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Casio Aparat cyfrowy Exilim EX-ZR3500

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Digital Camera

User’s Guide

Thank you for purchasing this CASIO product.

• Before using it, be sure to read the precautions contained in this User’s Guide.

• Keep the User’s Guide in a safe place for future reference.

• For the most up-to-date information about this product, visit the official EXILIM

Website at http://www.exilim.com/

As you unpack your camera, check to make sure that all accessories shown below

are included. If anything is missing, contact your original retailer.

*The shape of the power cord plug varies according to the country or geographic

area where the camera is sold.

Accessories

Rechargeable lithium ion

battery (NP-130A)

USB-AC adaptor

(AD-C53U) Power cord*

Micro USB cable Neck strap Basic Reference

.Adjusting the Length of the Strap

You can adjust the length of the strap so it can

be used as a neck strap or a shoulder strap.

1. Pull the strap out at the center

of the buckle in the direction

indicated by 1.

2. Pull the strap in one of the

directions indicated by the

illustration to adjust the length.

Attaching the Neck Strap to the Camera

1. Undo the strap from the buckle

and remove the strap loop A

AA.

3. Pass the end of the strap

through the strap loop ring A

and secure it with the buckle.

2. Attach the loop on the other end

of the strap B

BB to the strap hole

on one side of the camera, and

the loop you removed A

AA to the

other side.

Buckle

Ring

Strap holes

To shorten

To lengthen

• The contents of this manual are subject to change without notice.

• The contents of this manual have been checked at each step of the production

process. Feel free to contact us if you notice anything that is questionable,

erroneous, etc.

• Any copying of the contents of this User’s Guide, either in part or its entirety, is

forbidden. Except for your own personal use, any other use of the contents of this

manual without the permission of CASIO COMPUTER CO., LTD. is forbidden

under copyright laws.

• CASIO COMPUTER CO., LTD. shall not be held liable for any damages or lost

profits suffered by you or any third party due to the use or malfunction of this

product.

• CASIO COMPUTER CO., LTD. shall not be held liable for any damages or lost

profits caused by loss of memory contents due to malfunction, repair, or any other

reason.

• Note that the example screens and product illustrations shown in this User’s Guide

may differ somewhat from the screens and configuration of the actual camera.

LCD Panel

The liquid crystal panel of the monitor screen uses high-precision technology that

provides a pixel yield in ex that some very small number cess of 99.99%. This means

of pixels may not light or may remain lit at all times. This is due to the characteristics

of the liquid crystal panel, and does not indicate malfunction.

Read this first!

Take test shots

Before shooting your final image, shoot a test shot to ensure that the camera is

recording correctly.

7Contents

Advanced Settings (REC MENU) 101

Using the Menu Screen to Configure Recording Settings . . . . . . . . . . . . . . . 101

Shooting a Burst of Images . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (CS). . 102

Triggering a Self-timer Operation with Motion . . . . . . . . . . (Motion Shutter) . . 102

Assigning a Recording Function to the Front Shutter Button (Front Shutter). . 102

Assigning Functions to the Function Ring

and Control Dial . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .(Key Customize) . . 103

Using the Self-timer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (Self-timer). . 105

Correcting Image Brightness . . . . . . . . . . . . . . . . . . . . . . . . . . . (Exposure). . 105

Adjusting White Balance . . . . . . . . . . . . . . . . . . . . . . . . . . (White Balance). . 105

Specifying ISO Sensitivity . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .(ISO) . . 105

Specifying the ISO Sensitivity Upper Limit . . . . . . . . . . . . . (ISO High Limit). . 106

Selecting a Focus Mode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .(Focus). . 106

Specifying the Auto Focus Area . . . . . . . . . . . . . . . . . . . . . . . . . . (AF Area). . 107

Shooting with Face Detection . . . . . . . . . . . . . . . . . . . . . .(Face Detection). . 108

Recording Beautiful Portraits . . . . . . . . . . . . . . . . . . . . . . . . . . . .(Make-up). . 109

Shooting with Continuous Auto Focus . . . . . . . . . . . . . . . .(Continuous AF). . 109

Specifying the Metering Mode . . . . . . . . . . . . . . . . . . . . . . . . . . .(Metering). . 109

Reducing the Effects of Camera

and Subject Movement . . . . . . . . . . . . . . . . . . . . . . (Anti-shake Functions). . 110

To select the snapshot image size . . . . . . . . . . . . . . . . . . . . . .(Image Size). . .111

Specifying Snapshot Image Quality . . . . . . . . . . . . . . . . . . .(Image Quality) . . 112

Movie Image Quality Settings . . . . . . . . . . . . . . . . . . . . . . .(Movie Quality). . 113

Optimizing Image Brightness . . . . . . . . . . . . . . . . . . . . . . . . . . . . (Lighting). . 114

Controlling Image Sharpness . . . . . . . . . . . . . . . . . . . . . . . . . . (Sharpness). . 114

Controlling Color Saturation . . . . . . . . . . . . . . . . . . . . . . . . . . . (Saturation). . 114

Adjusting Image Contrast . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (Contrast) . . 115

Specifying Flash Intensity . . . . . . . . . . . . . . . . . . . . . . . . . (Flash Intensity). . 115

Zooming with Super Resolution . . . . . . . . . . . . . . . . . . . . . . . . (Zoom (SR)). . 115

Turning Digital Zoom On or Off . . . . . . . . . . . . . . . . . . . . . . .(Digital Zoom). . 115

Using the Auto Focus Assist Light . . . . . . . . . . . . . . . . . . .(AF Assist Light). . 115

Saving a Second Normal Image When Shooting

With HDR Art . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (Double (HDR ART)). . 116

Reducing Wind Noise during Movie Recording . . . . . . . . (Wind Noise Cut). . 116

Turning on Image Review . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .(Review). . 116

Using Icon Help . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (Icon Help). . 117

Changing the Monitor Screen when Recording . . . . . . . . . . (Shooting Info). . 117

Configuring Power On Default Settings . . . . . . . . . . . . . . . . . . . . (Memory). . 119

8Contents

Viewing Snapshots and Movies 120

Viewing Snapshots . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 120

Viewing a Movie. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 120

Viewing a Panorama Image. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 121

Viewing Continuous Shutter Images . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 122

Deleting CS Images . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 123

Dividing Up an Image Group. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 124

Copying an Image in a Group . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (Copy). . 124

Zooming an On-screen Image . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 125

Displaying the Image Menu . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 125

Viewing Snapshots and Movies on a TV Screen . . . . . . . . . . . . . . . . . . . . . . 126

Other Playback Functions (PLAY MENU) 128

Using the Menu Screen to Select a Playback Operation

and Configure Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 128

Assigning a Function to the Front Shutter Button . . . . . . . . (Front Shutter). . 128

Scrolling Images at High Speed or by Recording Date . . . .(Function Ring). . 129

Creating a Collage Image . . . . . . . . . . . . . . . . . . . . . . . . . (Quick Collage). . 129

Playing a Slideshow on the Camera . . . . . . . . . . . . . . . . . . . . (Slideshow). . 130

Using Snapshots to Create a Movie . . . . . . . . . . . . . . . . . . . (Make Movie). . 132

Editing a Movie on the Camera . . . . . . . . . . . . . . . . . . . . . . (Movie Editing). . 133

To merge two movies . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (Movie Merge). . 135

Creating a Snapshot of a Movie Frame . . . . . . . . . . . . . .(MOTION PRINT). . 135

Optimizing Image Brightness . . . . . . . . . . . . . . . . . . . . . . . . . . . . (Lighting). . 136

Adjusting White Balance . . . . . . . . . . . . . . . . . . . . . . . . . . (White Balance). . 136

Adjusting the Brightness of an Existing Snapshot . . . . . . . . . . (Brightness). . 137

Selecting Images for Printing . . . . . . . . . . . . . . . . . . . . . . . (DPOF Printing). . 137

Protecting a File Against Deletion . . . . . . . . . . . . . . . . . . . . . . . . . (Protect) . . 137

Protecting an Image in a Group Against Deletion . . . . . . . . . . . . . (Protect). . 138

Editing the Date and Time of an Image . . . . . . . . . . . . . . . . . . (Date/Time). . 139

Rotating an Image . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (Rotation). . 139

Resizing a Snapshot . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (Resize). . 140

Cropping a Snapshot . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (Trimming). . 140

Copying Files . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (Copy). . 141

Combining CS Images into a Single Still Image . . . . . . . . . .(CS Multi Print). . 141

Dividing Up a Group . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (Divide Group). . 142

Editing the Images in a Group . . . . . . . . . . . . . . . . . . . . . . . . . (Edit Group). . 142

9Contents

Connecting the Camera with a Smartphone

(Wireless Connection) 143

Controlling Your Camera with a Smartphone . . . . . . . . . . . . . . . . . . . . . . . . 143

Using a Wireless Mode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 145

Getting Ready to Establish a Connection between a Smartphone

and Your Camera. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 147

Installing the EXILIM Connect App on Your Smartphone . . . . . . . . . . . . . . . . . 147

Establishing a Wireless Connection for the First Time . . . . . . . . . . . . . . . . . . . 148

Using a Smartphone as a Camera Remote Controller (Shoot with phone) . 150

Sending a Snapshot or Movie File from Camera Memory

to a Smartphone . . . . . . . . . . . . . . . . . . . . . . . . . . (Send Selected Image) . 150

Configuring the Front Shutter Button to Send Images . . . . . (Quick Send) . 151

Viewing Snapshots and Movies in Camera Memory

on a Smartphone . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (View on phone) . 152

Configuring Wireless Connection Settings . . . . . . . . . . . . . . . . . . . . . . . . . . 153

Entering the Camera’s Airplane Mode . . . . . . . . . . . . . . . . (Airplane Mode). . 153

Sending Images from the Camera to a Smartphone

as They are Recorded . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (Auto Send). . 154

Specifying Images to be Sent by Auto Send . . . . (Auto Send File Settings). . 155

Resizing Snapshots before Sending Them

to a Smartphone . . . . . . . . . . . . . . . . . . . . . . . . . . . . (Resize before send). . 155

Changing the Camera Password

for Wireless LAN Connection . . . . . . . . . . . . . . . . . . . . . (WLAN password). . 156

Unpairing the Camera from a Smartphone . . . . . . . . . . . . . . . . (Unpairing). . 156

Printing 157

Printing Snapshots. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 157

Using DPOF to Specify Images to be Printed and

the Number of Copies . . . . . . . . . . . . . . . . . . . . . . . . . . . . (DPOF Printing) . 157

Using the Camera with a Computer 161

Things you can do using a computer... . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 161

Using the Camera with a Windows Computer . . . . . . . . . . . . . . . . . . . . . . . . 162

Viewing and Storing Images on a Computer. . . . . . . . . . . . . . . . . . . . . . . . . . . 162

Playing Movies . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 165

Using the Camera with a Macintosh . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 166

Connecting the Camera to Your Computer and Saving Files . . . . . . . . . . . . . . 166

Playing a Movie. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 168

Files and Folders . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 169

Memory Card Data . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 170

10 Contents

Other Settings (SETTING) 172

Using the Menu Screen to Configure Other Settings. . . . . . . . . . . . . . . . . . . 172

Enabling Power Saving . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (ECO Mode). . 172

