Instrukcja obsługi Pelco Spectra Enhanced D6230L
Pelco
Kamera monitorująca
Spectra Enhanced D6230L
Przeczytaj poniżej 📖 instrukcję obsługi w języku polskim dla Pelco Spectra Enhanced D6230L (49 stron) w kategorii Kamera monitorująca. Ta instrukcja była pomocna dla 6 osób i została oceniona przez 2 użytkowników na średnio 4.5 gwiazdek
Strona 1/49
C2280M | 12/16
OPERATIONS MANUAL
Spectra Enhanced
Operations Manual
Contents
Important Notices . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .5
Regulatory Notices . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .5
Radio and Television Interference . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .5
Regulatory Notices . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .5
Radio and Television Interference . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .5
Warranty Statement . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .5
Legal Notice . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .6
Audio Notice . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .6
Video Quality Caution . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .6
Open Source Software . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .6
CCC Power Cord Statement . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .6
KCC Certification . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .6
Korean Class A EMC . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .7
Korean Class B EMC . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .7
2.4 GHZ Radio Device . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .7
ESD Warning . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .7
Accessing the Camera . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .8
Accessing Camera Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .8
Camera Configuration Sequence . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .9
Live Video Page . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .10
Keyboard Shortcuts . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .10
Live Video Controls . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .10
PTZ Controls . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .11
Selecting a Stream . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .11
System Menu . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .13
Information Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .13
Snapshot Viewer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .13
Enabling and Disabling LEDs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .13
Changing the Camera Name . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .13
Configuring the SMTP Server . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .13
Configuring Time Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .14
Customizing the Text Overlay . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .14
OSDi . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .14
Configuring OSDi Overlays . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .14
Customizing the Image Overlay . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .15
Generating a System Log . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .15
Restarting the Camera . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .15
Restoring All Camera Defaults . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .16
Backing Up and Restoring Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .16
Backing Up Camera Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .16
Restoring Camera Settings from a Backup . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .16
Network Menu . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .17
Changing General Network Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .17
General Network Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .17
Host Name . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .17
Port Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .17
IPv4 Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .17
IPv6 Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .17
SNMP . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .18
Configuring SSL . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .18
Enabling SSH . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .18
Shaping Traffic . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .19
Configuring 802.1x Security . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .19
Configuring SNMP V2c . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .19
Configuring SNMP V3 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .20
Imaging Menu . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .21
Configuring General Imaging Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .21
Digital Zoom . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .21
Freeze Frame . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .21
Image Stabilization . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .21
Highlight Mode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .21
Defog Mode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .22
Noise Reduction . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .22
Digital Processing Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .22
Restoring Imaging Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .23
Configuring Exposure Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .23
Focus Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .25
Setting White Balance . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .26
Using the Window Blanking Feature . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .26
Calibrating Window Blanking . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .27
Setting Up a Preset . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .27
Configuring a Preset Tour . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .28
Configuring Pan/Tilt Speed Control . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .28
Setting the Pan Center Point . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .29
Configuring Pan and Tilt Limit Stops . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .29
A/V Streams Menu . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .30
Selecting Preset Video Configurations . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .30
Configuring Custom Video Streams . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .30
Video Configuration Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .31
Smart Compression . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .32
Configuring Smart Compression . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .32
RTP Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .32
Setting Static Multicast Addresses . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .33
Enabling “Always On” Multicast . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .33
Setting the Maximum Transfer Unit Size . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .33
Configuring Audio . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .33
Managing Local Recording . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .34
Local Recording Storage Limits . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .34
Users and Groups . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .36
Access Levels and User Roles . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .36
Enabling Local User Management . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .36
Configuring Local Users . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .36
Events and Analytics . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .37
Sources . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .37
Configuring an Alarm Event Source . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 37
Configuring an Analytic Event Source . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .37
Configuring a Park Action Event Source . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .38
Configuring a System Event Source . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 38
Configuring a Timer Event Source . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .38
Deleting an Event Source . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .38
Handlers . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .39
Configuring an Event Handler: Send Email . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .39
Configuring an Event Handler: Upload JPEG to FTP Server . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .39
Configuring an Event Handler: Go to Preset . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .40
Configuring an Event Handler: Open/Close Relay . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .40
Configuring an Event Handler: Run Tour . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .40
Deleting an Event Handler . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .41
Analytic Configuration . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .41
Profile Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 41
Behaviors . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .42
Behavior Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 42
Abandoned Object . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .43
Ideal Scene Setup for Abandoned Object Analytics . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .43
Adaptive Motion . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .43
Ideal Scene Setup for Adaptive Motion . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .43
Auto Tracker . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .43
Ideal Scene Setup for Auto Tracker . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .43
Camera Sabotage . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .43
Ideal Scene Setup for Camera Sabotage . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 44
Directional Motion . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .44
Ideal Scene Setup for Directional Motion . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .44
Loitering Detection . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .44
Ideal Scene Setup for Loitering Detection . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .44
Object Counting . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .44
Ideal Scene for Object Counting . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .44
Object Removal . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .45
Ideal Scene for Object Removal . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .45
Stopped Vehicle . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .45
Ideal Scene for Stopped Vehicle . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .45
Zones . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .45
Configuring an Analytic Profile . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .46
Calibrating a Scene . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .46
Running Profiles . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .47
5
Important Notices
Regulatory Notices
This device complies with Part 15 of the FCC Rules. Operation is subject to the following two conditions: (1) this device may not cause
harmful interference, and (2) this device must accept any interference received, including interference that may cause undesired opera-
tion.
Radio and Television Interference
This equipment has been tested and found to comply with the limits of a Class A digital device, pursuant to Part 15 of the FCC rules.
These limits are designed to provide reasonable protection against harmful interference when the equipment is operated in a commercial
environment. This equipment generates, uses, and can radiate radio frequency energy and, if not installed and used in accordance with
the instruction manual, may cause harmful interference to radio ea is communications. Operation of this equipment in a residential ar
likely to cause harmful interference in which case the user will be required to correct the interference at his own expense.
Changes and modifications not expressly approved by the manufacturer or registrant of this equipment can void your authority to operate
this equipment under Federal Communications Commission’s rules.
CAN ICES-3 (A)/NMB-3(A)
Regulatory Notices
This device complies with Part 15 of the FCC Rules. Operation is subject to the following two conditions: (1) this device may not cause
harmful interference, and (2) this device must accept any interference received, including interference that may cause undesired opera-
tion.
