Instrukcja obsługi Soundcraft Spirit LX7

Soundcraft Niesklasyfikowane Spirit LX7

Przeczytaj poniżej 📖 instrukcję obsługi w języku polskim dla Soundcraft Spirit LX7 (24 stron) w kategorii Niesklasyfikowane. Ta instrukcja była pomocna dla 9 osób i została oceniona przez 2 użytkowników na średnio 4.5 gwiazdek

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LIVE
RANGE
BROCHURE
LIVE MIXING CONSOLES
8-Bus Professional
Mixing Console
SPIRIT 8
12-Bus Stage Monitor/
FOH/Theatre Mixer
MONITOR 2
4-Bus Professional
Mixing Console
LIVE 42
Compact Mixing
Consoles with integral
rack mounting
SPIRIT M
SERIES
7-Bus Professional
Mixing Console
LX7
BEYOND LIVE...
www.soundcraft.com
Soundcraft
Harman International Industries Ltd., Cranborne House,
Cranborne Road, Potters Bar, Herts, EN6 3JN, UK.
Tel: +44 (0)1707 665000 Fax: +44 (0)1707 660742
E: info@soundcraft.com
Soundcraft USA
1449 Donelson Pike, Nashville, TN 37217, USA.
Tel: +1 (615) 360 0471 Fax: +1 (615) 360 0273
E: soundcraft-usa@harman.com
Since the launch of the original Spirit Folio in 1992, the Folio Range of mixers has
set the standards in the field of compact mixers. Ideal for both studio and live
applications, FX16, FX8, SX, F1 and Notepad still represent the pinnacle in compact
mixers for usability, sound quality and value for money.
Spirit Studio, a design that has remained virtually unchanged since its introduction
in 1991, has become a recording classic used by the likes of Portishead, M:People
and Radiohead.
Since its launch in 1998, the multi-award-winning Digital 328 console, with its
ground breaking easy-to-use interface, has revolutionized low cost digital mixing
in studios and live applications.
Soundcraft’s award-winning range of nearfield studio monitors – Absolute Zero,
Absolute 2 and Absolute 4P – have taken the Soundcraft name into top studios
such as The Roundhouse and Ridge Farm, and won many friends in the production
world. John Leckie and Tony Tavenor are just two internationally acclaimed
producers to use Soundcraft monitoring.
Soundcraft is committed to excellence in audio. In eighty-eight countries, in
countless studios, venues and recordings Soundcraft provides the inspiration. You
simply have to do the rest.
For details of the complete Soundcraft range contact your Soundcraft dealer or
visit the Soundcraft website where you’ll find comprehensive details of every
product, including downloadable PDF brochures, technical support and user group
information.
On the
ROAD
and in the
STUDIO
Around the
WORLD
32 Input Live Digital
Mixing Console
324 LIVE
A Range of
Professional Nearfield
Monitors
ABSOLUTE
Professional Multitrack
Recording Mixing
Consoles
STUDIO
Soundcraft’s Spirit range of live
and powered mixing consoles are
just part of their extensive range
of Professional Audio Equipment.
In the studio as well as on stage, Soundcraft’s designs have become
synonymous with versatility, innovation and sonic excellence.