Adjusting Monitor Screen Brightness . . . . . . . . . . . . . . . . . . . . . . . (Screen) . . 173

Configuring Camera Sound Settings . . . . . . . . . . . . . . . . . . . . . . .(Sounds). . 173

Creating an Image Storage Folder . . . . . . . . . . . . . . . . . . . .(Create Folder). . 174

Time Stamping Snapshots . . . . . . . . . . . . . . . . . . . . . . . . . . . . (Timestamp) . . 174

Auto Image Orientation Detection and Rotation . . . . . . . . . . (Auto Rotate) . . 175

Specifying the File Name Serial Number Generation Rule . . . . . (File No.). . 175

Configuring Sleep State Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . (Sleep). . 176

Configuring Auto Power Off Settings . . . . . . . . . . . . . . . . (Auto Power Off). . 176

Specifying the Operation when the Monitor Screen is Tilted . . (Screen Tilt) . . 177

Configuring [p] Setting . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (PLAY). . 177

Disabling File Deletion . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (Delete Key). . 177

Configuring World Time Settings . . . . . . . . . . . . . . . . . . . . . . .(World Time). . 178

Setting the Camera’s Clock . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .(Adjust). . 179

Specifying the Date Style . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (Date Style) . . 179

Specifying the Display Language . . . . . . . . . . . . . . . . . . . . . . . .(Language). . 180

Selecting the HDMI Terminal Output Method . . . . . . . . . . . . (HDMI Output). . 180

Formatting Built-in Memory or a Memory Card . . . . . . . . . . . . . . . (Format). . 180

Resetting the Camera to Factory Defaults . . . . . . . . . . . . . . . . . . . . (Reset). . 181

Checking the Current Camera Firmware Version . . . . . . . . . . . . .(Version). . 181

Appendix 182

Safety Precautions. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 182

Precautions During Use. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 190

Power Supply. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 203

Charging . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 203

Battery Precautions. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 204

Using the Camera in another Country . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 204

Using a Memory Card . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 205

Reset Initial Default Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 207

When things don’t go right... . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 210

Troubleshooting . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 210

Display Messages. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 216

Number of Snapshots/Movie Recording Time . . . . . . . . . . . . . . . . . . . . . . . . 218

Specifications . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 221

11 General Guide

General Guide

The numbers in parentheses indicate the pages where each item is explained.

1Mode dial

(pages 33, 41, 73)

2Zoom controller

(pages 34, 55, 125)

3Shutter button

(pages 31, 33)

4[ON/OFF] (Power)

(pages 27, 31)

5Microphones (page 75)

6Function ring (page 129)

7Lens

8Front lamp

(pages 44, 115)

9Flash (page 52)

bkFront shutter button

(pages 102, 128)

bl[W] (Wireless) button

(pages 66, 145)

bm[0] (Movie) button

(page 73)

bnBack lamp

(pages 23, 24, 31, 34,

52)

boStrap holes (page 3)

bpTerminal cover

bq[HDMI OUT]

HDMI output (micro)

(page 99)

br[USB] port

(pages 22, 24)

bs[MENU] button

(pages 73, 101)

bt[p] (PLAY) button

(pages 31, 37)

ck[SET] button

(pages 43, 73, 101)

clControl dial

([8] [2] [4] [6])

(pages 12, 43, 73, 88,

101, 128)

cmMonitor screen

(pages 13, 33)

1 2 3 4 5

89 7 6 ckcl bt bs

bl bn bo bp

Front Back

12 General Guide

.Control Dial

With the control dial, you can perform operations by

pressing the edges of the dial ([8 2 4 6], [ ], [ ], [ ]), and

by rotating the dial.

• Depending on the function, certain operations

cannot be performed using the control dial.

cp cnco

Bottom

cnBattery/memory card slots (pages 21, 29)

coBattery cover

cpSpeaker

cqTripod hole

Use this hole when attaching to a tripod.

Control dial

13 Monitor Screen Contents and How to Change Them

Monitor Screen Contents and How to Change Them

The monitor screen uses various indicators, icons, and values to keep you informed

of the camera’s status.

• The sample screens in this section are intended to show you the locations of all the

indicators and figures that can appear on the monitor screen in various modes.

They do not represent screens that actually appear on the camera.

.Snapshot Recording (1 Shot)

NOTE

• Depending on recording settings, the aperture, shutter speed, and ISO sensitivity

values may not appear on the monitor screen. These values will be red if the Auto

Exposure (AE) is not correct for some reason.

1Self-timer mode (page 44)

2Face Detection (page 108)

3Recording mode (page 41)

4Image deterioration indicator/

Zoom (SR) indicator (page 57)

5Remaining movie memory

capacity (page 73)

6Remaining snapshot memory

capacity (page 218)

7Snapshot image size/Quality

(pages 111, 112)

8Movie quality (FHD/STD movie)

(pages 73, 113)/

Recording speed (high speed movie) (page 77)

9AF Area (page 107)

bkFocal distance

(Converted to 35 mm film format.) (page 56)

blImage stabilization (page 110)

bmTimestamp indicator (page 174)

bnHistogram (page 117)

boFront shutter button function (page 102)

bpBluetooth communication status (page 148)/

Airplane mode (page 153)

bqDate/Time (pages 26, 179)

brAuto Send (page 154)

bsWireless LAN communication status

(page 149)

btFocus frame (pages 34, 107)

ckBattery level indicator (page 26)

clMetering mode (page 54)

cmFlash (page 52)

cnExposure (page 51)

coMake-up (page 50)

cpISO sensitivity (page 49)

cqFocus mode (page 47)

crWhite balance (page 45)

1 3 567

2 4

bt brbs

14 Monitor Screen Contents and How to Change Them

.Snapshot Recording (Burst Shooting)

.Movie Recording

1Continuous Shutter (CS) speed (page 60)

2Recording mode (page 41)

3Remaining snapshot memory capacity

(page 218)

4Allowable CS time*/number of CS images

(page 60)

*It is not displayed while shooting with

Prerecord CS.

5Remaining movie memory capacity (page 219)

6Continuous Shutter mode (page 60)

7Prerecord CS shots (page 61)

8Maximum CS shots (page 60)

1Snapshot recording mode (Snapshot In Movie)

(page 84)

2Audio recording disabled (page 77)

3Recording mode (page 73)

4Movie recording time (page 73)

5Remaining movie memory capacity (page 73)

6Movie recording in progress (page 73)

7Movie quality (FHD/STD movie)

(pages 73, 113)/

Recording speed (high speed movie) (page 77)

8Remaining snapshot memory capacity

(page 218)

1 2 43

5423

17 Quick Start Basics

Quick Start Basics

Your CASIO camera is packed with a powerful selection of features and functions to

make recording of digital images easier, including the following main functions.

What you can do with your CASIO camera

Tiltable Monitor Screen

The camera’s monitor screen can be tiled upwards up

to 180 degrees. This makes it easy to compose self-

portraits and to shoot from low angles.

Interval Shot

You can record a series of images over a specified

period. This function is useful when recording the

movement of stars, a blooming flower, etc.

Time Lapse Movie

You can use this function to record movies of natural

events that occur over time, to speed up the flow of

traffic in a city scene, or to record other similar types of

movies.

Art Shot

A variety of artistic effects help to make even common,

ordinary subjects become more novel and exciting.

Triple Shot

Pressing the shutter button shoots a burst of three

images and stores them in memory. This feature is

great for making sure you don’t miss those special

moments when kids are around.

180 degrees

90 degrees *See page 19 for more information.

*See page 70 for more information.

*See page 81 for more information.

*See page 67 for more information.

*See page 72 for more information.

18 Quick Start Basics

Premium Auto Pro

Select Premium Auto Pro recording and the

camera automatically determines whether you

are shooting a subject or scenery, and other

conditions. Premium Auto Pro delivers higher

image quality than standard Auto.

High Speed Movie

Movies can be recorded at up to 1000 frames per

second. This makes it possible to clearly view

phenomena that are invisible to the human eye, in

slow motion.

Wireless Connection

Turns your smartphone into a camera remote

controller and allows you to send images recorded with

your camera to your smartphone.

*See page 33 for more information.

*See page 77 for more information.

*See page 143 for more information.

19 Quick Start Basics

The monitor screen can be tilted upwards up

to 180 degrees. This means you can position

the monitor screen so it faces in the same

direction as the lens, for easy composition of

self-portraits. You can also tilt the monitor

screen upwards 90 degrees, which means

you can easily shoot from a low angle

without straining your neck to view the

monitor screen.

.What you can do with the camera...

Tilting the Monitor Screen

Shoot self-portraits Low-angle shots

You can position the monitor screen so it

faces in the same direction as the lens,

for easy composition of self-portraits.

The tilt angle of the monitor screen can

be adjusted for each composition of

images from various low angles.

High-angle shots

By holding the camera upside down, you

can angle the monitor screen in a way that

allows you to shoot from high angles. In

this case, the camera will automatically

rotate on-screen information and the

displayed image 180 degrees.

180 degrees

90 degrees

20 Quick Start Basics

.Tilting the Monitor Screen

As shown in the figure below, pull upwards on the bottom center of the monitor

screen at point A.

Keep lifting and it will tilt upwards up to 180 degrees.

• Do not pull downwards from the top of the monitor screen. Be sure to pull upwards

from the bottom of the monitor screen as shown in the figure.

IMPORTANT!

• Under factory default settings, the camera will turn on automatically whenever the

monitor screen is tilted. See page 177 for information about configuring the camera

so it does not turn on when the monitor screen is tilted upwards.

• When returning the monitor screen to the back of the camera, take care so you do

not catch your fingers between the top or bottom of the monitor screen and the

camera.

• Do not subject the monitor screen to strong impact. Doing so can damage it.

NOTE

• Be sure to return the monitor screen to its normal position to the back of the

camera when you are not using it.

.Returning the Monitor Screen to Its Normal Position

As shown in the figure, holding the monitor screen at point

A, rotate the screen downwards to the back of the

camera.

OK NG

22 Quick Start Basics

To replace the battery

1. Press [ON/OFF] (Power) to

turn off the camera and then

open the battery cover.

2. Remove the current battery

and load a new one.

3. Close the battery cover.

IMPORTANT!

• The back lamp (page 11) will flash green for some time after you press [ON/OFF]

(Power) to turn off the camera. Never remove the battery while the back lamp is

flashing green. Doing so can result in corruption or loss of data in camera memory.

You can use either of the two following methods to charge the camera’s battery.

• USB-AC adaptor (page 22)

• USB connection to a computer (Using the included micro USB cable.) (page 24)

.To charge with the USB-AC adaptor

The adaptor lets you charge the battery while it is loaded in the camera.

While the camera is turned off, connect in the sequence shown below.

Charging time: Approximately 240 minutes

• When disconnecting the USB-AC adaptor from the camera, be sure to disconnect

from the camera first.

Charge the Battery

Stopper

USB-AC adaptor

(AD-C53U)

u mark of the small (micro USB) connector

facing the monitor screen side of the camera.

[USB] port

Power cord

Micro USB cable

(included with camera)

23 Quick Start Basics

Back Lamp Operation

IMPORTANT!

• A battery that has not been used for a long time and/or ambient temperature can

cause charging to take longer than normal. These conditions may also cause the

back lamp to flash red. If this happens, refer to page 203.