Radio and Television Interference
This equipment has been tested and found to comply with the limits of a Class B digital device, pursuant to Part 15 of the FCC Rules.
These limits are designed to provide reasonable protection against harmful interference in a residential installation. This equipment
generates, uses, and can radiate radio frequency energy and, if not installed and used in accordance with the instructions, may cause
harmful interference to radio communications. However there is no guarantee that the interference will not occur in a particular instal-
lation. If this equipment does cause harmful interference to radio or television reception, which can be determined by turning the equip-
ment off and on, the user is encouraged to try to correct the interference by one or more of the following measures:
• Reorient or relocate the receiving antenna.
• Increase the separation between the equipment and the receiver.
• Connect the equipment into an outlet on a circuit different from that to which the receiver is connected.
• Consult the dealer or an experienced radio/TV technician for help.
You may also find helpful the following booklet, prepared by the FCC: “How to Identify and Resolve Radio-TV Interference Problems.”
This booklet is available from the U.S. Government Printing Office, Washington D.C. 20402.
Changes and modifications not expressly approved by the manufacturer or registrant of this equipment can void your authority to operate
this equipment under Federal Communications Commission’s rules.
This Class B digital apparatus complies with Canadian ICES-003.
Cet appareil numérique de la classe B est conforme à la norme NMB-003 du Canada.
Warranty Statement
For information about Pelco’s product warranty and thereto related information, refer to www.pelco.com/warranty.
6
Legal Notice
SOME PELCO EQUIPMENT CONTAINS, AND THE SOFTWARE ENABLES, AUDIO/VISUAL AND RECORDING CAPABILITIES, THE
IMPROPER USE OF WHICH MAY SUBJECT YOU TO CIVIL AND CRIMINAL PENALTIES. APPLICABLE LAWS REGARDING THE USE OF
SUCH CAPABILITIES VARY BETWEEN JURISDICTIONS AND MAY REQUIRE, AMONG OTHER THINGS, EXPRESS WRITTEN CONSENT
FROM RECORDED SUBJECTS. YOU ARE SOLELY RESPONSIBLE FOR INSURING STRICT COMPLIANCE WITH SUCH LAWS AND FOR
STRICT ADHERENCE TO ANY/ALL RIGHTS OF PRIVACY AND PERSONALTY. USE OF THIS EQUIPMENT AND/OR SOFTWARE FOR ILLEGAL
SURVEILLANCE OR MONITORING SHALL BE DEEMED UNAUTHORIZED USE IN VIOLATION OF THE END USER SOFTWARE AGREEMENT
AND RESULT IN THE IMMEDIATE TERMINATION OF YOUR LICENSE RIGHTS THEREUNDER.
Audio Notice
NOTE: Improper use of audio/visual recording equipment may subject you to civil and criminal penalties. Applicable laws regarding the
use of such capabilities vary between jurisdictions and may require, among other things, express written consent from the recorded
subjects. You are solely responsible for insuring strict compliance with such laws and for strict adherence to any/all rights of privacy and
personalty.
Video Quality Caution
Frame Rate Notice Regarding User Selected Options
Pelco systems are capable of providing high quality video for both live viewing and playback. However, the systems can be used in lower
quality modes, which can degrade picture quality, to allow for a slower rate of data transfer and to reduce the amount of video data
stored. The picture quality can be degraded by either lowering the resolution, reducing the picture rate, or both. A picture degraded by
having a reduced resolution may result in an image that is less clear or even indiscernible. A picture degraded by reducing the picture
rate has fewer frames per second, which can result in images that appear to jump or move more quickly than normal during playback.
Lower frame rates may result in a key event not being recorded by the system. Judgment as to the suitability of the products for users'
purposes is solely the users' responsibility. Users shall determine the suitability of the products for their own intended application,
picture rate and picture quality. In the event users intend to use the video for evidentiary purposes in a judicial proceeding or otherwise,
users should consult with their attorney regarding any particular requirements for such use.
Open Source Software
This product includes certain open source or other software originated from third parties that is subject to the GNU General Public
License (GPL), GNU Library/Lesser General Public License (LGPL) and different and/or additional copyright licenses, disclaimers, and
notices. The exact terms of GPL, LGPL, and some other licenses are provided to you with this product. Please refer to the exact terms of
the GPL and LGPL at http://www.fsf.org (Free Software Foundation) or http://www.opensource.org (Open Source Initiative) regarding
your rights under said license. You may obtain a complete corresponding machine-readable copy of the source code of such software
under the GPL or LGPL by sending your request to digitalsupport@pelco.com; the subject line should read Source Code Request. You will
then receive an email with a link for you to download the source code. This offer is valid for a period of three (3) years from the date of
the distribution of this product by Pelco.
CCC Power Cord Statement
Models shipped to China do not include power cords.
NOTE: A CCC approved power cord must be used to power the equipment when used in China.
KCC Certification
If you know the product is being submitted for KCC certification, add one of the following KCC statements and the respective heading to
the Important Notices page of your English document. If the KCC mark is not required, do not add this information. The statement should
7
follow the French FCC translation in the Regulatory Notices section. When the document is translated, this text will already be included
and translated per the requirements.
The Korean Class A statement applies to business/commercial product use. This notice indicates that the equipment has acquired elec-
tromagnetic conformity registration, so sellers and users are required to use caution.
The Korean Class B statement applies to residential product use. This notice indicates that the equipment has acquired electromagnetic
conformity registration, so it can be used in both residential and other areas.
Korean Class A EMC
Korean Class B EMC
2.4 GHZ Radio Device
ESD Warning
WARNING: This product is sensitive to Electrostatic Discharge (ESD). To avoid ESD damage to this product, use
ESD safe practices during installation. Before touching, adjusting or handling this product, correctly attach an
ESD wrist strap to your wrist and appropriately discharge your body and tools. For more information about ESD
control and safe handling practices of electronics, please refer to ANSI/ESD S20.20-1999 or contact the Elec-
trostatic Discharge Association (www.esda.org).
8
Accessing the Camera
By default, users do not have to log in to view video; anyone who accesses the camera can view live video. If you want to prevent users
from viewing video without logging in, you must change the permissions for public users.
The recommended browsers for your camera are Internet Explorer® or Mozilla® Firefox® for Microsoft® Windows® operating systems
and Firefox for Mac® operating systems.