Soundcraft reserves the right to improve or otherwise alter any information in this document or any
other documentation supplied hereafter. E&OE 02/02
This equipment complies with the EMC Directive 89/336/EEC
Spirit by Soundcraft Registered Community Trademark / RTM Nº 000557793
Soundcraft Registered Community Trademark / RTM Nº 000557827
Part Nº A4: ZL0527 US: ZL0528 02/02
16 Mono Channels
with onboard
Lexicon Effects
FX16
8 Mono Channels
with onboard
Lexicon Effects
FX8
12 Mono &
4 Stereo Inputs
SX
6 or 8 Mono &
4 Stereo Inputs
F1
4 Mono &
2 Stereo Inputs
NOTEPAD
MIXING CONSOLES
Mixing Consoles with
integral power amps
and Lexicon effects
POWERSTATION
1200 AND 600
Compact 10 Input
Mixing Console with
2 x 30W power amp
POWERPAD
POWERED MIXERS
32 Channel Digital
Mixing Console
DIGITAL 328XD
CONTENTS
2 3
AT THE HEART OF LIVE SOUND
Monitor 2
12-Bus Stage Monitor / FOH / Theatre Console
Features Pages 16 - 17
Controls & Connections Page 18
Specifications; Block Diagram Page 19
Spirit 8
8-Bus Professional Mixing Console
Features Pages 10 - 11
Controls & Connections Pages 12 - 14
Specifications; Block Diagram Pages 15
Live 42
4-Bus Professional Mixing Console
Features Pages 20 - 21
Controls & Connections Pages 22 - 23
Specifications; Block Diagram Page 24
M Series
Compact Mixing Consoles
Features Page 25
Controls & Connections Page 26
Specifications; Block Diagram Page 27
LX7
7-Bus Professional Mixing Console
Features Pages 28 - 29
Controls & Connections Pages 30 - 31
Specifications; Block Diagram Page 32
Applications Using Live Mixers in various applications
Live Mixing Page 33
Houses of Worship 34
Installed Sound 34
Outdoor Events Page 34
Theatre Sound 35
Presentations 35
33 - 35
10 - 32
4 - 9
Other Soundcraft Products
See Back Cover
Choosing & Using a
Live Mixer; FAQs
The Mixers in detail
Live Mixer
Applications
36 - 37
Choosing
Powered
Mixers
46 - 47
Powered Mixer
Applications
back cover
More Soundcraft
products
Choosing & Using Soundcraft Live Mixers
Quick Selection Table Page 4
Major features explained Pages 5 - 7
Frequently Asked Questions Pages 8 - 9
?
PowerStation
Powered Mixing Consoles
Features Pages 38 - 39
Controls & Connections Pages 40 - 41
Specifications; Block Diagram Page 42
aPowerpad
Compact Powered Mixing Console
Features Page 43
Controls & Connections Pages 43 - 44
Specifications; Block Diagram Page 44
Powered Mixers
Choosing Powered Mixers Page 36
Powered Mixer Features Page 37
?
Applications Using Powered Mixers in various applications
Live Mixing Page 45
Installed Sound 46
Outdoor Events 46
Presentations Page 46
Power Supply Data 47
(all models)
38 - 44
Powered Mixers
in detail
For nearly thirty years,
Soundcraft consoles have been
at the heart of live production
around the world. From
venues, theatres and houses of
worship to global stadium
tours by artists such as Bruce
Springsteen, Bryan Adams and
Garbage, Soundcraft consoles
are chosen for their
uncompromising sound quality,
comprehensive facilities,
intuitive operation and rugged
reliability.
Since its launch in 1991, the Spirit
range has continued the Soundcraft
tradition and has been responsible for
many ground-breaking new products
including the revolutionary Folio and
the multi-award winning Digital 328.
From young musicians to international
artists such as Jean-Michel Jarre, the
Manic Street Preachers and the
Chemical Brothers, the Spirit range has
become synonymous with professional
features, sound quality and reliability,
all at affordable prices.
Soundcraft’s success stems from years
of experience specialising in the design
and manufacture of mixing consoles.
Our Product Managers are in constant
communication with sound engineers
and musicians around the world,
ensuring the development of consoles
that truly match the needs of our
customers.
At Soundcraft’s manufacturing facility
outside London, we use world class
production techniques including the
latest surface mount technologies to
ensure every console is packed with
features. At the same time, we ensure
reliability with continual investment in
the latest testing systems, ensuring
every Soundcraft console is built and
tested to the same exacting standards.