• You cannot use the camera to shoot images while it is being charged over a

computer USB connection. If you want to shoot with the camera, disconnect the

USB cable.

• Make sure that you insert the cable connector into the [USB] port until you feel it

click securely into place. Failure to insert the connector fully can result in poor

communication or malfunction.

• Note that even while the connector is fully inserted, you

still will be able to see the metal part of the connector as

shown in the illustration.

• Pressing [ON/OFF] (Power) while the USB-AC adaptor is

connected to the camera will turn on the camera with

power being supplied by the battery. Because of this,

charging will stop.

• The USB-AC adaptor will become warm during charging.

This is normal and does not indicate malfunction.

• The shape of the power plug depends on each country or geographic area.

Lamp Status Description

Lit Red Charging

Flashing Red

Abnormal ambient temperature,

USB-AC adaptor problem, or battery

problem (page 203)

Off Charging complete

Back lamp

25 Quick Start Basics

• If you turn on the camera while charging over a USB connection to a computer is in

progress, the camera will establish a USB connection with the computer. Though

charging normally should continue at this time, certain types of computers or

connection environments may stop charging if supply power is low. This will be

indicated by the camera’s back lamp lighting green.

• Charging is not performed while the connected computer is in the hibernate mode.

Other Charging Precautions

• With the two charging methods described above, you can charge the camera’s

battery (NP-130A) without removing it from the camera. You also can charge the

battery using an optionally available charger unit (BC-130L).

• This model can be charged only via from USB 2.0 specification USB port only.

• USB charging devices and power supply devices are subject to fixed standards.

Use of an inferior device or a device that is not up to standard can cause

malfunction and/or failure of your camera.

• Operation is not guaranteed in the case of a computer built or modified by you.

Even in the case of a commercially available computer, certain USB port

specifications may make it impossible to charge via the USB cable.

• A battery that is still warm immediately after normal use may not charge fully. Give

the battery time to cool before charging it.

• A battery discharges slightly even when it is not loaded in the camera. Because of

this, it is recommended that you charge the battery immediately before you need to

use it.

• Charging the camera’s battery may cause interference with TV and radio reception.

If this happens, plug the USB-AC adaptor into an outlet that is further away from

the TV or radio.

• Actual charging time depends on current battery capacity and charging conditions.

• Do not use the USB-AC adaptor with any other device.

• Never use the power cord with another device.

• Use only the USB-AC adaptor and USB cable specified in this manual for charging.

Use of any other type of devices may result in improper charging.

26 Quick Start Basics

Checking Remaining Battery Power

As battery power is consumed, a battery indicator on the monitor screen indicates

remaining power as shown below.

indicates battery power is low. Charge the battery as soon as possible.

Recording is not possible when is indicated. Charge the battery immediately.

• The level shown by the battery indicator may change when you switch between the

REC mode and PLAY mode.

• Leaving the camera for about 20 days with no power supplied while the battery is

dead will cause its date and time settings to be cleared. A message telling you to

configure time and date settings will appear the next time you turn on the camera

after restoring power. When this happens, configure date and time settings (page

179).

• See page 223 for information about battery life and number of shots.

Battery Power Conservation Tips

• Entering the “ECO Mode” (page 172) enables low-power operation. Note that low-

power operation decreases monitor screen brightness.

• Enable the Auto Power Off (page 176) and the Sleep (page 176) features to protect

against wasting battery power when you forget to turn off the camera.

• Select “Off” for “Continuous AF” (page 109).

The first time you load a battery into the camera, a screen appears for configuring the

display language, date, and time settings. Failure to set the date and time correctly

will cause the wrong date and time data to be recorded with images.

IMPORTANT!

• A screen for language selection will not appear in step 2 of the procedure below if

you purchased a camera intended for the Japanese market. To change the display

language from Japanese in this case, use the procedure under “Specifying the

Display Language (Language)” (page 180). Note that a version of this manual in

the language you select may not be included with a camera intended for the

Japanese market.

• Camera models sold in certain geographic areas may not support display language

selection.

Remaining Power High Low

Battery Indicator ***

Indicator Color White White* * Red Red*

Configuring Basic Settings the First Time You Turn On the

Camera

27 Quick Start Basics

1. Press [ON/OFF] (Power) to turn on the

camera.

2. Use [8] and [2] to select the language

you want and then press [SET].

3. Use [8] and [2] to select a date style

and then press [SET].

Example: July 10, 2016

YY/MM/DD * 16/7/10

DD/MM/YY * 10/7/16

MM/DD/YY * 7/10/16

4. Set the date and the time.

Use [4] and [6] to select the setting you want to

change and then use [8] and [2] to change it.

To switch between 12-hour and 24-hour format, use

[4] and [6] to select “24h” and then use [8] and [2]

to change the setting.

5. After setting the date and time, use [4] and [6]

to select “Apply” and then press [SET].

NOTE

• Each country controls its local time offset and the use of summer time, and so they

are subject to change.

• Removing the battery from the camera too soon after configuring time and date

settings for the first time can cause the settings to be reset to their factory defaults.

Do not remove the battery for at least 24 hours after configuring settings.

If you make a mistake configuring display language, date, or time settings with the

above procedure, refer to the following pages for information about how to correct

the settings.

– Display language: page 180

– Date and time: page 179

[ON/OFF] (Power)

28 Quick Start Basics

Though the camera has built-in memory, its capacity is small. To shoot a large

number of images or long movies, you will need to use a commercially available

memory card. When no memory card is loaded, images are saved to built-in memory.

• For information about memory card capacities, see page 218.

Your camera supports use of the following types of SD memory

cards.

– SD Memory Card (Up to 2GB)

– SDHC Memory Card (2GB to 32GB)

– SDXC Memory Card (32GB to 2TB)

• The above are supported memory card types as of January 2015.

• Values in parentheses are specification values.

• Note that the ability to use any particular card with this camera, even if it satisfies

the above capacity and type requirements, is not guaranteed.

.Memory Card Handling Precautions

Certain types of memory cards can slow down processing speeds. In particular, high-

quality movies may not be able to be stored correctly. A slow memory card can take

too much time to record data and result in breaks in the image and/or audio during

playback. When this happens a yellow “Y” indicator will appear on the monitor

screen.

Preparing a Memory Card

Supported Memory Cards

29 Quick Start Basics

1. Press [ON/OFF] (Power) to turn off

the camera and then open the

battery cover.

2. Load a memory card.

Positioning the memory card so its back

is facing upwards (towards the monitor

screen side of the camera), slide it into

the card slot all the way in until you hear

it click securely into place.

3. Close the battery cover.

IMPORTANT!

• Never insert anything besides a supported memory card (page 28) into the memory

card slot.

• Should water or any foreign object ever get into the card slot, immediately turn off

the camera, remove the battery, and contact your retailer or nearest CASIO

authorized service center.

To load a memory card

Front Back

Back

30 Quick Start Basics

To replace the memory card

Press the memory card and then release it.

This will cause it to pop out of the memory

card slot slightly. Pull the card out the rest

of the way and then insert another one.

IMPORTANT!

• Turn off the camera before replacing the

memory card.

• The back lamp (page 11) will flash green

for some time after you press [ON/OFF]

(Power) to turn off the camera. Never remove the memory card while the back

lamp is flashing green. Doing so can cause the image save operation to fail and

even damage the memory card.

Format a memory card on the camera before using it for the first time.

IMPORTANT!

• Formatting a memory card that already has snapshots or other files on it, will delete

its contents. Normally you do not need to format a memory card again. However, if

storing to a card has slowed down or if you notice any other abnormality, re-format

the card.

• Be sure to use the camera to format a memory card. Formatting a card on a

computer will result in a non-SD standard format, which can greatly slow down

processing time and cause compatibility, performance, and other problems.

1. Turn on the camera and press [MENU].

2. Press [4], use [8] and [2] to select the “¥ SETTING” tab, and then

press [6].

3. Use [8] and [2] to select “Format” and then press [6].

4. Use [8] and [2] to select “Format” and then press [SET].

5. Use [8] and [2] to select “Yes” and then press [SET].

To format (initialize) a new memory card

Back lamp

31 Quick Start Basics

.To turn power on

• Take care to ensure that nothing is restricting or

coming into contact with the lens as it extends.

Holding the lens with your hand so it cannot

extend creates the risk of malfunction.

• About 10 seconds after you press [p] (PLAY) to enter the PLAY mode, the lens

will retract into the camera.

• The Sleep function (page 176) or Auto Power Off (page 176) will turn off power

automatically if you do not perform any operation for a preset amount of time.

• The camera will not turn on when you press [ON/OFF] (Power) or [p] (PLAY)

while it is being charged over a computer USB connection (page 24).

.To turn off the camera

Press [ON/OFF] (Power).

NOTE

• You also can configure the camera to turn on or off when the monitor screen is

tilted (page 177).

• The camera can be configured so power turns off when [p] (PLAY) is pressed

(page 177).

Turning the Camera On and Off

To turn on

power and enter

the REC mode

Press [ON/OFF] (Power).

• The back lamp will light green

momentarily and the lens will

extend out of the camera (page

33).

• Pressing [p] (PLAY) while in the

REC mode enters the PLAY

mode.

To turn on

power and enter

the PLAY mode

Press [p] (PLAY).

• The back lamp will light green

momentarily and an image

currently stored in camera

memory will appear on the monitor

screen (page 37).

• Pressing the shutter button while

in the PLAY mode enters the REC

mode.

[p] (PLAY)

Back lamp

[ON/OFF] (Power)

Shutter button

32 Quick Start Basics

• Your images will not come out

clearly if you move the camera

when you press the shutter

button. Hold the camera and

position it correctly as shown

in the illustration, with your

arms firmly against your sides.

• Holding the camera still,

carefully press the shutter

button and take care to avoid

all movement as the shutter

releases and for a few

moments after it releases.

This is especially important when available lighting is low, which slows down the

shutter speed.

NOTE

• Take care that your fingers and the strap do not

cover any of the areas indicated in the illustration.

• To keep the camera from falling, be sure to keep

the strap around your neck, wrapped around your

wrist, or hanging from your shoulder.

• Never swing the camera around by its strap.

• The supplied strap is intended for use with this

camera only. Never use it for any other purpose.

• Shooting an image while the camera’s “Auto

Rotate” setting is “On” will cause the playback

image to be rotated automatically to the orientation

the camera was in when the image was recorded

(page 175).

IMPORTANT!

• Take care to ensure that your fingers are not blocking or are not too close to the

flash. Fingers can cause unwanted shadows when using the flash.

Holding the Camera Correctly

Horizontal Vertical

Hold the camera so the flash is above the lens.

Front lamp

Lens

Flash

33 Quick Start Basics

1. Press [ON/OFF] (Power) to turn on the camera.

The camera will enter the REC mode.

• If the camera is in the PLAY mode, press the shutter button.

2. Align the mode dial with [Ÿ] (Premium Auto Pro).

To shoot a snapshot

Selecting Premium Auto Pro

Recording

Mode

REC Screen

Icon Display

Description

Premium

Auto Pro

Configures optimal settings to match the shooting

environment and performs high-speed image

processing for better looking images. When shooting

against backlighting, at night, with zoom, and under

other difficult conditions, the camera will

automatically shoot a burst of images and combine

them into a final image.