1. Open a web browser.
2. Type the camera’s IP address (192.168.0.20) or host name in your browser’s address bar, and then press Enter.
NOTE: You can obtain your camera’s IP address or access the camera using the Pelco Device Utility software. If DHCP is enabled
but a DHCP server is not on the network, the camera automatically assigns itself a 192.168.0.20 address. Additional cameras will
assign themselves the next available IP addresses in sequential order. For example, if three cameras are connected to a network
without a DHCP server, the first camera to connect assigns itself the IP address 192.168.0.20, the second camera assigns itself
192.168.0.21, and the third camera assigns itself 192.168.0.22.
NOTE: You can obtain your camera’s IP address or access the camera using the Pelco Device Utility software. If DHCP is enabled but
a DHCP server is not on the network, the camera automatically assigns itself both an IPv4 link local address (169.254.x.x, where the
lower two octets are random) and a 192.168.0.20 address. Additional cameras will assign themselves different IPv4 link local
addresses and the next available 192.168.0.x IP addresses in sequential order. For example, if three cameras are connected to a
network without a DHCP server, the first camera to connect assigns itself the IP address 192.168.0.20, the second camera assigns
itself 192.168.0.21, and the third camera assigns itself 192.168.0.22.
3. Click Login.
4. Type your user name and password.
NOTE: The default user name and password are both admin (all lowercase). For security purposes, it is recommended that you
change the password after logging in for the first time.
• In its out-of-the-box configuration, the camera has no user name and password assigned. For security purposes, it is recom-
mended that you set an administrative user name and password after initial configuration of the camera. Creation of an admin-
istrative user name changes the state of the camera to its “operational mode,” where credentials must be provided in order
to change its configuration.
• There is no provision for recovering a forgotten administrator user name or password. The camera can be restored to its
out-of-the box, no-password configuration by powering down, depressing the reset button with an object such as a paper clip,
and holding the button down for at least five seconds while powering the camera back up.
• If a user name and password exist, a Login link appears in the upper right area of your web browser.
5. Click Log In.
Accessing Camera Settings
Access to camera settings is determined by user permissions. If you do not have access to camera settings, the Settings link will not
appear in the upper-right corner of the interface.
Initially, anyone can access the camera settings until the Admin role is created.
1. Log in.
2. Click Settings.
3. Select the setting you want to change. Place your mouse pointer over any tab on the page to reveal submenus.
9
Camera Configuration Sequence
Once the camera is installed and power is applied, the camera undergoes a configuration sequence, taking approximately two minutes
to complete. The camera will come online once the configuration sequence is complete.
NOTE: If the camera connected to a network without a DHCP server and DHCP is enabled, the configuration sequence can take up to five
minutes to complete.
10
Live Video Page
The live video page provides access to video streams and PTZ controls (where applicable). If user permissions for the camera allow public
users to view video, the live video page will be available to all users with network access to the camera.
By default, the camera displays the panoramic image at the top of the page. Below is an immersive view of the camera which supports
electronic PTZ using a mouse (default). You can also select the Flat Projection option to show a single flat projection of everything the
camera sees if your browser does not support WebGL. The arrangement of the flat projection view is dependent on your camera model.
Keyboard Shortcuts
Keyboard shortcuts to engage video overlays are available when viewing the primary stream using the Pelco Media Player.
Live Video Controls
Viewable controls are based on camera model and user permissions.
Keyboard Shortcuts Function
SHIFT + A Displays analytics information for the currently active behavior (if a behavior is currently active).
SHIFT + S Displays live video details, including image rate, resolution, and bit rate.
SHIFT + T Displays the current date and time.
Select Stream: Click to select stream, transmission type, and player settings for your live view stream.
Maximize Viewing Area: Scales the video stream to the full size of the browser.
Return to Normal View: Returns the video stream to normal size. This icon is only available after the video stream has
been maximized.
Open Stream in New Window: Opens the video stream in an independent window.
Take a Snapshot: Captures a still image from the video stream and saves it as a JPEG file.
Center Viewing Area:1 Engages click-to-center functionality. Click the icon, and then click within the video stream to
center the camera’s field of view.
1 These icons are always available when using the Pelco Media Player. If you are using QuickTime
®, these icons are available only when the QuickView Stream is selected.
Pan and Tilt: Engages pan and tilt functions. Click the icon, and then click and drag the mouse within the video stream to
pan and tilt the camera.
Resize Viewing Area: Allows you to zoom in on an area of interest. Click the icon, and then click and drag over the area
in the video on which you want to center the camera’s field of view and zoom in.
11
PTZ Controls
NOTE: PTZ controls are available only after you have logged in to the camera.
Selecting a Stream
From the live video page, you can select the video stream you want to view, and determine settings for the transmission of the video
streams. Your camera outputs four different video streams.
Primary Stream and Secondary Stream: Fully configurable video streams. You can configure both streams automatically using the
camera’s video presets, or you can customize them from the camera’s Video menu.
QuickView Stream: A predefined low resolution, low frame rate JPEG video stream that is available when configuring your camera’s
imaging settings, so you can see how your settings affect video in real time. The QuickView Stream is ideal for users with bandwidth or
processing limitations that could cause a high resolution, high frame rate video stream to pause or pixelate.
Event Stream: Displays a list of alerts triggered by an active analytic behavior. Each alert includes a screen capture, the profile that
was triggered, and the zone in which the event was detected.
1. Click the Select Stream icon .
2. Select the Primary, Secondary, QuickView, or Event stream.
NOTE: If the secondary stream has not been configured, the option will be unavailable.
Tilt Up: Click and hold to tilt the camera up.
Tilt Down: Click and hold to tilt the camera down.
Pan Left: Click and hold to pan the camera left.
Pan Right: Click and hold to pan the camera right.
Joystick: Click and hold to pan and tilt the camera. While the mouse cursor is over the joystick button, you can use
your mouse’s scroll wheel to zoom in and out.
Zoom In: Click and hold to zoom in.
Zoom Out: Click and hold to zoom out.
Focus Near: Click and hold to focus on an object near the camera.
Focus Far: Click and hold to focus on an object far away from the camera.
Iris Open: Click and hold to open the iris and brighten the image.
Iris Close: Click and hold to close the iris and darken the image.
