Instrukcja obsługi Audix DP8

Audix mikrofon DP8

Przeczytaj poniżej 📖 instrukcję obsługi w języku polskim dla Audix DP8 (2 stron) w kategorii mikrofon. Ta instrukcja była pomocna dla 2 osób i została oceniona przez 2 użytkowników na średnio 4.5 gwiazdek

Pobierz PDF

Strona 1/2

DP Series

PROFESSIONAL DRUM AND PERCUSSION MIC PACKAGES:

When it comes to drum and percussion microphones, Audix is the industry leader. These high

precision instrument microphones are designed to ll the specic needs of artists and engineers

for both studio and live applications.

Each of the DP Series packs contain a combination of D6, D2, D4, and i5 dynamic microphones,

ADX51 or SCX1 condensers, as well as DVICE and MC1 mic clips. The D series microphones

each have a specically tuned VLM

TM (very low mass) capsule housed in a precision-machined

lightweight aluminum body. The D2 is designed to be used for toms and the D4 is designed for

oor toms or small kick drums. The D6 is the quintessential kick drum microphone and the i5

snare drum microphone is designed for sonic accuracy, consistency and durability. The ADX51

and SCX condensers are ideal for high hat, overheads and goodie table. The DVICE gooseneck

rim mount allows for quick and easy set up and perfect mic placement.

Don’t compromise the sound of your drums. The DP series mic packages will reproduce the

sound of your drums exactly how you want your audience to hear them.

DP SERIES

Drum Microphone Packs

DP5A

PACKAGED SET OF 5 DRUM MICS

Aluminum road case

1 x i5 snare mic

2 x D2 tom mics

1 x D4 oor tom mic

1 x D6 kick mic

4 x DVICE gooseneck clips

1 x MC1 mic clip

1 x DCLIP mic clip

DP7

PACKAGED SET OF 7 DRUM MICS

Aluminum road case

1 x i5 snare mic

2 x D2 tom mics

1 x D4 oor tom mic

1 x D6 kick drum mic

2 x ADX51 overhead mics

4 x DVICE gooseneck clips

1 x MC1 mic clip

3 x DCLIP mic clips

2 x WS81C windscreens

DP Elite 8

PACKAGED SET OF 8 DRUM MICS

Aluminum road case

1 x i5 snare mic

2 x D2 tom mics

1 x D4 oor tom mic

1 x D6 kick mic

2 x SCX1-C overhead mics

1 x SCX1-HC hi-hat mic

4 x DVICE gooseneck clips

1 x MC1 mic clip

4 x DCLIP mic clips

3 x WS81C windscreens

The Audix DP7

won the 2007 MIPA

award for

“Best Drum Microphones”

DP5A DP7 DP Elite 8

OPTIONAL ACCESSORIES:

DVICE

Spring loaded rim mount clamp

MC1

Nylon mic clip

DCLIP

Heavy duty mic clip provided with D

series, SCX series

SMT25

Shockmount suspension clip

DFLEX

All purpose percussion clamp

DCLAMP

Tension rod mic clamp

TRIPOD

Tripod mic stand

STAND-KD

Adjustable kick drum mic stand

CBL-20

20’ XLR-XLR mic cable

CBL-DR25

25’ right angle XLR-XLR

mic cable

SPECIFICATIONS:

DP Series



Application

Features

Transducer Type

Frequency Response

Polar Pattern

Output Impedance

Sensitivity

Maximum SPL

Off-axis rejection

Power Requirements

Housing / Finish

Weight

Rack toms, oor

tom, conga

Slight mid-bass boost,

excellent transient

response, big sound

Dynamic VLMTMType B

44 Hz - 18 kHz

Hypercardioid

250 ohms

1.2 mV / Pa @ 1k

≥144 dB

>30 dB

None

Machined Aluminum /

Black Hard Coat

128 g / 4.5 ounces

Floor tom, djembe,

cajon, tumba

Extended low end for

larger drums, accurate

frequency response,

natural sound

Dynamic VLMTM Type D

40 Hz - 18 kHz

Hypercardioid

200 ohms

1.4 mV / Pa @ 1k

≥144 dB

>20 dB

None

Machined Aluminum /

Black Hard Coat

128 g / 4.5 ounces

Kick drum, oor tom,

djembe, cajon

Extended low end for

larger drums, accurate

frequency response,

natural sound

Dynamic VLMTM Type E

30 Hz - 15 kHz

Cardioid

200 ohms

0.8 mV / Pa @ 80Hz

≥144 dB

>20 dB

None

Machined Aluminum /

Black Hard Coat

217 g / 7.7 ounces

Overheads, high-hat,

cymbals, goodie table

Accurate reproduction of

high frequency instruments,

-10 dB pad bass roll-off lter

Condenser

40 Hz - 18 kHz

Cardioid

100 ohms

17 mV / Pa @ 1k

≥136 dB

>15 dB

9 - 52v phantom

Machined Brass /

Black E-Coat

184 g / 6.5 ounces

Overheads, high-hat, acoustic

instruments

Extremely sensitive and highly

accurate

sound reproduction

Condenser

40 Hz - 20 kHz

Cardioid / Hypercardioid

200 ohms

26 mV / Pa @ 1k / 15 mV / pa @ 1k

≥130 dB

>20 dB

48 - 52v phantom

Machined Brass /

Black E-Coat

114 g / 4 ounces

Snare (top or bottom), toms,

hand percussion, guitar cabs,

acoustic instruments

Protective steel grill, easy

to set up and use, clean,

accurate sound

Dynamic VLMTM Type B

50 Hz - 16 kHz

Cardioid

150 ohms

1.5 mV / Pa @ 1k

≥140 dB

>23 dB

None

Die Cast Zinc Alloy /

Black E-Coat

183 g / 6.5 ounces

i5 D2 D4 D6 ADX51

SCX1-C /

SCX1-HC

USER TIPS:

The following are some ideas as to how the microphones in the packs interact with each other.

DP5A [1 x i5, 2 x D2, 1 x D4, 1 x D6]: This package is ideal for literally any 5 piece kit for stage or recording.

Kick Drum:

To position the D6, a good starting point is a few inches inside the port of the front head with the mic pointing o-center and not directly at the beater. For more attack, move the mic closer towards the beater head.

For more bass, pull the mic away from the beater head.

Snare and Toms:

As a general rule, the i5 and D2 are meant to be close miked. A good starting point is 2 inches above the rim with the mic pointing towards the center of the head. For more “rim” sound, pull the mic back closer

to the rim. For more resonance and depth of eld, pull the mic further away from the head. The trick is to nd the right balance between resonance and attack while still controlling bleed from the other drums.

Floor Tom:

Place the mic about 2 inches above the head and point the mic across the head towards the center of the drum. This is the best position to capture the fundamental resonance and decay of the drum will minimal ring.

Note that you will need to purchase the DCLAMP or DFLEX mounts in order to attach the mics to hand percussion instruments or non-conventional rims.

DP7 [1 x i5, 2 x D2s, 1 x D4, 1 x D6, 2 x ADX51]: This package is identical to the DP5A with the addition of two ADX51 condensers for overhead miking. With the addition of the overhead mics, you now have the opportunity

to create more depth of eld and more presence within the mix. You have the choice of using both ADX51s for overheads, or one for high hat and one for overhead.

Both as overheads:

The most common positioning concept is to keep the snare as the focal point and move the mics into various left and right positions equal distance from the snare; 4 feet is a good starting point. For best

results, keep the mics in a vertical position, keeping in mind that you are not necessarily just miking the cymbals but the whole kit. You will nd after some experimentation that the kick, snare, and overheads will provide most

of your sound while the tom mics are used for sweetening.

One for high-hat, one for overhead:

The ADX51 for high hat should be placed 2-3 inches above the top cymbal and towards the outside edge. The overhead mic can be placed overhead above the cymbals, generally above the

rack toms. In the case where there are more cymbals on one side of the kit than the other, the mic can favor the side with the most cymbals.

DP Elite 8 [1 x i5, 2 x D2s, 1 x D4, 1x D6, 2 x SCX1-C, 1 x SCX1-HC]: This package is also identical to the DP5A with the addition of three SCX series microphones. Included are two SCX1-C condensers for overheads and

one SCX1-HC for high-hat. The SCX series microphones are more sensitive than the ADX series, have a lower noise oor and a wider sound eld making them excellent for studio as well as live.