• Compared with the standard Program Auto Mode

(page 41), the conditions below apply while

shooting with Premium Auto Pro.

– Shooting settings that can be changed are

limited.

– Battery life may be somewhat shorter.

Premium Auto Pro

Shutter button

Mode dial

[ON/OFF] (Power)

Remaining Snapshot Memory

Capacity (page 218) Monitor screen

35 Quick Start Basics

.If the image does not focus...

If the focus frame stays red and the back lamp is flashing green, it means that the

image is not in focus (because the subject is too close, etc.). Re-point the camera at

the subject and try to focus again.

3. Continuing to keep the camera still,

press the shutter button the rest of

the way down.

This records the snapshot.

Recording a Movie

Press [0] (Movie) to start movie recording.

Press [0] (Movie) again to stop movie recording.

See the following pages for details.

Standard movie (STD movie): page 73

High-definition movie (FHD movie): page 73

High speed movie (HS movie): page 77

Full-press

Snap (Image is recorded.)

[0] (Movie)

36 Quick Start Basics

.Shooting with Premium Auto Pro

• Some menu items are not available while Premium Auto Pro is in use (page 101).

Only the menu items whose settings can be configured will be displayed on the

menus while Premium Auto Pro is in use.

• Shutter speed, aperture, ISO sensitivity, and the functions below are optimized by

Premium Auto Pro.

– Continuous AF (page 109)

– Face Detection (page 108)

– HS Scene Shooting (page 34)

• Shooting with Premium Auto Pro can cause vibration and noise to occur due to

lens operation. This does not indicate malfunction.

• The message “Processing Premium Auto.” may appear on the monitor screen. If

you feel the camera is taking too long to process data, try shooting with Program

Auto (page 41) instead.

• In some cases, Premium Auto Pro may not be able to interpret the shooting

environment correctly. If this happens, shoot with Program Auto (page 41).

• If “Š” is displayed, the camera will shoot a series of CS images and merge them

into a final image. If you do not want to shoot CS images, select “Off” for the

Control Panel (page 43) “HS Scene Shooting” item.

• Certain flash settings (page 52) can limit environmental factors detectable.

37 Quick Start Basics

Use the following procedure to view snapshots on the camera’s monitor screen.

• For information about how to play back movies, see page 120.

• For information about images recorded using continuous shutter (CS), see page

122.

1. Turn on the camera and press

[p] (PLAY) to enter the PLAY

mode.

• This causes an image to appear on

the monitor screen.

• Information about the displayed

snapshot also is included (page 15).

• You also can clear the information to

view only the snapshot (page 16).

• You can zoom in on the image by rotating the zoom controller towards z

(page 125). If you are recording a snapshot that is very important to you, it is

recommended that you zoom the image and check its details after recording it.

2. Use [4] and [6] to scroll between images.

• Holding down either button scrolls at high speed.

NOTE

• Half-pressing the shutter button while in the PLAY mode or while a menu screen is

displayed will switch directly to the REC mode.

Viewing Snapshots

[p] (PLAY)

[ ]6[ ]6

[ ]4[ ]4

38 Quick Start Basics

If memory becomes full, you can delete snapshots and movies you no longer need in

order to free up storage and record more images.

IMPORTANT!

• Remember that a file (image) delete operation cannot be undone.

• For information about images recorded using continuous shutter (CS), see page

123.

• You can protect images against being unintentionally deleted, if you want (page

177).

.To delete a single file

1. Press [p] (PLAY) to enter the PLAY mode and then

press [2] ( ).

2. Use [4] and [6] to scroll through the files until the one

you want to delete is displayed.

3. Use [8] and [2] to select “Delete” and then press [SET].

• To delete other files, repeat steps 2 and 3.

• To exit the delete operation, press [MENU].

• If a CS group (page 122) or interval shot group (page 122) is displayed when

you perform the above procedure, all of the images in the currently displayed

group will be deleted.

.To delete specific files

1. Press [p] (PLAY) to enter the PLAY mode and then press [2] ( ).

2. Use [8] and [2] to select “Delete Files” and then press [SET].

This displays a file selection screen.

3. Use [8], [2 4 6], [ ], and [ ] to move the selection boundary to the file

you want to delete, and then press [SET].

This will select the check box in the lower left corner of the selected file’s image

and move the blue boundary to the next image.

• To clear (deselect) a check box, move the blue boundary to the applicable file

and then press [SET].

• You can enlarge the selected image before deleting it by rotating the zoom

controller towards z [ ( ).

4. Repeat step 3 to select other files, if you want. After you are finished

selecting files, press [MENU].

Deleting Snapshots and Movies

39 Quick Start Basics

5. Use [8] and [2] to select “Yes” and then press [SET].

• This deletes the files you selected.

• To cancel the delete operation, select “No” in step 5 and then press [SET].

.To delete all files

1. Press [p] (PLAY) to enter the PLAY mode and then press [2] ( ).

2. Use [8] and [2] to select “Delete All Files” and then press [SET].

3. Use [8] and [2] to select “Yes” and then press [SET] to delete all files.

This will cause the message “There are no files.” to appear.

Operation

• Never open the battery cover while the back lamp is flashing green. Doing so can

result in the image you just shot being saved incorrectly, damage to other images

stored in memory, malfunction of the camera, etc.

• If unwanted light is shining onto the lens, shade the lens with your hand when

shooting an image.

Monitor Screen when Shooting Snapshots

• Subject brightness conditions can cause monitor screen response to slow and can

cause digital noise in the monitor screen image.

• The image that appears on the monitor screen is for image composition. The actual

image will be recorded at the quality set for the image quality setting (page 112).

Shooting Indoors under Fluorescent Lighting

• Minute flickering of fluorescent lighting can affect the brightness or color of an

image.

Other Precautions

• The slower the shutter speed, the greater the possibility that noticeable noise will

be generated in an image. Because of this, the camera automatically performs a

noise reduction at slow shutter speeds. The noise reduction process causes it to

take longer to record images at lower shutter speeds. The shutter speeds for which

noise reduction is performed depend on the camera setup and shooting conditions.

• A noise reduction process is performed when ISO sensitivity is set to a high value.

This can cause the camera to take relatively longer to be ready to shoot again after

you press the shutter button. Do not perform any key operation while the image

recording operation is in progress.

• Due to the characteristics of the imaging element used by the camera, very fast

moving objects in an image may appear distorted.

Snapshot Shooting Precautions

41 Snapshot Tutorial

Snapshot Tutorial

Your camera has a variety of different recording

modes. Before recording an image, rotate the mode

dial to select the recording mode that suits the type

of image you are trying to record.

Selecting the Recording Mode

P Program Auto

Standard Auto recording mode. This is the mode you normally should use.

Ÿ Premium Auto Pro

With Premium Auto Pro recording, the camera automatically determines

whether you are shooting a subject or scenery, and other conditions. Premium

Auto Pro recording delivers higher image quality than standard Auto recording

(page 33).

BEST SHOT

Simply select one of a collection of built-in sample scenes and the camera sets

up automatically for beautiful images every time (page 88).

Art Shot

A variety of artistic effects help to make even common, ordinary subjects

become more novel and exciting (page 67).

Multi SR Zoom

This feature uses super resolution technology and multiple Continuous Shutter

(CS) images to expand the zoom range for overall images of higher quality and

clarity (page 59).

Time Lapse / Interval Shot

You can use this function to record a movie that speeds up a sequence of

changes in natural phenomena or the flow of traffic in a city scene (page 81), or

to record a series of snapshots over time (page 70).

D Triple Shot

Shoots a burst of three images, making this feature is great for capturing all

those special moments when kids are around (page 72).

Mode dial

42 Snapshot Tutorial

IMPORTANT!

• If you cannot focus properly with Program Auto, try using focus lock (page 48) or

Manual Focus (page 47).

• In the S mode, ISO sensitivity (page 49) always operates according to its “Auto”

setting. The ISO sensitivity setting cannot be changed while in the S mode.

• The flash > ¥(Auto Flash) and (Red Eye Reduction) flash modes are not

supported while A, S, or M is selected for the recording mode. If you want the flash

to fire, select <(Flash On) as the flash mode.

• The displayed ISO sensitivity, shutter speed or aperture value will turn red when

you half-press the shutter button if the image is overexposed or underexposed.

M M (Manual Exposure) mode

This mode gives you total control over aperture and shutter speed settings.

1Press [SET] to open the Control Panel (page 43).

2Use [8] and [2] to select

A(Aperture), and then press [SET].

3Use [8] and [2] to change the aperture setting, and then press [4].

4Use [8] and [2] to select

S(Shutter Speed), and then press [SET].

5Use [8] and [ ] to change the shutter speed setting, and then press [SET].2

S S (Shutter Speed AE) mode

In this mode, you select the shutter speed and other settings are adjusted

accordingly.

1Press [SET] to open the Control Panel (page 43).

2Use [8] and [2] to select

S(Shutter Speed), and then press [SET].

3Use [8] and [ ] to change the shutter speed setting, and then press [SET].2

• You also can select the EV shift setting located under the shutter speed

setting and then specify an exposure value (Exposure), if you want.

A A (Aperture AE) mode

In this mode, you select the aperture and other settings are adjusted

accordingly.

1Press [SET] to open the Control Panel (page 43).

2Use [8] and [2] to select

A(Aperture), and then press [SET].

3Use [8] and [ ] to change the aperture setting, and then press [SET].2

• You also can select the EV shift setting located under the aperture setting

and then specify an exposure value (Exposure), if you want.

43 Snapshot Tutorial

The Control Panel can be used to configure camera settings.

1. In the REC mode, press [SET].

2. Use [8] and [2] to select the setting item you want to change, and

then press [SET] or [6].

This will select one of the Control Panel icons and display its settings.*

3. Use [8] and [2] to change the setting.

4. After the setting is the way you want, press

[SET].

This will apply the setting and return to the REC

mode.

NOTE

• You also can use on-screen menus to configure settings other than those listed

above (page 101).

Using the Control Panel to Configure Camera Settings

1Self-timer (page 44)

2White balance (page 45)

3Focus (page 47)

4ISO sensitivity (page 49)

5Make-up (page 50)

6Exposure (page 51)

7Flash (page 52)

8Metering (page 54)

*Items displayed in the Control Panel depend on the recording mode.

Control Panel

Example: Configuring

Program Auto settings

44 Snapshot Tutorial

With the Self-timer, pressing the shutter button starts a timer. The shutter is released

and the image is shot after a fixed amount of time.

1. Select the (Self-timer) Control Panel option.

2. Select the setting you want and then press [SET].

• The front lamp flashes while the Self-timer countdown is

in progress.

• You can interrupt an ongoing Self-timer countdown by

pressing [SET].

Using the Self-timer (Self-timer)

Setting

REC Screen

Icon Display

Description

10 sec 10-second Self-timer

2 sec

2-second Self-timer

• When shooting under conditions that slow

down the shutter speed, you can use this

setting to prevent image blur due to camera

movement.

×3

(Triple Self-

timer)

Shoots three images: one image 10 seconds

after the shutter button is pressed, and the next

two images as soon as the camera is ready

after shooting the previous image. How long it

takes for the camera to get ready to shoot

depends on the image size and quality settings,

whether or not a memory card is loaded in the

camera, and the flash charge condition.