12
3. Configure display settings for your video stream. The availability of settings is dependent on the video compression standard used
by the video stream:
•Transmission: Available for MPEG-4 or H.264 video streams; provides a choice between unicast or multicast transmission
types.
A multicast stream sends video data to multiple users from the same transmission. Each multicast user connecting to the
camera consumes no additional processing power.
A unicast stream sends a separate transmission to each user requesting video from the camera. Each user viewing video from
the camera consumes additional processing power, limiting the number of simultaneous users who can access video from the
camera.
•Throttle: Available for JPEG video streams; determines the maximum number of images that the camera can deliver to clients
per second. Lowering the throttle setting can compensate for bandwidth and processing limitations.
4. Click Select.
13
System Menu
The System menu contains general system time settings, and video text overlay settings. It also provides access to basic system infor-
mation, and the backup, restore, and restart functions.
The System menu contains general system time settings, and on screen display settings. It also provides access to basic system infor-
mation, and the backup, restore, and restart functions. Options may vary dependent on your camera model.
From the System menu, you can also access snapshots generated by event handlers.
Information Settings
The information settings page includes read-only fields for the firmware version, hardware version, model number, and serial number of
the camera. This information is typically required by Pelco Product Support for troubleshooting purposes.
Snapshot Viewer
The Snapshot Viewer page displays a list of snapshots saved to the SD card when a “Write JPEG to SD Card” event handler is activated.
From this page, you can open, download, or delete snapshots from the SD card. There are 100 snapshots displayed per page.
NOTE: Snapshot Viewer is not available when recording video to local storage.
Enabling and Disabling LEDs
You can turn your camera’s LEDs on or off. By default, your camera’s LEDs are on. LED settings do not affect your camera’s network
status and activity LEDs.
1. Select General Settings from the System menu.
2. Select On or Off beside Enable LEDs.
3. Click Save.
Changing the Camera Name
Providing a user-friendly name might help you and other users identify the camera on the network, and within other applications. The
camera name is the friendly name that appears both in the Web interface and within other applications that can find the device.
1. Select General Settings from the System menu.
2. Provide a user-friendly name in the Device Name box (2 to 63 characters).
3. Click Save.
Configuring the SMTP Server
Providing the address of an SMTP server enables your camera to send email notifications when using the Send Email event handler.
1. Select General Settings from the System menu.
2. Type the address of your SMTP server in the SMTP Server box.
3. Click Save.
14
Configuring Time Settings
You can set your camera to discover a network time server (NTP) automatically, manually provide the address of your network time
server, or determine time based on the camera’s internal clock.
1. Select General Settings from the System menu.
2. Select your time server setting:
•Auto: Allows your camera to discover and synchronize with your network time server (over IPv4 or IPv6).
•Manual: Requires you to provide the address of your network time server.
•None: The camera will determine time from its internal clock. If you select None, you must also set your time zone. Cameras
that are not synchronized with a time server can exhibit time drift.
3. Click Save.
Customizing the Text Overlay
You can set various informational overlays for video produced from your camera, and you can determine the location of overlaying infor-
mation using the Text Overlay settings. By default, all text overlays are hidden. The text overlays available for your camera are dependent
on your model.
1. Select General Settings from the System menu.
2. Determine the text overlays you want to appear:
•Date/Time Overlay: Displays the date and time in the live view overlay.
•Camera Name Overlay: Displays the camera name in the live view overlay.
•Pan/Tilt Overlay: Displays pan, tilt, zoom, and direction positions when using PTZ controls.
3. Select the display position and format for the overlay from the Position and Overlay Format drop-down menus.
4. Click Save.
OSDi
The OSDi (Intelligent On Screen Display) feature allows the camera to show pertinent information as an overlay within the field of view.
Depending on your camera and model, you may be able to define up to four overlay rules. You can also determine the position of each
overlay within the scene.
If using PTZ Preset or Zone overlays, the overlay will use the name of the zone or PTZ preset for the overlay; ensure you set relevant
names for zones and presets.
If using the Current Zone Label overlay, and multiple zones are in the field of view, the camera will display the labels in order of size,
smallest to largest; if all zones in the field of view are the same size, the camera will display zone labels in order of creation, oldest to
newest. If the Duration field is set to 0 seconds, the overlay will only display the first zone label using the rules above until the zone is
no longer in the field of view.
NOTE: Optera cameras do not support Zone or PTZ Preset overlays.
Configuring OSDi Overlays
1. Go to the OSDi page from the menu.System
2. Check the box next to the overlay you want to enable.
3. Select the type of overlay you want to show.
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4. Select the location of the overlay within the field of view. You can select the option to send the overlay within the Metadata
camera’s event or metadata stream (for use within a video management system).
NOTE: You cannot have metadata and a visible overlay for the same overlay type, even if you configure the overlay types separately.
5. Set details for the overlay.
• For Name Time, Date, and overlays, provide the text or format for the overlay.
• For PTZ or Zone Label overlays, select the duration for which the overlay will appear when active.
• For Image overlays, provide the image file.
6. Set the font size for the overlay.
7. Click Save.
Customizing the Image Overlay
You can set a custom image overlay for video produced from your device, and you can determine the location of the overlaying image
using the Image Overlay settings. By default, all overlays are hidden.
Only one overlay image can be saved to memory at a time. Uploading a new image replaces the current image saved to memory.
1. Select General Settings from the System menu.
2. Choose an image file to upload.
NOTE: For Spectra HD (D5220 and D5230) and Spectra Enhanced (D6220 and D6230) models, the image file must be a 24-bit BMP.
NOTE: For Sarix Enhanced models, the image file must be a PPM image with a minimum resolution of 32 x 32 or a maximum reso-
lution of 256 x 192.
3. Select the display position for the overlay from the Position menu.
4. Click Save.
Generating a System Log
If technical difficulties should occur, a system log might help Pelco Product Support troubleshoot problems with your camera. You can
contact Pelco Product Support at 1-800-289-9100 (USA and Canada) or +1-559-292-1981 (international).
1. Select General Settings from the System menu.
2. Click Generate System Log.
3. Select the location in which to save the log file.
4. Click Save.
Restarting the Camera
If you are recording video from your camera, restarting the camera will cause a gap in video recording. It is important that you schedule
maintenance before restarting the camera.