This brochure outlines the key features
and specifications of the Spirit range
of Soundcraft live mixing consoles. For
more detailed information on
individual products, please contact
Soundcraft or your nearest dealer, or
visit the Soundcraft website shown on
the back cover.
TEXAS
GOMEZ
ASIAN DUB FOUNDATION
* No endorsements implied.
Famous Soundcraft users
today include artists like The
Orb, Manic Street Preachers,
Gomez, Jean-Michel Jarre,
Sasha, Catatonia, M:People,
the Chemical Brothers, Asian
Dub Foundation, Texas, Pulp
and Portishead*. To discover
for yourself why they all
chose Soundcraft, read on.
5
USING LIVE MIXERSCHOOSING A LIVE MIXER
4
QUICK REFERENCE TABLE
Applications
Large Bands FOH • •
Medium Bands FOH • • •
Small Bands FOH • • •
Touring • •
Stage Monitors • • •
Large Venue Installed •
Medium Venue Installed • • • •
Small Venue Installed • •
Club • • • •
Houses of Worship • • • •
Theatre • • • • •
Mono Inputs 4 •
8 •
12 • •
16 • •
24 • • • •
32 • • •
40 • • •
Sub Groups 8 12 (monitor) 4 4
Master Outputs 2 2 2 2 2
Matrix 2 - 2 - -
Stereo Inputs 4 - 2 (12 ch) 4 2
4 (16+ ch)
EQ Bands Lo Fixed 80Hz 80Hz 80Hz 60Hz 80Hz
Mono Lo Mid Sweep 80Hz-1.9kHz 80Hz-1.9kHz 80Hz-1.9kHz - 80Hz-1.9kHz
(±15dB) Hi Mid Sweep 550Hz-13kHz 550Hz-13kHz 550Hz-13kHz 240Hz-6kHz 550Hz-13kHz
Hi Fixed 13kHz 13kHz 13kHz 12kHz 13kHz
EQ Bands Lo Fixed 80/120Hz - 80/120Hz 60Hz 80Hz
Stereo Hi Fixed 6/12kHz - 6/12kHz 12kHz 12kHz
(±15dB)
High Pass Filters Mono inputs Mono inputs Mono inputs Mono inputs Mono inputs
Auxiliary Sends Pre Fade 2 12 3 2 4
Post Fade 2 12 3 2 6
Pre/Post switchable 2 12 1 - 4
Mute Groups 4 - 4 - -
FX Returns 8 x stereo 2 x stereo 4 x stereo 4 x stereo 2 x stereo
Inserts Mono inputs, Mono inputs,mix, Mono inputs, Mono inputs, Mono inputs,
groups, mix monitor sends groups, mix mix, mono out mix
Phantom Power Individual Individual Individual Global Global
For full information turn to pages... 10 - 15 16 - 19 20 - 24 25 - 27 28 - 32
Quick Reference
Mixer Selector LX7M SeriesLive 42
Spirit 8 Monitor 2
Clear layout is an important aspect of
mixer design that is often overlooked.
All Soundcraft desks follow the
familiar conventions of using white
fader tops for channels, and red fader
tops for groups. While it may sound
trivial, under pressure and in dimly-lit
clubs, it makes a big difference.
Furthermore, all Soundcraft live mixers
feature custom pots and faders,
ensuring that their sound quality is
matched by a usable, effective
interface. Both rotary pots and linear
faders have useful resolution all along
their travel,
giving you the confidence to fine
tune a mix properly.
USING HIGH-PASS FILTERS
Many engineers would say that a high-
pass filter is the most important
channel feature, enabling unwanted
low-frequency noise to be removed
from a signal. Mics on stage can pick
up a good deal of rumble, and by
using a HPF you can still employ the
low frequency
part of the
channel EQ for
creative work,
rather than
using it for
keeping stage
rumble at bay.