Off None Turns off the Self-timer.

„

‚

”

•

Front lamp

45 Snapshot Tutorial

NOTE

• The Self-timer cannot be used together with the following features.

High Speed CS with Prerecord CS, Prerecord (Movie), Slide Panorama,

Wide Shot, Triple Shot

• The Triple Self-timer cannot be used together with the following features.

Movie, Time Lapse, High Speed CS, Multi SR Zoom, HS Night Shot, Blurred

Background, All-In-Focus Macro, Interval Shot

• The Motion Shutter (page 64) can be used only while the Control Panel’s self-timer

setting is “Off”. For any other self-timer setting, the applicable self-timer operation

is performed.

You can adjust white balance to match the source of light available where you are

shooting and avoid the blue cast that results when shooting outdoors when it is

cloudy, and the green cast that results when shooting under fluorescent lighting.

1. Select the (White Balance) Control Panel option.

2. Select the shooting condition you want and then press [SET].

• You can also perform this operation using the function ring.

Adjusting White Balance (White Balance)

Setting

REC Screen

Icon Display

Description

Auto WB None Configures the camera to adjust white balance

automatically.

Daylight For shooting outdoors on a clear day

Overcast For shooting outdoors on an overcast rainy day,

in the shade, etc.

Shade For shooting on a clear day in the shade of trees

or buildings

Day White

Fluor

For shooting under white or day white

fluorescent lighting

Daylight

Fluor For shooting under daylight fluorescent lighting

Tungsten For shooting under light bulb lighting

‡

“

†

–

46 Snapshot Tutorial

• When “‡ Auto WB” is selected for the white balance setting, the camera

automatically determines the white point of the subject. Certain subject colors

and light source conditions can cause problems when the camera tries to

determine the white point, which makes proper white balance adjustment

impossible. If this happens, select the white balance setting that matches your

shooting conditions (Daylight, Overcast, etc.).

Manual

For configuring the camera manually to suit a

particular light source

1Select “Manual WB”.

2Under the lighting

conditions you plan to

use when shooting, point

the camera at a blank

white piece of paper so it

fills the entire monitor

screen and then press

the shutter button.

3Press [SET].

The white balance setting is retained even if you

turn off the camera.

Setting

REC Screen

Icon Display

Description

Blank white paper

47 Snapshot Tutorial

• Auto Focus is the only focus mode available while Make-up (page 50) or Face

Detection (page 108) is enabled. To select another focus mode, first turn off Make-

up and Face Detection.

1. Select the (Focus) Control Panel option.

2. Select the setting you want and then press [SET].

*1 The focus range is the distance from the lens surface.

*2 The focus range depends on the current optical zoom position.

*3 During High Speed Movie recording, focus is fixed at the position where it was

when recording started. To focus an image, half-press the shutter button for Auto

Focus or focus manually before you press [0] (Movie) to start recording.

To focus with manual focus

1. On the monitor screen, compose the image so

the subject you want to focus on is within the

yellow boundary.

2. Watching the image on the monitor screen use

[4] (nearer) and [6] (further) to adjust focus.

• At this time the image that is within the boundary

will enlarge and fill the monitor screen, which aids

in focusing. Pressing [SET] will return to the screen

in step 1.

• When the Key Customize “Function Ring” setting (page 103) is set to “MF”

(Manual Focus), you can use the function ring for focusing.

Selecting a Focus Mode (Focus)

Settings REC Screen

Icon Display Type of Shot Focus Mode Approximate Focus Range

Snapshot SnapshotMovies Movies

Q AF

(Auto

Focus)

None

General

recording

Automatic Automatic

6 cm to

(infinity)

(2.4" to

) (Wide Angle)

Macro

Close ups

6 cm to 50 cm

(2.4" to 19.7")

(Wide Angle)

W MF

(Manual

Focus)

When you

want to focus

manually

Manual

6 cm to

(infinity)

(2.4" to

) (Wide Angle)

Yellow boundary

48 Snapshot Tutorial

NOTE

• An Auto Macro feature detects how far the subject is from the lens and

automatically selects either Macro Focus or Auto Focus accordingly.

• Use of the flash together with Macro Focus can cause the light of the flash to

become blocked, which may result in unwanted lens shadows in your image.

• Whenever you perform an optical zoom operation while shooting with Auto Focus,

Macro Focus, or Manual Focus, a value will appear on the monitor screen to tell

you the focus range, as shown below. Note that the focus range is displayed

including the Auto Macro range only when shooting with Auto Focus.

Example: oo * cm - 9

*oo is the actual focusing range value.

• The operations assigned to the [4] and [6] keys with the “L/R Key” setting (page

103) are disabled while Manual Focus is selected as the focus mode.

Using Focus Lock

“Focus lock” is a technique you can use when you want to

compose an image in which the subject you want to focus

on is not within the focus frame in the center of the

screen.

• To use focus lock, select “U Spot” or “O Tracking” for

the Auto Focus area (page 107).

1. Align the monitor screen’s focus frame with

the subject you want to focus on and then half-

press the shutter button.

2. Keeping the shutter button half-pressed

(which maintains the focus setting), move the

camera to compose the image.

• When “O Tracking” is selected as the Auto Focus

area, the focus frame will move automatically and

follow the subject.

3. When you are ready to shoot the image, press the shutter button the

rest of the way down.

NOTE

• Focus lock also locks exposure (AE).

Subject to be focused on

Focus frame

49 Snapshot Tutorial

ISO sensitivity is a measure of sensitivity to light.

1. Select the (ISO Sensitivity) Control Panel option.

2. Select the setting you want and then press [SET].

NOTE

• While “Auto” is selected, Anti Shake corrects for subject movement only (page

110).

• Since higher ISO sensitivity values tend to result in digital noise in images, the

camera performs a noise filtering process. Because of this, it may take relatively

longer for the camera to finish recording an image after it is shot. You will not be

able to perform any key operation while image recording is in progress.

• In the S (Shutter Speed AE) mode, ISO sensitivity always operates according to its

“Auto” setting.

• In the M (Manual Exposure) mode, “Auto” cannot be selected.

Specifying ISO Sensitivity (ISO)

Setting

REC Screen

Icon Display

Description

Auto None Adjusts sensitivity automatically according to

conditions.

ISO80 Lower

sensitivity

Higher

sensitivity

Slow shutter speed

Fast shutter speed

(Set for shooting in

dimly lit areas.)

Less noise

Some coarseness

(increased digital

noise)

ISO100

ISO200

ISO400

ISO800

ISO1600

ISO3200

ISO6400

50 Snapshot Tutorial

Make-up enables adjustment of human skin tone hues and texture, and softening of

facial shadows caused by harsh sunlight for better looking portraits. Make-up can be

used with the recording modes listed below.

• Program Auto

• Premium Auto Pro

• Some BEST SHOT scenes

• Make-up BKT

1. Select the (Make-up) Control Panel option.

2. Select the setting you want, and then change the setting value.

NOTE

• The settings below become configured automatically whenever the “Skin Tone” or

“Smooth Skin” level setting is something other than “0 (Off)”.

– Face Detection: On

– Focus Mode: AF (Auto Focus)

• Make-up cannot be used with the following functions.

Some BEST SHOT scenes, Art Shot, Multi SR Zoom, High Speed CS, Time Lapse,

Interval Shot

Recording Beautiful Portraits (Make-up)

Skin Tone “Tan +6” to “0 (Off)” to “Light +6”

Smooth Skin “0 (Off)” to “+12 (Max.)”

51 Snapshot Tutorial

You can manually adjust an image’s exposure value (EV value) before shooting it.

• Exposure Compensation Range: –2.0 EV to +2.0 EV

• Unit: 1/3EV

1. Select the (Exposure) Control Panel option.

2. Adjust the exposure compensation value.

• You can also perform this operation using the function ring.

3. Press [SET].

This applies the exposure compensation value. The exposure compensation

value you set remains in effect until you change it or turn off the camera (which

causes it to revert to “0.0”).

NOTE

• When shooting under very dark or very bright conditions, you may not be able to

obtain satisfactory results even after performing exposure compensation.

Correcting Image Brightness (Exposure)

[8], clockwise:

Increases the EV value. A higher EV value is

best for light-colored subjects and backlit

subjects.

[2], counterclockwise:

Decreases the EV value. A lower EV value is

best for dark-color subjects and for shooting

outdoors on a clear day.

To cancel exposure compensation, change the Exposure value to 0.0.

Exposure value

52 Snapshot Tutorial

1. In the REC mode, press [2] ( )

once.

2. Select the flash setting you want and then press [SET].

3. Press the shutter button to shoot.

• For information about Flash Range, see page 222.

Using Flash (Flash)

Setting

REC Screen

Icon Display

Description

Auto Flash None

Flash fires automatically in accordance with

exposure (amount of light and brightness)

conditions.

Flash Off Flash does not fire.

Flash On

Flash always fires. This setting can be used to

brighten a subject that normally comes out dark

due to daylight or backlight (daylight synchro

flash).

Red Eye

Reduction

Flash fires automatically. This type of flash can

be used to reduce the chance of redness in the

subject’s eyes.

Flash

[2] ( )

Back lamp

Flashes amber while the flash is charging to

indicate that image recording is disabled.

• You will not be able to take another flash

snapshot until the lamp stops flashing amber,

which indicates that charging is complete.

< indicates the flash will fire.

53 Snapshot Tutorial

IMPORTANT!

• Foreign matter on the flash window can react with the light of the flash, producing

some smoke and abnormal odor. Though this does not indicate malfunction, oil

from your fingers and other foreign matter when left on the flash window can

become difficult to clean off later. Because of this, you should make it a regular

habit to wipe the window clean regularly with a soft, dry cloth.

NOTE

• Take care so your fingers and the strap do not block the flash.

• The desired effect may not be obtained when the subject is too far away or too

close.

• Flash charging time (page 222) depends on operating conditions (battery

condition, ambient temperature, etc.).

• Shooting with flash turned off when lighting is dim results in a slow shutter speed,

which can cause image blur due to camera movement. Under such conditions,

secure the camera with a tripod, etc.

• With red eye reduction, the flash is fired automatically in accordance with

exposure. It does not fire in areas where lighting is bright.

• The presence of outdoor sunlight, fluorescent lighting, or some other light source

can cause abnormal image colors.

• Select ?(Flash Off) for the flash setting when shooting in areas where flash

photography is prohibited.

• The flash > ¥(Auto Flash) and (Red Eye Reduction) flash modes are not

supported while A, S, or M is selected for the recording mode. If you want the flash

to fire, select <(Flash On) as the flash mode.

Red-eye Reduction

Using the flash to shoot at night or in a dimly lit room can cause red spots inside the

eyes of people who are in the image. This is caused when the light from the flash

reflects off of the retina of the eye. When red-eye reduction is selected as the flash

mode, the camera fires a pre-flash to cause the irises in the eyes of any people in the

image to close, which reduces the chance of red eye.

Note the following important points when using red-eye reduction.

• Red-eye reduction does not work unless the people in the image are looking

directly at the camera (flash).

• Red-eye reduction may not work very well if the subjects are located far away from

the camera.

54 Snapshot Tutorial

The metering mode determines what part of the subject is metered for exposure.