1. Select General Settings from the System menu.
2. Click Reboot Camera.
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Restoring All Camera Defaults
If necessary, you can reset your camera’s settings to their factory defaults.
1. Select General Settings from the System menu.
2. Click Restore All Camera Defaults.
Backing Up and Restoring Settings
You can backup your camera configuration, and restore the configuration, should you ever change a setting in error or need to recover
from a factory reset. Camera backup files are stored in bin format.
The restore feature is not intended to automatically configure multiple cameras or to recover settings following a firmware upgrade.
Backing Up Camera Settings
1. Select Backup and Restore from the System menu.
2. Click Download Now, and then specify the directory in which to save your backup file.
3. Click OK to save the backup file.
Restoring Camera Settings from a Backup
1. Select Backup and Restore from the System menu.
2. Click Browse, locate your camera’s backup file, and then click OK.
3. Click “Upload and Restore”; the camera will restart and restore your camera’s settings.
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Network Menu
The Network menu contains network configuration settings and options for your camera; from this menu, you can set static IP addressing,
enable SSL, enable SSH, configure 802.1x port security, and point your camera to an SNMP manager. By default, your camera receives
an address over DHCP, and all other network features are disabled.
Changing General Network Settings
The General page, under the Network menu, contains standard network address settings for your camera.
1. Select General from the Network menu.
2. Set your host name and change port settings (if necessary).
3. Set your IPv4 settings; if you set DHCP to Off, set your IP Address, Subnet Mask, Gateway, and DNS Server settings.
4. (Optional) Set IPv6 to On and configure IPv6 address settings.
5. Click Save.
General Network Settings
Host Name
You can configure a host name for your camera containing up to 63 alphanumeric characters. At least one character in the host name
must be a letter.
Port Settings
Port settings determine the ports over which users communicate with the camera.
HTTP: Do not change the HTTP when connecting to a Pelco video management system (VMS); doing so may prevent you from viewing
or recording video from your imaging camera. The default HTTP port is 80.
HTTPS: Set SSL to Optional or Required and install a security certificate before altering the HTTPS port. The default HTTPS port is 443.
RTSP: Cameras communicate with video management systems over RTSP. Do not change the RTSP port unless you are sure your VMS
does not use the default setting. The default RTSP port is 554.
Link Speed: Auto-Negotiate is the default setting for configuring the camera throughput speed automatically. Selecting 100 Mb
ensures the throughput speed to 100 Mb. When using Optera with VideoXpert, use the 100 Mb mode to ensure clients can playback
video at high framerates.
IPv4 Settings
By default, cameras are configured to obtain network settings over DHCP. If a DHCP server is not available, the camera defaults to an
address of 192.168.0.20 on a 255.255.255 subnet. If 192.168.0.20 is already in use on the network, the camera will increment the address
by one until it finds an unused address (for example,192.168.0.21 if 192.168.0.20 is in use).
Set DHCP to Off to configure a static address and manually set the subnet mask, gateway, and DNS Server settings.
IPv6 Settings
Your camera supports IPv6 configurations in conjunction with IPv4; the device does not support IPv6-only network deployments. The
camera will accept up to sixteen IPv6 addresses, three IPv6 DNS servers, and three IPv6 gateways.
There are two configuration modes for IPv6 address assignment:
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Auto: Enables automatic configuration using router advertisement. Additional configuration can be provided over DHCPv6 (if available
on your network). Selecting Auto still allows you to manually configure additional address, DNS servers, and gateways.
Manual Only: Provides a link-local address for the device, and it requires you to manually configure all other IPv6 address settings for
the camera. Manually specified addresses require a prefix and must be input in the format prefix/IPv6Address. The camera will reject
addresses that do not contain prefix information.
NOTE:
• Cameras do not accept multicast, localhost, or undefined IPv6 addresses.
• Manually specified DNS servers are not validated by the camera and supersede automatically discovered DNS servers; verify your
DNS addresses before saving IPv6 settings.
• Manually specified gateways must be on the same network as the camera’s IPv6 addresses. Behavior for a gateway that is not on
the same network as the camera’s IPv6 addresses is undefined.
• Some video management systems (VMS), including Pelco systems, do not support connections to cameras and encoders over IPv6.
SNMP
Your camera supports SNMP V2c and V3, and it can be configured to send traps. The MIB file for your camera is available at
www.pelco.com.
NOTE: SNMP V2c and SNMP V3 configuration settings are independent of each other, but only one SNMP mode can be active.
Configuring SSL
The SSL settings page includes SSL configuration modes and certificate generation. The camera can generate a certificate signing
request (CSR) that can be sent to a certificate authority for a signature (for example, VeriSign ®), or it can generate a self-signed certifi-
cate using the Generate Self-Signed Certificate option.
SSL is disabled by default. You must enable SSL to access the camera over HTTPS.
1. Select SSL from the Network menu.
2. Select your SSL mode:
•Disabled: Disables HTTPS communications with the device.
•Optional: Requires that you install a signed SSL certificate and enables HTTPS access to the camera; however, the camera
will still be available over HTTP.
•Required: Requires that you install a signed SSL certificate and enables HTTPS access to the camera. When attempting to
access the camera over HTTP, users will be automatically redirected to the HTTPS URL.
NOTE: Beginning with firmware version 1.8.2, the Required option cannot be enabled or disabled through the Web interface. To
enable or disable Required SSL operation, you must use the ONVIF or Pelco APIs. This prevents the camera from entering a state in
which it no longer works with a VMS.
Enabling SSH
Advanced troubleshooting for problems that cannot be addressed through the camera interface can be performed by establishing an SSH
connection into the camera. By default, SSH is off. The user name for SSH connections is root, and cannot be changed.
1. Select SSH from the Network menu.
2. Provide a password for the root user. Passwords are case-sensitive.
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3. Confirm your password.
4. Click Save.
Shaping Traffic
You may want to use the traffic shaping function if the framerate at your client is significantly lower than you would expect from the
camera.
Your camera can produce large I frames, resulting in a traffic burst within each group of pictures as the camera transmits the frame; if
your network infrastructure does not have the buffering capacity to smooth out the traffic, you may experience slow or jittery video. From
the Traffic Shaping page, you can control the average transmission rate over a 2ms period and limit traffic bursts coming from the camera
to help you prevent frame losses at your client resulting from traffic bursts produced by the camera.