Whereas most
high-pass filters have a 12dB/octave
slope, Soundcraft filters have an ultra-
steep 18dB/octave slope which means
that more of the lower frequencies are
attenuated – a shallower slope allows
more bass frequencies to slip through,
making it less effective. By positioning
the filters at 100Hz, Soundcraft’s
HPFs act on the full range of lower
frequencies that can cause clarity
problems in mixing. (The more
commonly-used 50Hz or 75Hz filter
points work only on the very lowest
frequencies.)
USING LIVE MIXERS
You don’t have to take centre stage to
feel the heat of live performance – ask
any engineer, and they’ll tell you that
live mixing places special demands on
equipment and on personnel. In the
recording studio or in the dubbing
suite there’s always a second chance,
but in live sound you get only one
chance to get it right.
So when the pressure’s on, why do so
many engineers choose Soundcraft?
Perhaps because we’ve had nearly 30
years experience at the forefront of
professional live sound, listening to
engineers, and turning their comments
into practical products at all levels of
the market. From houses of worship
to concert halls, and from clubs and
bars to touring theatre companies, we
know what it takes to make a live
mixer perform: the right combination
of control features, presented in as
intuitive a manner as possible, plus
crystal-clear audio quality, to satisfy
audiences and performers who expect
‘CD-quality’ digital audio from even
the cheapest portable players or
keyboards. And to all this we add
something just as important – value
for money.
Thanks to smart design and advanced
manufacturing techniques – such as
automated surface mount technology
– you get more features per square
inch on a Soundcraft desk. And thanks
to efficient production, we can deliver
the best in audio quality and control at
a very reasonable price.
Let’s look at a few of the more
important features of live mixers, and
how they are used.
USING INPUTS
When choosing a live mixer, one of the
first things you should think about is
how many inputs and outputs you
need. Also, what types of inputs and
outputs are required – where do they
need to fit into the mixer’s signal path,
and what kind of physical connectors
should be present. Mono input
channels are generally best suited to
microphones, or guitars and bass
guitars connected via DI boxes. Both
XLR and jack inputs are offered on
most consoles, providing excellent
flexibility. Most inputs are balanced
30Hz 100Hz
0dB
-3dB
To help you find the right live
mixing console for your needs,
we’ve summarised the key
features and recommended
applications of each model
below.
For full product information and
specifications, please turn to the page
numbers shown.
preferred since a balanced cable will
reject interference and noise where an
unbalanced cable may pick up
unwanted signals from lighting and
other equipment.
STEREO INPUTS
Many sources in live and installed
sound are stereo – stereo keyboard
and sampler outputs, for example, CD
or MiniDisc players for background or
pre-show music, and stereo cart
players for effects in theatre. Although
you can use two mono channels for a
stereo source, stereo channels take up
half as much space on the desk, which
means more inputs in total. Stereo
channels are also easier to use, as you
only have a single set of controls for
level, aux sends and equalisation of
the stereo signal.
Other inputs, such as stereo returns
and effect returns, are intended mainly
for routing a signal back into the mixer
after it has passed through an external
processor (such as a reverb or delay),
but they can be also used for extra
instrument inputs. 2-track inputs,
where available, give a clean and direct
signal path from a stereo playback unit
to the mixer’s main outputs.
TAKING CONTROL
No matter how many advanced
features a desk has, they’re useless if
the mixer is too hard to use – so we
make sure that Soundcraft designs are
always easy to get to grips with. When
you’re working with a lot of inputs, or
when you have to accommodate
several bands or scenes in a show,
Mute Groups help to keep control of a
mix. Groups of channels can be set up
for different bands or scenes, and
switched in and out rather than
clumsily faded up and down.
BALANCED
SOURCE
BALANCED
MIC/LINE
INPUT
INTERFERENCE
SCREEN
Interference appears at the input
with same polarity on both the +
and - wires, and is rejected

Specyfikacje produktu

Marka: Soundcraft
Kategoria: Niesklasyfikowane
Model: Spirit LX7

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