1. Select the (Metering) Control Panel option.

2. Select the setting you want and then press [SET].

Specifying the Metering Mode (Metering)

Setting

REC Screen

Icon Display

Description

Multi None

Multi-pattern metering divides the image into

sections and measures the light in each section for

a balanced exposure reading. This type of

metering provides error-free exposure settings for

a wide range of shooting conditions.

Center

Weighted

Center weighted metering concentrates on the

center of the focus area to measure light. This type

of metering is best when you want some level of

control over contrast.

Spot

Spot metering takes readings at a very small area.

Use this metering method when you want

exposure to be set according to the brightness of a

particular subject, without being affected by

surrounding conditions.

55 Snapshot Tutorial

Your camera supports the zoom operations described below.

• The maximum zoom factor depends on the image size setting and the digital zoom

on/off settings.

1. Rotate the zoom controller to zoom.

2. Press the shutter button to shoot.

NOTE

• Use of a tripod is recommended to protect against image blur due to camera

movement when shooting with telephoto.

• Performing a zoom operation changes the lens aperture.

• Zoom operations are supported during movie recording. Zoom operations are

disabled during high speed movie recording. To use zoom, perform the zoom

operation before you press [0] (Movie) to start recording.

• Zoom operations are not supported while shooting with the following BEST SHOT

scenes. The zoom setting is fixed at full wide angle.

Slide Panorama, Wide Shot, All-In-Focus Macro

Shooting with Zoom

Optical zoom Zooming is performed by changing the lens focal distance, so

there is no deterioration of image quality.

HD Zoom

Allows greater zoom capabilities by cutting out a portion of the

original image and enlarging it, without deterioration of image

quality.

Single SR Zoom Applies super resolution technology to suppress image

deterioration (page 58).

Multi SR Zoom

Shoots a burst of high-speed images, which are then combined

into a final image in a way that lessens deterioration of image

quality. Multi SR Zoom is enabled only when the “Multi SR

Zoom” recording mode is selected. (page 59)

Digital zoom A digital process is used to enlarge the center of the image, so

there is deterioration of image quality.

z (Telephoto) : Enlarges the subject and narrows the range.

w (Wide Angle): Reduces the size of the subject and broadens the range.

w z Wide Angle Telephoto Zoom controller

56 Snapshot Tutorial

. Zooming with the Function Ring (Step Zoom)

Assigning the Step Zoom function to the function ring lets you perform zoom

operations (within the optical zoom range only) with the function ring (page 103). Step

Zoom can be adjusted to the focal distances shown below.

25, 28, 35, 50, 80, 105, 140, 192, 300

(Unit: mm; 35 mm film equivalents)

For finer zoom adjustment, use the zoom controller.

• The focal distance will be indicated on the monitor

screen while Step Zoom is being adjusted with the

function ring.

A variety of information is shown on the monitor screen while a zoom operation is in

progress.

. Zoom Mode Icons

The table below shows what appears on the monitor screen based on the zoom

mode.

Monitor Screen Information when Zooming

Zoom mode REC Screen Icon Display

Optical zoom,

HD zoom None

Single SR Zoom ¨ (White)

Multi SR Zoom ¸ (Black)

Digital zoom ê

Current focal distance

Focusing Range

(Displayed for Auto Focus,

Macro Focus, and Manual

Focus.)

Focal distance

(Converted to 35 mm film

format.)

Image quality limit

(Deterioration starts from

here.)

Zoom bar

Zoom mode

58 Snapshot Tutorial

There are two types of Super Resolution Zoom: Single SR Zoom and Multi SR Zoom.

Single SR Zoom uses super resolution to expand the zoom range in which image

quality deterioration is minimized.

This section explains how to configure Single SR Zoom settings. For information

about Multi SR Zoom, see page 59.

• For information about the zoom factor ranges in which SR Zoom is effective, see

page 57.

1. Press [MENU].

2. Press [4], use [8] and [2] to select the “r REC MENU” tab, and then

press [6].

3. Use [8] and [2] to select “Zoom (SR)” and then press [6].

4. Use [8] and [2] to select “Single” and then press [SET].

NOTE

• Single SR Zoom is effective when you want to capture delicate textures.

• Single SR Zoom does not work during movie recording.

• Single SR Zoom is disabled when shooting with the following functions.

Triple Self-timer, Art Shot, Multi SR Zoom, Time Lapse, Triple Shot, some BEST

SHOT scenes

Zooming with Super Resolution (Zoom (SR))

59 Snapshot Tutorial

Multi SR Zoom shoots a burst of High Speed CS images, which are then combined

into a final image. This enables shooting at higher zoom ratios without loss of image

quality.

1. Align the mode dial with [j] (Multi SR Zoom).

NOTE

• Multi SR Zoom is effective when you want to capture delicate textures.

• The following functions are disabled when shooting with Multi SR Zoom.

Single SR Zoom, Triple Self-time, Sharpness, Contrast

• With Multi SR Zoom, the flash setting automatically becomes ?(Flash Off).

• Shooting with this function automatically sets Anti-shake Functions to “Standard”

(page 110), but large movement of the camera or subject make it impossible to

achieve the desired shot.

• Depending on shooting conditions and image composition, Multi SR Zoom may not

be able to produce the desired result.

Expanding the Zoom Range without Losing Image Resolution

and Quality (Multi SR Zoom)

60 Snapshot Tutorial

With High Speed CS, recording continues as long as you

keep the shutter button depressed.

The table below shows the settings that can be specified

for the CS speed and the number of images per High

Speed CS operation.

1. Align the mode dial with [P] (Program Auto).

2. Press [MENU].

3. Press [4], use [8] and [2] to select the “rREC MENU” tab, and then

press [6].

4. Use [8] and [2] to select “CS”, and then press [6].

5. Use [8] and [2] to select “High Speed CS” and then press [SET].

This will cause the recording mode icon on the screen to become Ú.

6. Press [SET].

7. Use [8] and [2] to select the (High Speed CS fps) Control Panel

option and then press [SET].

8. Use [8] and [2] to select the continuous shutter (CS) speed you want

and then press [4].

• Use a higher “High Speed CS fps” setting when shooting a fast-moving subject.

Shooting a Burst of Images (CS)

Shooting with High Speed CS

CS Speed

(High Speed CS

fps)

3 fps, 5 fps, 10 fps, 15 fps, 30 fps

fps = frames per second

Maximum CS

Shots 5, 10, 20, 30

Maximum CS shots

CS speed

61 Snapshot Tutorial

9. Use [8] and [2] to select the (Maximum CS Shots) Control Panel

option and then press [SET].

10.

Use [8] and [2] to select the maximum number of shots and then

press [SET].

11.

Press the shutter button the rest of the way and hold it down.

Shooting of images will continue as long as you depress the shutter button or until

the maximum number of images specified by “High Speed CS fps” is reached.

Half-pressing and holding the shutter button causes a pre-record buffer to be

continually updated with images. When the shutter button is fully pressed, buffer

contents are recorded along with a series of real-time images. Use Prerecord CS

when you want to make sure you do not miss fast-moving action.

1. Perform steps 1 through 10 under “Shooting with High Speed CS”

(page 60), and specify the CS speed and the maximum number of shots

settings for each continuous shutter operation.

• After you specify the maximum number of shots, press [4] instead of [SET].

2. Use [8] and [2] to select the (Pre-record CS Shots) Control Panel

option and then press [SET].

3. Use [8] and [2] to select the number of Prerecord (Still) images and

then press [SET].

• Settings: 0 shots, 3 shots, 5 shots, 10 shots, 15 shots, 20 shots, 25 shots

• If you select “0 shots”, no pre-record images will be stored when you half-press

the shutter button.

Shooting with Prerecord CS

Shutter button

half-press

Recorded images (up to 30 images)

Pre-recorded images

Shutter button

full-press

Shutter button

release

Continuous recording of images until shutter

button released

62 Snapshot Tutorial

4. Half-press and hold the shutter button to start pre-recording.

A pre-record buffer is continually updated with images as long as the shutter

button is pressed.

• The camera will not emit shutter sounds as it pre-records images.

• Releasing the half-pressed shutter button will cause the contents of the pre-

record buffer to be deleted.

5. Full press and hold down the shutter button.

This will record the images in the pre-record buffer followed by real-time recorded

images. Shooting of images will continue as long as you depress the shutter or

until the maximum number of images specified by “High Speed CS fps” is

reached.

NOTE

• You can use any one of the following recording modes to shoot with

High Speed CS: A(Aperture AE) mode, S M(Shutter Speed AE) mode, (Manual

Exposure) mode.

• The greater the number of shots, the longer it takes to save them after shooting is

complete.

• When using a continuous shutter mode, keep the camera still until shooting is

finished.

• Zoom is disabled during continuous shutter operations.

• The snapshot image quality automatically changes to “Normal”.

• Exposure and focus for the first image are applied for successive images as well.

• The flash setting automatically becomes ?(Flash Off).

• The following image sizes cannot be selected: 3:2, 16:9. Entering the High Speed

CS mode while any one of these image sizes is selected will cause the image size

setting to change to “12M” automatically.

• The following functions cannot be used.

Motion Shutter, Triple Self-timer, Multi SR Zoom

• During CS recording some setting items are dimmed on the display and cannot be

selected.

• The Self-timer cannot be used in the Prerecord CS mode.

• If you assign “CS” to the Key Customize (page 103) “L/R Key” setting, you can

change the CS mode by pressing the [4] or [6] key.

63 Snapshot Tutorial

AF CS shoots up to 30 CS images while keeping the subject in focus. This feature

comes in handy when shooting children and other fast-moving subjects. The CS

speed is automatically adjusted in accordance with shooting conditions within the

range of three to six frames per second.

1. Align the mode dial with [P] (Program Auto).

2. Press [MENU].

3. Press [4], use [8] and [2] to select the “ rREC MENU” tab, and then

press [6].

4. Use [8] and [2] to select “CS”, and then press [6].

5. Use [8] and [2] to select “AF CS” and then press [SET].

This will cause the recording mode icon on the screen to become Ú.

6. Press the shutter button the rest of the way down.

Hold down the shutter button to shoot up to 30 images at high speed.

NOTE

• You can use any one of the following recording modes to shoot with AF CS:

A S M(Aperture AE) mode, (Shutter Speed AE) mode, (Manual Exposure) mode.

• Zoom is disabled during continuous shutter operations.

• The following image sizes cannot be selected while shooting with Auto Focus CS:

3:2, 16:9. If select AF CS while either of these image sizes is selected, the camera

will automatically switch the images size setting to 12M.

• The following camera features cannot be used while shooting with Auto Focus CS:

Motion Shutter, Triple Self-timer, Single SR Zoom.

• The settings in the table below are fixed while shooting with AF CS.

– Image Quality: Normal

– Flash: Flash Off

– Focus Mode: AF

– AF Area: Spot

Using Continuous Shutter with Auto Focus (AF CS)

64 Snapshot Tutorial

With this feature, the camera automatically triggers a self-

timer countdown whenever it detects movement in the

vicinity of an icon on the monitor screen. This means you

can control operation of the self-timer from a distance by

waving your hand, so you can include yourself in the

image being shot.

1. Select one of the following as the recording mode: Program Auto or

Premium Auto Pro, or Make-up.

2. Press [MENU].

3. Press [4], use [8] and [2] to select “r REC MENU” tab, and then

press [6].