1. Go to the Traffic Shaping page from the menu.Network
2. Enable Traffic Shaping with or without bursts, depending on your need.
3. Set the average transmission rate over a 2 ms period in Mbps.
4. If you enabled traffic shaping with bursts, set the maximum size of bursts coming from the camera in kilobytes.
5. Click Save.
Configuring 802.1x Security
By default, 802.1x security is off. Cameras support EAP-MD5, EAP-TLS, EAP-TTLS, EAP-PEAP, and EAP-FAST protocols.
1. Select 802.1x from the Network menu.
2. Select On for 802.1x port security.
3. Select the (EAP) method from the Protocol drop-down menu.
4. Provide the authentication information for the EAP method you selected.
5. Click Save.
Configuring SNMP V2c
1. Select SNMP from the Network menu.
2. Select SNMP V2c.
3. Provide the community string for your SNMP manager. The default community string is “public.”
4. Provide the address and community string for your trap server under Trap Configuration.
5. Click Save.
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Configuring SNMP V3
1. Select SNMP from the Network menu.
2. Select SNMP V3.
3. Enter the SNMP user name the camera will use to authenticate with the SNMP server.
4. Select the encryption algorithm for authentication from the Authentication drop-down menu. If using MD5 or SHA authentication
methods, enter your authentication code in the box provided.
5. Select the privacy protocol setting from the Privacy drop-down menu. If using DES or AES protocols, enter your privacy key in the
box provided.
6. Enter the host name or IP address of your trap server in the Address box under Trap Configuration.
7. Click Save.
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Imaging Menu
The Imaging menu contains image quality, exposure, focus, and window blanking settings for your device. If your camera supports pan
and tilt positioning functions, you can configure positioning settings, preset positions, and preset tours from the Imaging menu.
The Imaging menu contains image quality, exposure, white balance, and window blanking settings for your camera.
The Imaging menu contains image quality, exposure, focus, white balance, window blanking, presets, preset tours, and positioning
settings for your camera. You can also configure positioning settings, preset positions, and preset tours from the Imaging menu.
Configuring General Imaging Settings
The availability of settings might change based on your camera model and the version of the camera firmware installed on your camera.
1. Select General from the Imaging menu.
2. Set your camera’s orientation.
3. Select a Freeze Frame setting.
4. Select a Digital Zoom mode.
5. Select an Image Stabilization setting.
6. Select a Highlight mode.
7. Select a Defog mode.
8. Select a Noise Reduction mode.
9. Set your camera’s focus settings. If you set all Focus Settings to Off, you will have to manually focus your camera.
10. Set your camera’s digital processing settings. For some models, setting a custom value for your camera’s sharpness, saturation,
contrast, or brightness settings will engage the Custom Quick Setup mode.
11. Click Save.
Digital Zoom
The Digital Zoom setting increases the zoom capability of your camera by up to 12X. The total zoom capability of your camera is deter-
mined by multiplying the optical and digital capabilities of your camera.
Freeze Frame
The Freeze Frame feature freezes video output when a preset is called, resuming video when the camera completes the preset opera-
tion. This allows for a smooth transition between preset scenes, reduces bandwidth consumption, and guarantees that blanked areas
are not inadvertently revealed when a preset is called.
Image Stabilization
Electronic Image Stabilization attempts to compensate for vibrations that interfere with your camera and video output.
Highlight Mode
The Highlight Mode feature allows you to choose from four different lighting modes for your camera including WDR, Visibility Enhance-
ment, Backlight Compensation, and Off.
Use WDR (Wide Dynamic Range) to automatically balance the bright and dark zones in the image, increasing the dynamic range.
Use Visibility Enhancement to automatically correct brightness and contrast and show bright zones more clearly.
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Use Backlight Compensation to enhance objects in the center of the picture when a bright backlight causes subjects in the picture to
appear dark or silhouetted.
Use Off for normal lighting situations.
Defog Mode
The Defog Mode feature allows you to make the subject appear clearer when the surrounding area of the subject is foggy and low
contrast. Choose High, Medium, Low, or Off for this mode. Low is used for slightly hazy conditions. It does a minimum amount of correc-
tion. High is used for more foggy conditions. It does the maximum amount of correction.
Noise Reduction
Noise Reduction: Adjusts for video noise in the scene.
•Off: The camera does not compensate for video noise.
•Normal: Adjusts for noise in low-light scenes.
•High: Adjusts for a greater amount of noise in low-light scenes.
Digital Processing Settings
Digital processing settings adjust the color and detail of captured video. The availability of settings might change based on your camera
model.
Image Enhancement: The Temporal Noise Filter reduces video noise between frames. The default setting is Off.
Quick Setup: Contains presets for digital processing settings. You can use any of the quick setup modes as starting points for custom
settings; changing sharpness, saturation, contrast, or brightness settings automatically engages the Custom mode.
•Normal: A baseline setting in which sharpness, saturation, contrast, and brightness are all set to zero.
•Vivid: A setting that enhances color quality, lightens whites, and darkens blacks.
•Custom: Allows you to set your own, unique image quality settings.
Noise Reduction: Adjusts for video noise in the scene.
•Off: The camera does not attempt to compensate for video noise.
•Normal: Adjusts for noise in low-light scenes.
•High: Adjusts for a greater amount of noise in low-light scenes.
3D Noise Reduction: Adjusts for video noise in low-light scenes. Turn off 3D noise reduction if details are blurred in moving objects.
Auto White Balance: Defines how the camera processes video images to render true colors in a scene. When this setting is on, the
camera maintains automatic color balance for most lighting conditions, including outdoor scenes, scenes with changing lighting condi-
tions, or in scenes with more than one type of light source.
Sharpness: Controls the clarity of detail in the scene. Increasing video sharpness increases video noise.
Saturation: Controls the intensity of colors in the scene.
Contrast: Controls the gradation between the darkest and lightest portions of the scene.
Brightness: Controls the lighting detail of the scene.
Hue: Controls the intensity of red or blue hues in a scene.
WDR Strength: Balances the bright and dark areas of a scene.
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Restore Settings to Defaults: Restores the Imaging General page settings to the camera’s default settings.
Restore All Imaging Settings: Restores all Imaging settings for that camera.
Restoring Imaging Settings
The Imaging menu contains buttons that allow you to restore your camera’s imaging settings.