Overheads:

The same concept applies as described above with the DP7. Again, the SCX1-C is extremely sensitive so do not be afraid to pick up a majority of the sound through the overheads if the stage volume will allow it.

High-Hat:

The SCX1-HC is also extremely sensitive so be sure the mic is up and away from the area where the cymbals open and close, otherwise the mic will pick up wind noise and sound harsh. Careful positioning will isolate

the hi-hat from the rest of the kit and make it easier to feature it in the mix.

SERVICE AND WARRANTY:

These microphones are under warranty for a period of 3 years

for condensers and 5 years for dynamics from any and all

manufacturing defects. Should your microphone fail in any

way, please contact the Audix Service department at 503-

682-6933. A Return Authorization number is required before

returning any products.

CARE AND MAINTENANCE:

The microphones in the DP Series Packs are manufactured to exacting

specs with roadworthy construction. However, the capsule is highly sensitive

and should be handled with care. Avoid extreme temperatures and be sure

to store your microphone in the pouch provided when not in use. Moisture

of any kind can adversely aect the sound and performance of your

microphone.

***All specications subject to change without notice.

www.audixusa.com

503-682-6933 Fax: 503-682-7114

Audix Corporation 9400 SW Barber St. Wilsonville, OR 97070

A UD I X WA R RAN TY R E GI S TRATIO N F ORM

Please Check all that apply:

Male Female

Age: Occupation: Primary Instruments: Product to be used for:

18 or Under Musician Vocal Pro live sound

19-25 Producer Guitar / Bass Pro recording

26-35 Sound Eng. Drums Home recording

36-45 Radio/TV Keyboard Rehearsal

46-55 Production Brass Installation

55 + Other _______ Woodwinds School

Strings House of Worship

How did you hear about Audix? Other ___________ Other ___________

Magazine Ad Online Ad

On-line Store Friend Do you own other Audix Products? Yes No

Salesman Other __________ Model(s) ________________________________

Have you visited the Audix website? Yes No

Please register your product online at www.audixusa.com or mail this form to:

Audix Microphones P.O. Box 4010 Wilsonville, OR 97070

Name:________________________________ Model:___________________

Company:_____________________________ Serial Number:_____________

Address:______________________________ Store:____________________

City:_________________________________ Store Location:_____________

Prov./State:___________ Zip:_____________ Purchase Date:_____________

Phone: ( )___________________________ Signature:_________________

Email:________________________________ Date:____________________

Specyfikacje produktu

Marka:	Audix
Kategoria:	mikrofon
Model:	DP8

Potrzebujesz pomocy?

Jeśli potrzebujesz pomocy z Audix DP8, zadaj pytanie poniżej, a inni użytkownicy Ci odpowiedzą

Twoje imię*

Twój email*

Napisz tutaj swoje pytanie

Instrukcje mikrofon Audix

Audix M63 Instrukcja

8 Października 2024

Audix M45 Shortgun Instrukcja

8 Października 2024

Audix M55D Instrukcja

4 Października 2024

Audix M40 Instrukcja

2 Października 2024

Audix M55WO Instrukcja

23 Września 2024

Audix M40W12HC Instrukcja

22 Września 2024

Audix OM2 Instrukcja

22 Września 2024

Audix Fireball Instrukcja

22 Września 2024

Audix M55W Instrukcja

22 Września 2024

Audix TM1 Instrukcja

22 Września 2024

Instrukcje mikrofon

Najnowsze instrukcje dla mikrofon

Audio-Technica BP4073 Instrukcja

15 Października 2024

Power Dynamics PD524 Instrukcja

15 Października 2024

Audio-Technica AT4060 Instrukcja

14 Października 2024

Pyle PDWM8225 Instrukcja

13 Października 2024

Sennheiser ew 100 G4-845-S Instrukcja

13 Października 2024

AKG WMS420 Instrukcja

13 Października 2024

Audio-Technica BP892xCH Instrukcja

12 Października 2024

Apart MDS.DEL Instrukcja

10 Października 2024

Behringer Go Cam Wireless Instrukcja

9 Października 2024

BOYA BY-V4 Instrukcja

9 Października 2024