4. Use [8] and [2] to select “Motion Shutter”, and then press [6].

5. Use [8] and [2] to select “Motion Settings”, and then press [6].

6. Use [8] and [2] to select “Always” or “180°only”, and then press

[SET].

• If you select “180°only”, go to step 7. Selecting “Always” activates Motion

Shutter. Advance to step 8.

7. If you selected “180°only” in step 6 above, tilt the camera’s monitor

screen 180 degrees (page 19).

This activates Motion Shutter.

8. Press the shutter button (if you want to shoot a snapshot) or

[0] (Movie) (if you want to shoot a movie).

• About three seconds after you press the shutter button or [ ] (Movie) button, 0

the camera will go into standby. This will cause the self-timer icon “ ” to

change from flashing to blue.

9. Facing the camera, move your hand or perform some other movement

in the vicinity of the (start self-timer) icon on the monitor screen.

When the camera detects movement near the icon, it will automatically shoot an

image.

• To stop movie recording, press [0] (Movie) again.

Triggering a Self-timer Operation with Motion (Motion Shutter)

65 Snapshot Tutorial

NOTE

• After shooting a snapshot, the camera will return to standby. Any one of the

following will cancel a Motion Shutter operation.

– Shooting 30 Motion Shutter snapshots

– Pressing the shutter button during standby

– Tilting the monitor screen

– Rotating the camera

• The Motion Shutter may not operate properly when there is little difference

between the subject and the background of the icon, or when the subject is located

far away from the camera.

• (preview icon) will appear on the monitor screen when a snapshot is shot.

When the camera detects movement in the vicinity of the preview icon, it will

display the image that was shot for three seconds.

• “O Tracking” cannot be selected for the AF area setting while shooting with the

Motion Shutter. If “O Tracking” is selected in another mode, selecting the Motion

Shutter will cause the AF area setting to change to “U Spot” (page 107).

• You cannot shoot a snapshot by pressing the shutter button while movie recording

is in progress (Snapshot In Movie).

67 Snapshot Tutorial

A variety of artistic effects help to make even common, ordinary subjects become

more novel and exciting.

1. Align the mode dial with [C] (Art Shot).

2. Press [SET].

3. Use [8] and [2] to select the Control Panel option, and then press

[SET].

This will display a menu of Art Shot scenes.

4. Select the Art Shot scene you want to use and then press [SET].

Shooting with Artistic Effects (Art Shot)

Scene Description

HDR Art Uses HDR (High Dynamic Range, page 92) to turn normal

images into works of art.

Toy Camera Dark edges and altered hues make images look like they

were shot by a toy camera.

Soft Focus Overall blurring for a soft and romantic effect.

Light Tone Weakened contrast for a feeling of airy refinement.

Pop Enhanced saturation makes colors stand out in with rich

clarity.

Sepia Sepia tones create a decidedly retro look.

Monochrome All of the strong contrast and graininess of a black and white

print.

Miniature Partial blurring makes scenes look like they are from of a

miniature world.

Fisheye A fisheye lens effect can be used to create a variety of

humorous images.

Sparkling Shot Softens the overall image and adds points of light for a

sparkle effect.

Crystal Ball Creates a mysterious effect by placing the image in a bubble

floating in midair.

Art Shot Bracketing

Shoots a series of photos with HDR Art, Toy Camera,

Monochrome, and Crystal Ball. A copy of the image (shot

with Program Auto) without any effect applied is also saved

at the beginning of the series of bracketed images.

71 Snapshot Tutorial

NOTE

• The monitor screen is blank while a time lapse operation is in progress. The

camera’s back lamp will be lit to indicate that recording is in progress. Performing a

camera operation while the monitor screen is blank will cause screen contents to

appear. Note, however, that changing the mode dial setting will cause the Interval

Shot operation to stop.

• If the “ Interval” setting is one minute or greater, the camera’s lens will retract

and the back lamp will go out between shots. Pressing [ON/OFF] (Power) while an

Interval Shot operation is in progress will cause a message to appear.

The camera’s battery can be charged over a USB connection while the lens is

retracted during Interval Shot. If you want the battery to be charged during Interval

Shot, set up the USB connection before starting the recording operation.

Connecting the USB cable while the lens is extended will cause camera power to

turn off.

• The “Auto Flash” and “Red Eye Reduction” flash settings are not supported while a

setting other than “Auto” is selected for the “Aperture” or “Shutter Speed” setting

while using Interval Shot. Selecting Interval Shot while an unsupported flash setting

is in effect will cause the flash mode setting to change automatically to “Flash Off”.

• The functions below cannot be used with this function.

Shoot with phone, High Speed CS, Motion Shutter, Anti-shake Functions, Zoom

(SR), Continuous AF

• Pressing the shutter button while the camera is standing by between Interval Shot

shots will cancel the Interval Shot operation and display the message “Interval

recording was canceled.”

• The Auto Power Off is disabled while shooting with this function (page 176).

72 Snapshot Tutorial

Triple Shot shoots a burst of three images and stores them in memory. This feature is

great for making sure you don’t miss those special moments when kids are around.

1. Align the mode dial with [D] (Triple Shot).

2. Point the camera at the subject and then half-press the shutter button.

The camera will start pre-recording images at this time.

• If you release the half-pressed shutter button before pressing it the rest of the

way down, all of the images currently in the pre-record buffer will be deleted.

3. Press the shutter button all the way down to record.

This will record three images: one of the action before the shutter button is fully

pressed plus two real-time images.

• Pressing the shutter button all the way without first half-pressing it will result in

only two images being recorded.

NOTE

• The settings in the table below are fixed while shooting with this function.

– Self-timer: Off

– Flash: Flash Off

– Image Quality: Normal

– Single SR Zoom: Off

– Face Detection: On

– Focus Mode: AF

– AF Area: “Intelligent” or “Spot”*

*If you select “I O Multi” or “ Tracking” for this setting in another mode and then

shoot with Triple Shot, shooting is performed using the “ Spot” setting.U

Shooting with Triple Shot

73 Recording Movies

Recording Movies

The procedure below shows the steps for normal standard (STD or FHD) movie

recording. For information about other types of movie recording (High Speed Movie),

see page 77.

1. Align the mode dial with [P] (Program Auto) or

[Ÿ] (Premium Auto Pro).

2. Press [MENU].

3. Press [4], use [8] and [2] to select the

“r REC MENU” tab, and then press [6].

4. Use [8] and [2] to select “Movie Quality” and then press [6].

5. Use [8] and [2] to select the movie quality you want to use, and then

press [SET].

• fps (frames per second) is a unit of measurement for the number of images per

second.

• Image size settings are fixed.

• When high-definition movie (FHD) is selected, the movie is shot with an aspect

ratio of 16:9.

• The camera uses progressive scan for FHD movies.

• The shooting range for movies is smaller than that for snapshots. You can

display the movie shooting range with “Shooting Info” (page 170).

6. Press [0] (Movie).

This will start recording and display Y on the

monitor screen.

Movie recording includes stereo audio.

• Pressing [SET] will re-start a Continuous AF

operation (page 109).

To record a movie

Movie

Quality

REC Screen

Icon Display

Frame Rate Image Size

(Pixels)

STD 30fps 640x480

FHD 30fps 1920x1080

[P] or [Ÿ]

Recording time

Remaining recording time

(page 219)

74 Recording Movies

7. Press [0] (Movie) again to stop recording.

• Each movie can be up to 29 minutes long. Movie recording stops automatically

after 29 minutes of recording. Movie recording also will stop automatically if

memory becomes full before you stop movie recording by pressing [0] (Movie)

again.

• The movie is recorded in MOV format (page 170). The camera does not

support conversion to a different movie format.

Recording Movies with Premium Auto Pro

When Premium Auto Pro is enabled (page 33), the

camera automatically make judgments about the

subject, shooting conditions, and other parameters. The

result is higher quality images than those produced by

Program Auto recording. The shooting environment detected by the camera is

displayed at the bottom of the REC mode screen.

• Premium Auto Pro is enabled for FHD movies and STD movies only.

• Using Premium Auto Pro uses up the battery charge more quickly than using

Program Auto recording.

Shooting with BEST SHOT

With BEST SHOT (page 86), you can select the sample scene that matches the type

of movie you are trying to shoot and the camera will change its setup accordingly, for

beautiful movies every time.

Minimizing the Effects of Camera Movement during Movie Recording

You can use Anti Shake (page 110) to configure the camera to minimize the effects of

camera movement during FHD and STD movie recording. Note that Anti Shake

cannot be used with HDR Art Movie and that Anti Shake does not prevent image blur

due to subject movement.

75 Recording Movies

Your camera has built-in microphones that can be used to record audio (stereo)

during movie recording.

• Your camera has a function to reduce wind noise (Wind Noise Cut) when recording

movies (page 116).

.Recording Precautions

• The camera also records audio. Note the following points

when shooting a movie.

– Take care that the microphones are not blocked by your

fingers, etc.

– Good audio recording results are not possible when the

camera is too far away from what you are trying to

record.

– Performing a zoom operation while shooting can cause zoom and/or auto focus

noise to be in the audio recording.

– Operating camera buttons while shooting can cause button noise to be picked

up in the audio.

• When shooting with the “HS” movie quality at a frame rate setting of

“30-120 fps” or “30-240 fps”, audio is recorded only while the camera is shooting at

30 fps. Audio is not recorded at any other frame rates (page 113).

IMPORTANT!

• Spending a long time using movie recording will cause the camera to become

slightly warm to the touch. This is normal and does not indicate malfunction.

• Shooting movies for long periods in areas where temperature is relatively high can

cause digital noise (dots of light) to appear in the movie image. A rise in the

camera’s internal temperature also may force movie recording to stop

automatically. If this happens, stop recording and allow the camera to cool down,

which should cause normal operation to resume.

• Use of the camera’s built-in memory or certain types of memory cards can slow

down processing speeds. In particular, high-quality movies may not be able to be

stored correctly. A slow memory card can take too much time to record data and

result in breaks in the image and/or audio during playback. When this happens a

yellow “Y” indicator will appear on the monitor screen.

Audio

Microphones

76 Recording Movies

NOTE

• Zoom operations are supported during movie recording (page 55). Zoom is

disabled during high speed movie recording. To use zoom for high speed movie

recording, perform the zoom operation before you press [0] (Movie) to start

recording.

• Both Single SR Zoom (page 58) and Multi SR Zoom (page 59) are disabled during

movie recording.

• The effects of camera movement in an image become more pronounced when you

shoot close up or with a large zoom factor. Because of this, use of a tripod is

recommended under these conditions.

• Except for High Speed Movie, Continuous AF (page 109) is performed during

movie recording while “AF” (Auto Focus) or “Macro” is selected for the “Focus”

setting.

• Face Detection is disabled during normal FHD and STD, and high speed movie

recording. Face Detection is enabled when shooting movies with Premium Auto

Pro (FHD and STD).

• The following functions do not support movie recording.

Triple Shot, Multi SR Zoom, some BEST SHOT scenes

• The A, S, and M recording modes are not supported when shooting a movie, or

when using the “Prerecord (Movie)” BEST SHOT scene. In these cases, the

recording mode is always P(Program Auto).

78 Recording Movies

6. Record the movie the same way as you would a normal movie (page

73).