Use Restore Settings to Defaults to reset your camera’s settings to their factory defaults on the current webpage.
Use Restore All Imaging Settings to reset all of your camera’s imaging settings to their factory defaults.
Configuring Exposure Settings
Exposure settings help ensure that video contains an adequate level of detail and contrast between light and dark values.
Exposure Modes: Determines the exposure behaviors for your camera.
Exposure Priority: Allows you to prioritize either image quality or frame rate in instances when auto-exposure settings conflict with
settings on the stream configuration page.
Flicker Correction: Lessens rolling shutter flicker in images with reduced dynamic range.
Flicker Correction: Lessens rolling shutter flicker in images with reduced dynamic range. The default setting is Off. When selecting
On, Frequency Hint provides options for None, 50Hz, and 60Hz.
Day/Night Mode: Controls the IR cut filter, determining whether or not your camera captures color (day) or black and white (night) video.
You can set the Day/Night position manually, but it is recommended that you engage the auto mode if lighting around your camera is
expected to change drastically at any time.
Wide Dynamic Range: Attempts to compensate and even the brightness of a scene when a portion of your camera’s picture is bright,
and part is dark.
Back Light Compensation: Enhances objects in the center of the picture when a bright backlight causes subjects in the picture to
appear dark or silhouetted.
1. Select Exposure from the Imaging menu.
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2. Select your camera’s Exposure Priority.
•Noise: Prioritizes the best image quality in all conditions regardless of the frame rate selected.
•Frame Rate: Prioritizes a guaranteed frame rate in all lighting conditions.
3. Select your camera’s Exposure Mode.
•Auto: Allows you to set maximum Gain limit and Exposure Time limit settings, while retaining the full range of Day/Night
controls.
•Manual: Allows you to specify the Exposure Time and adjust the Gain. You should only engage this mode if fixed exposure
time is a priority.
4. Select your camera’s Exposure Mode.
•Auto: Allows you to specify maximum Exposure Time and maximum Gain, while retaining the full range of Day/Night controls.
•Manual: Allows you to fix the Exposure Time setting and adjust the maximum Gain limit. You should only engage this mode
if fixed exposure time is a priority.
5. Select your camera’s Exposure Mode.
•Normal: Allows you to set Gain and Exposure Time settings, while retaining the full range of Day/Night controls.
•Exposure Time/Gain Control: Governs exposure settings purely based on Gain and Exposure Time controls; engaging this
setting prevents you from configuring an automatic day/night mode. You should only engage this mode if lighting in the field
of view is not expected to change during operation.
6. Set the Max Exposure Time or Exposure Time, depending on the exposure mode you selected in earlier steps. The maximum expo-
sure time determines the time, in milliseconds, that the imaging sensor is exposed to light. Decreasing the exposure time reduces
motion blurring; increasing the maximum exposure time could help capture more detailed still images in low light.
7. Set the Max Exposure Time or the Exposure Time, depending on the exposure mode you selected. The maximum exposure time
determines the time, in milliseconds, that the imaging sensor is exposed to light. Decreasing the maximum exposure time reduces
motion blurring; increasing the maximum exposure time could help capture more detailed still images in low light.
8. Set the Max Gain or the Gain, depending on the exposure mode you selected. Increasing the gain allows for better sensitivity in
low-light scenes, but also increases video noise.
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9. Select the Flicker Correction Mode.
•Auto: Reduces rolling shutter flicker in scenes with low dynamic range. This setting does not correct flicker in scenes with
high dynamic range.
•On: Reduces rolling shutter flicker in all scenes, also reducing the overall dynamic range in the image.
•Off: Maintains the maximum amount of dynamic range in the image, but it can produce rolling shutter flicker in scenes with
florescent or other oscillating light sources.
10. Select the Flicker Correction Mode.
•On: Reduces rolling shutter flicker in all scenes, also reducing the overall dynamic range in the image. You may specify the
Frequency hint at None, 50 Hz, or 60 Hz if you are unsure.
•Off: (Default) Maintains the maximum amount of dynamic range in the image, but it can produce rolling shutter flicker in scenes
with florescent or other oscillating light sources.
11. Set your Day/Night Mode. If you’ve set your camera’s exposure mode to the Exposure Time/Gain Control setting, the Day/Night
Mode setting becomes the Position setting.
•Auto: Engages day or night mode based on the Transition Level setting; this allows you to capture color video (Day) when
enough light is available, and automatically switch to black and white video (Night) when light is unavailable.
•Manual/Position: Requires you to choose a Day or Night mode. Day captures color video; Night captures grayscale video.
12. Set your Day/Night Mode.
•Auto: Engages day or night mode based on the Transition Level setting; indicate whther you want to trigger mode switches at
lighter levels, the default light level (recommended), or at darker levels.
•Manual: Requires you to choose a Day or Night mode. Day captures color video; Night captures grayscale video.
13. Set your Day/Night Mode.
•Auto: Engages day or night mode based on the Transition Level setting; this allows you to capture color video (Day) when
enough light is available, and automatically switch to black and white video (Night) when light is unavailable.
•Manual: Requires you to choose a Day or Night mode. Day captures color video; night captures gray scale video.
14. (Optional) Set your camera’s Transition Level, determining when the camera switches from Day to Night mode. Lighter settings
cause the camera to change modes at higher lux values.
15. (Optional) Set the Transition Detect Time, determining the frequency at which the device checks for adequate light to transition to
day mode or night mode.
16. Set the Back Light Compensation setting. When back light compensation is turned on, the Wide Dynamic Range setting is unavail-
able.
17. Set the Wide Dynamic Range Processing (WDR) setting. This setting is only available when back light compensation is turned off.
18. Click Save.
Focus Settings
Focus Settings affect your camera’s focusing behaviors. If you set all focus behavior settings to Off, you must manually focus your
camera.
Autofocus: Causes your camera to automatically focus during runtime operation.
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Sure Focus: Causes your camera to auto focus when pan, tilt, and zoom (PTZ) operations are complete or if the IR cut filter changes
state. When your camera achieves an auto focus lock, auto focus is turned off and the focal position will remain until the next PTZ oper-
ation. If 30 seconds pass without an auto focus lock, your camera will retain its focal position until the next PTZ action.
