same bank. The

LEDs above respectively below the A, B, C, and D buttons

indicate the selected preset.

2.2 Bank Up/Down

The FSM-432’s display always shows the currently

selected bank number. To access a preset in another bank,

select the target bank using the Up and Down buttons.

You can continue playing with the current preset while

you’re navigating. The display of the FSM-432 shows the

banks number; it flashes until you select a preset in the

target bank by pressing A, B, C, or D. The FSM-432 will

not switch over to the new preset until you do this.

Direct Mode

Direct Mode lets you trigger a direct program change via

Bank Up/Down. In this mode, the FSM 432 will not wait

for your input by way of the A, B, C, or D buttons, instead

switching directly, for example, from preset B in bank 16

to preset B in bank 17 (Up) or bank 15 (Down). Here’s how

to activate Direct Mode:

• Press and hold TAP, and then press Preset A.

• First release Preset A, and then TAP. The decimal point

in the display lights up.

Follow the same sequence to deactivate Direct Mode.

Note that it is a volatile rather than a permanent mode.

FSM-432 automatically reverts to standard mode when

you switch the amp off.

2.3 Tap

SwitchBlade, CoreBlade and GrandMeister 36 come

with an FX module including delay. When the delay is

activated, the FSM-432’s Tap button offers you a quick,

convenient way of adjusting delay time: Simply tap your

foot on the Tap button in time with the beat to match delay

time to the tempo.

Note: In combination with the above-mentioned Hughes

& Kettner amps, the FSM-432 can also be used for

programming presets. Please consult the particular amp’s

manual for detailed information on this.

3 What’s New?

The most eye-catching alteration is the new ergonomic

shape of the die-cast case. Accordant to the radius of your

foot’s motion, the FSM-432 MK III is slightly bent. The

distance between the now staggered buttons has been

extended to avoid accidental operating errors.

Particularly for the use with the GrandMeister 36, the

FSM-432 MK III offers some new technical features and

connections:

3.1 Mode switch: Preset/Stompbox

The sliding switch above the MIDI connections on the rear

side of the footswitch determines if the FSM-432 MK III is

operating in Preset Mode or Stompbox Mode.

If you move the sliding switch to "Stompbox Mode", the

display shows “Sb”. In this mode, the FSM-432’s buttons

do not serve to select presets, but to switch channels

directly. In addition, modulation FX, delay and boost can

be independently activated and deactivated at the push of

a button. So in this mode, the GrandMeister 36 operates

just like any common amplifier used with external FX

pedals and stomp boxes.

The four buttons A, B, C, D are now firmly assigned to

the GrandMeister’s four channels Clean, Crunch, Lead

and Ultra. GrandMeister 36 automatically “remembers”

the Gain, Volume, Bass, Mid, Treble, Resonance und

Presence settings for every channel without having to store

them manually. This procedure relates to the Stompbox

Mode only. It is completely independent from the sound

presets of the Preset Mode and will therefore not erase or

overwrite any of these presets.

Heads Up: You can store sound settings even when you’re

in Stompbox Mode: Just press Store for longer than 3

seconds, and the amp will store the current sound settings

in the lastly selected preset in the Preset Mode before

switching to the Stompbox Mode. If you do not wish to

overwrite the lastly selected preset, you can easily select

a new memory slot. To do so, move the mode switch over

to Preset Mode, press the Store button briefly and then

select a memory slot using the Up/Down buttons and the

preset buttons A, B, C, or D. You can learn more about this

procedure in the GrandMeister 36 manual.

In the Stompbox Mode, the internal effects, the FX loop,

and the noise gate function as global controls. That is, the

amp settings for effects, FX loop, and noise gate are valid

for all channels. Modulation FX, Delay and Boost can be

switched on and off separately using the Mod, Delay and

Boost buttons. Reverb is accessible using an additional

footswitch or expression pedal connected to the FSM-432

(see section 3.3).

3.2 MIDI In

The "MIDI In" of the MFS-432 MK III is necessary for

the use of GrandMeister 36 in combination with the

GrandMeister iPad™ app and a MIDI interface. Connect

the MIDI In of your FSM-432 with the MIDI output of the

interface and the MIDI Out of the FSM-432 with the amp’s

MIDI input. The amp’s MIDI output should be connected

with the interface’s MIDI input. Learn more about this

feature in the manual of the GrandMeister iPad™ app.

You can also use the MIDI In to connect other MIDI

devices that can send program changes. In this case, the

FSM-432 serves as a true MIDI merger forwarding the

MIDI information from MIDI In to MIDI Out.

3.3 Control 1 and Control 2

Use and mode of operation

You can connect either expression pedals or single

footswitches to these two 6.3 mm (1/4") jack plugs (see

Picture 2), both of which you can assign additional control

functions for the GrandMeister 36 to, so all of the amp’s

programmable functions can be remote controlled.

GrandMeister 36 is assigned to a controller number (that

is: a function). The following chart shows all functions

and the corresponding controller numbers. According

to the following instructions the controller numbers can

be assigned to the two inputs Control 1 and Control 2.

The parameters of the assigned functions can now be

controlled via external expression pedals or footswitches

connected to these inputs. For instance, you can control

the reverb of the amp’s FX module using an expression

• English • Deutsch • Français • Italiano • Español • にほんご • 中文

中文

中文中文

Specyfikacje produktu

Marka:	Hughes & Kettner
Kategoria:	wzmacniacz gitarowy
Model:	FSM-432 MKIII

Potrzebujesz pomocy?

Jeśli potrzebujesz pomocy z Hughes & Kettner FSM-432 MKIII, zadaj pytanie poniżej, a inni użytkownicy Ci odpowiedzą

Twoje imię*

Twój email*

Napisz tutaj swoje pytanie

Instrukcje wzmacniacz gitarowy Hughes & Kettner

Hughes & Kettner Spirit Nano Series Instrukcja

3 Października 2024

Hughes & Kettner Tubeman MKII Instrukcja

25 Września 2024

Hughes & Kettner TubeMeister RM-20 Instrukcja

25 Września 2024

Hughes & Kettner FSM-432 MKIII Instrukcja

25 Września 2024

Hughes & Kettner GrandMeister RM-40 Instrukcja

25 Września 2024

Instrukcje wzmacniacz gitarowy

Najnowsze instrukcje dla wzmacniacz gitarowy

Fender Pano Verb Amp Instrukcja

9 Października 2024

Fender Champion II 50 Instrukcja

9 Października 2024

Fender Champion II 100 Instrukcja

9 Października 2024

Fender Champion II 25 Instrukcja

9 Października 2024

Fender Mustang Micro Plus Instrukcja

9 Października 2024

Peavey Classic 20 Instrukcja

8 Października 2024

Roland BluesCube BC-CAB410 Instrukcja

7 Października 2024

SPL 1160 Instrukcja

7 Października 2024

Radial Engineering Headload Prodigy Instrukcja

7 Października 2024

VOX AC15C2 Instrukcja

7 Października 2024