Focus Trace: Enables your camera to use a focus trace curve when zooming based on the distance to ground-level targets in the scene;
distance to ground-level targets is determined by the Install Height setting. If Auto Focus is disabled, your camera will not perform
auto-focus operations, but will perform focus trace corrections when the tilt angle of your camera changes.
Install Height: Determines the distance between your camera and ground-level targets for focus trace operations.
Setting White Balance
Each Sensor has its own white balance settings. Auto mode is the default setting for each sensor. Selecting Manual mode allows you
to adjust white balance settings for the sensor.
Auto: the default white balance mode. It has a color temperature range from 7,500K to 2,500K. It can be used to properly balance scenes
illuminated by daylight to warm white sources.
Manual: Allows for several options. Use Manual mode to set Basic, White Patch, and Color chart adjustments.
To set white balance:
1. Select White Balance from the Imaging menu.
2. Select a white balance mode:
•Auto: The recommended setting for most lighting conditions. It can be used to properly white balance scenes illuminated by
daylight to warm white sources.
•Extended Color Temp: Maintains color balance in outdoor settings where sodium vapor lighting is widely used, such as
parking lots or street lights.
•Manual: Allows manual adjustment of the red and blue range; this may be helpful in areas where lighting does not change,
such as inside a casino or mall. Move the Red and Blue sliders to change color levels.
•ATW: Has the largest color temperature range.
•Warm White: A fixed white balance mode for warmer (more yellow) sources such as incandescent, tungsten-halogen, warm
white compact florescent, or LED lighting.
•Cool White: A fixed white balance mode for cooler (more blue) sources such as true daylight, daylight fluorescent, white light
LEDs, or metal halide sources.
3. Select a sensor to configure its white balance. Click Manual mode to adjust that sensor’s white balance manually.
•Basic: Adjusts the red and blue range. Move each slider to increase or decrease the color level.
•White Patch: Select White Patch to adjust the white balance in a similar manner as if using a white piece of paper to adjust
the white balance. After selecting White Patch, the scene from the camera is presented. If there is an area that should be
white, click in that area of the scene, and then drag the mouse to select that portion of the scene to adjust the white balance.
If no white area exists, temporarily use a white piece of paper to adjust the camera’s white balance.
•Color Chart Allows adjustment of th following color options: Dark Skin, Bluish Green, White, and Black. Using the X-Rite
ColorChecker® Classic 24 patch target, place the target in the camera’s field of view, following the on-screen instructions.
4. Click Save.
Using the Window Blanking Feature
Blanked areas persist in all video produced from the camera, whether viewing video directly through the camera’s interface or from a
higher-level recording device or system.
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NOTE: For cameras that physically pan, tilt and zoom, window-blanking regions will not scale proportionally with changes in zoom. Set
the zoom level for the camera before defining window-blanking regions.
1. Select Window Blanking from the Imaging menu.
2. Select On to enable Window Blanking.
3. If necessary, maneuver the video preview to find the region you want to blank.
4. Drag the mouse across the video area that you want to blank. Select an existing blanking region to delete it, or edit its size and
position.
5. Where available, a Set Zoom Point panel and a Set Blanking Type panel appear after you draw a blanking region.
a. Select the Set Zoom Point zone to enable the zoom level, and drag the slider or enter a value in the appropriate box to set the
zoom factor that will activate the blanking level at which the blanking region is activated.
b. Where available, in the Set Blanking Type zone, select the appropriate blanking type you prefer from the drop-down menu.
6. Click Save.
Calibrating Window Blanking
Calibrating the window blanking feature prevents blanked areas from shifting when you zoom the camera. You only need to calibrate
the window blanking feature once, and you can calibrate before or after configuring blanking areas. If you notice blanked areas shifting
after you have calibrated the window blanking feature, you should recalibrate.
1. Select Window Blanking from the Imaging menu.
2. Click Calibration.
3. Click within the scene to center the camera on an object you want to cover, and then click Ok.
4. Click and drag to draw a blanking region within the camera’s field of view, and then click Ok. The camera will zoom in, and the
blanking region you drew will shift.
NOTE: The blanking region that you draw should be small enough that it does not fill the field of view when the camera is fully
zoomed. If the blanked region fills the screen when the camera zooms in, you will have to recalibrate.
5. Redraw the blanking region now that the camera has zoomed in, and then click OK. Redrawing the region accounts for the shift that
can occur when zooming the camera.
6. Click Done, or click the Start Over button to recalibrate.
Setting Up a Preset
A preset is a camera position that you can configure and call as a single command, allowing users to quickly move the camera to
common positions.
1. Select Presets from the Imaging menu.
2. Click New Preset or select the preset you want to edit.
3. Provide a name for the preset.
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4. Select the Focus Lock mode:
•On: The camera’s focus settings are saved with the preset, and are called with the preset. This ensures that the camera uses
the expected focal point any time the preset is selected.
•Off: The preset does not retain focus settings. This mode requires the camera to use current focus setting when the preset is
selected.
If an operator has changed the focus of the camera before the preset is selected, it is possible that the camera will be out of focus
when the camera displays the preset position later. Turn on Focus Lock to avoid this problem.
5. Position the camera using the pan and tilt controls.
6. Adjust the zoom and focus controls as necessary.
7. Click Save.
Configuring a Preset Tour
You must configure presets before adding them to a preset tour.
A preset tour is a series of presets through which your camera will cycle. You can configure the length of time for which the camera
will remain at each preset position in the tour.
1. Select Preset Tours from the Imaging menu.
2. Click New Tour or select the preset tour you want to edit.
3. Provide a name for the tour.
4. Click and drag presets to the “Tour workspace” section of the page.
5. Set the dwell time for each preset. Dwell time is the length of time (in minutes or seconds) the camera will remain at a preset
position before engaging the next preset in the tour.
6. Set the transition speed for each preset.
7. Click >> in the “Transition preview” area to review the tour.
8. Click Save.
Configuring Pan/Tilt Speed Control
Pan and tilt speed control determines the acceleration of your camera’s pan and tilt controls.
1. Select Positioning from the Imaging menu.
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| Marka: | Pelco |
| Kategoria: | Kamera monitorująca |
| Model: | Spectra Enhanced D6230L |
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Instrukcje Kamera monitorująca Pelco
22 Września 2024
22 Września 2024
22 Września 2024
22 Września 2024
22 Września 2024
22 Września 2024
22 Września 2024
22 Września 2024
22 Września 2024
22 Września 2024
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