Press [0] (Movie) to start and stop recording.

• During High Speed Movie recording (HS120, HS240, HS480, HS1000), focus

is fixed at the position where it was when recording started. To focus an image,

half-press the shutter button for Auto Focus or focus manually before you press

[0] (Movie) to start recording.

• Continuous AF is operational when recording at 30 fps with “HS30-120” or

“HS30-240”. However, focus becomes fixed whenever you switch to 120 fps or

240 fps.

• When “HS30-120” or “HS30-240” is selected as the frame rate, recording

always starts with a frame rate of 30 fps. You can switch the frame rate

between 30 fps and 120 fps or between 30 fps and 240 fps only while recording

is in progress. Press [4 6], [ ], or [SET] to switch speeds. Audio is recorded

only while shooting at a 30 fps.

NOTE

• The higher the frame rate (speed), the more lighting is required when shooting.

When shooting a high speed movie, shoot in a well-lit environment.

• When recording certain types of movies, the image that appears on the monitor

screen may be smaller than normal. When recording a high speed movie, there are

black bands along the top, bottom, left, and right of the screen.

• When recording a high speed movie, light source flicker can cause horizontal

bands to appear in the image. This does not indicate malfunction of the camera.

• Monitor screen content switching is disabled during high speed movie recording.

80 Recording Movies

.To shoot a Prerecord Movie

1. After using the above procedure to set up the camera for Prerecord

Movie, point the camera at the subject.

2. When you are ready to record, press [0] (Movie).

This will save the approximately five seconds of action that was prerecorded in

the buffer before you pressed [0] (Movie) (two seconds if you are using high

speed movie) and start real-time recording.

3. Press [0] (Movie) again to stop recording.

• To turn off Prerecord Movie recording, align the mode dial with [P] (Program

Auto) or [Ÿ] (Premium Auto Pro).

• When shooting with the high speed movie “HS30-120” and “HS30-240” setting,

you cannot change the speed (fps) setting while the camera is pre-recording to

the buffer in step 1 of the above procedure. You can change the speed (fps)

setting after you press [0] (Movie) to start real-time recording.

NOTE

• While the camera is set up for shooting with Prerecord Movie, pressing the shutter

button will not shoot a snapshot unless movie recording is in progress. With high-

definition (FHD) and standard (STD) movie, you can shoot still images while

realtime movie recording is in progress.

• When shooting with Prerecord Movie in combination with high speed movie,

rotating the control dial will not change the Exposure or white balance setting, even

if “Exposure” or “White Balance” is assigned for the “Control Dial” function. To

change the Exposure Compensation or white balance setting in this case, use the

Control Panel.

82 Recording Movies

1. Align the mode dial with [F] (Time Lapse).

2. Press [SET].

3. Use [8] and [2] to select the (Time Lapse) Control Panel option,

and then press [SET].

This displays a menu of Time Lapse scenes.

4. Select the scene you want to use and then press [SET].

• A scene that can be used for time lapse recording is indicated by ».

5. Press [SET], use [8] and [2] to select the (Time Lapse Settings)

Control Panel option, and then press [SET].

6. Use [8] and [2] to select “ Interval” or “ Total Time”, press [6],

and then use [8] and [2] to change the setting.

Each scene is initially configured with unique “ Interval” and “ Total Time”

default settings. Change these settings, if you want.

7. Press [SET].

• Time Lapse settings are shown at the bottom of

the screen.

8. Press the shutter button to start recording.

• Shooting is repeated at the interval specified in

step 6.

• Recording stops when the recording time

specified in step 6 elapses or when the shutter

button is pressed again.

• Remaining recording time is not displayed

when the “ Total Time” setting is “Off”.

Interval Specifies the number of seconds between shots.

Total Time

Specifies the recording time. Selecting “Off” causes

recording to continue until the shutter button is pressed

again.

Interval

Total Time

Scene

Remaining recording time

Recording time

84 Recording Movies

. Using the Scene Information Screen

To find out more about a scene, select it with the boundary

on the scene menu and then rotate the zoom controller in

either direction.

• To return to the scene menu, rotate the zoom controller

again.

• To scroll between scenes, use [4] and [6].

• To configure the camera with the settings for the currently

selected scene, press [SET].

You can shoot snapshots while movie recording is in progress by pressing the shutter

button. When the camera is in the Single Shot mode, you can shoot snapshots one-

by-one. In the CS mode, holding down the shutter button will record up to seven

consecutive images at a speed of approximately 10 images per second (fps). You

can shoot a maximum total of 28 images during a single movie recording operation.

Shooting a Snapshot while Shooting a Movie

(Snapshot In Movie)

1. While a movie is being recorded, press the

shutter button.

• Select FHD movie or STD movie as the movie

quality setting (page 113).

• In the CS mode, images continue to be shot as long

as you keep the shutter button depressed.

• While movie recording is in progress, you can toggle

between the Single Shot Mode and the CS mode by

pressing [Õ] (Continuous Shutter), [4] or [6]. Note

that this method for mode switching is possible only

during movie recording. The CS mode is indicated

when is white (on the monitor screen), and the

Single Shot mode is selected when t is white.

Number of recordable

snapshots

Snapshot

recording mode

85 Recording Movies

NOTE

• Note that the flash cannot be used.

• Note that shooting a snapshot while shooting a movie is supported during FHD

movie and STD movie recording only. It is not supported during other types of

movie recording.

• Auto-focus is not performed if you half press the shutter button to shoot a snapshot

during movie recording. You can restart Continuous AF by pressing [SET].

• The field of view of a snapshot shot while FHD movie recording is in progress will

be wider than the field of view of the FHD movie.

• The image quality automatically changes to “Normal”.

• The P(Program Auto) recording mode is used when you shoot a snapshot during

movie recording.

• You cannot shoot with Snapshot In Movie while Motion Shutter or Time Lapse

movie recording is in progress.

86 Using BEST SHOT

Using BEST SHOT

BEST SHOT provides you with a collection of sample “scenes” that show a variety of

different types of shooting conditions. When you need to change the setup of the

camera, simply find the scene that matches what you are trying to achieve, and the

camera sets up for it automatically. This helps to minimize the chance of ruined

images due to poor exposure and shutter speed settings.

No.

Scene Description

1 Make-up Adjusts skin tone. Setting zoom to telephoto blurs the

background.

2 Make-up BKT Shoots 3 images with different skin tone settings.

3 Magnifying Glass SR Zoom magnification from closest macro zoom

position.

4 HS Night Scene Auto detection of handheld or tripod shooting for

beautiful, blur-free night scenes.

5HS Night Scene and

Portrait

Auto detection of handheld or tripod shooting for

beautiful night scenes and portraits.

6 HS Night Shot Enables recording of an image without flash, even

when lighting is dim.

7 HDR Combines multiple images for best exposure, even for

complex brightness conditions. * page 92

8 HS Anti Shake Records multiple images and combines them into a

single image to correct image blur.

9 Blurred Background Blurred background makes subject stand out. Move in

as close to subject as possible. * page 93

10 All-In-Focus Macro In-focus macro shooting up to distant scenery.

11 Slide Panorama Sweep the camera in the direction you want to shoot a

wide panorama. * page 94

12 Wide Shot Sweep the camera to shoot a wide image. * page 96

13 Scenery Hard sharpness High saturation

14 Portrait With

Scenery

Adjustable skin tone. Wide angle zoom simplifies

focusing of people and scenery.

15 Children Fast shutter speed

16 Sports Fast shutter speed

17 Candlelight Portrait Soft sharpness and tungsten white balance. Keep the

camera still!

18 Party Fast shutter speed

19 Pet Fast shutter speed Shoot from the eye level of your pet.

20 Flower Macro Mode High saturation

87 Using BEST SHOT

21 Natural Green Hard sharpness and high saturation enhance green

hues.

22 Autumn Leaves Hard sharpness and high saturation enhance red hues.

23 Soft Flowing Water Slow shutter speed

24 Splashing Water Fast shutter speed

25 Sunset Red filter Daylight white balance

26 Fireworks Slow shutter speed Keep the camera still!

27 Food Macro Mode High saturation

28 Text Macro Mode Hard sharpness High contrast

29 RAW Image RAW image file recording. JPEG data version is also

saved. * page 98

30 Prerecord (Movie) Continually pre-records movie images, which are saved

when ° is pressed. * page 79

31 HDMI TV Output Displays camera screen contents on a TV over an

HDMI cable connection. * page 99

32 Register User Scene

(Custom Shot)

Registers a new user scene. Press the ¦ button to

start image selection. * page 90

No.

Scene Description

88 Using BEST SHOT

1. Align the mode dial with [b] (BEST SHOT).

2. Press [SET].

3. Use [8] and [2] to select the Control Panel

option, and then press [SET].

This will display a menu of BEST SHOT scenes.

4. Use [8], [2], [4], and [6] to move the

boundary to the scene you want to select.

• You can scroll to another page of scenes by

pressing [8] or [2], or rotating the function ring.

5. Press [SET] to configure the camera with the

settings for the currently selected scene.

This returns to the REC mode.

• To select a different BEST SHOT scene, repeat

the above procedure from step 2.

6. Press the shutter button (if you are shooting a

snapshot) or [0] (Movie) (if you are shooting a

movie).

• With some BEST SHOT scenes, the message “Busy... Please wait...” will

appear on the monitor screen after you press the shutter button. The camera is

in the process of recording an image until the message appears. Keep the

camera still. The image processing operation takes some time to complete

after the message appears. You will not be able to record another image while

the message is displayed.

. Using the Scene Information Screen

To find out more about a scene, select it with the boundary

on the scene menu and then rotate the zoom controller in

either direction.

• To return to the scene menu, rotate the zoom controller

again.

• To scroll between scenes, use [4] and [6].

• To configure the camera with the settings for the currently

selected scene, press [SET].

To shoot with BEST SHOT

Currently selected

scene (with boundary)

Scene number

Scene name

[ ]b

89 Using BEST SHOT

.BEST SHOT Precautions

• Sample images shown on BEST SHOT scene screens were not shot with this

camera. There are provided to illustrate the effects and merits of each scene.

• Images shot using a BEST SHOT scene may not produce the results you expected

due to shooting conditions and other factors.

• You can modify the camera settings that are configured after you select a BEST

SHOT scene. Note, however, that the BEST SHOT settings revert to their defaults

when you select another BEST SHOT scene or turn off the camera.

• Snapshot shooting is disabled while the following BEST SHOT scenes are being

used.

Prerecord (Movie)

• Movie recording is disabled while the following BEST SHOT scenes are being

used.

Make-up BKT, Magnifying Glass, Blurred Background, All-In-Focus Macro, HS Anti

Shake, Wide Shot, HS Night Shot, Slide Panorama, HDMI TV Output

• When the movie recording mode is FHD/STD, movies are recorded using the

settings of the selected BEST SHOT scene. For high speed movie recording,

BEST SHOT scene settings are ignored and movie recording is performed as it

normally is.

• BEST SHOT scenes that use High Speed CS ignore the “Zoom (SR)” setting.

• With the BEST SHOT scenes below, certain shooting conditions can cause the

image area to become narrower than normal.

HS Night Scene and Portrait, HS Night Shot

• When shooting with All-In-Focus Macro, the focus range (page 47) is

approximately 12 cm.

• When shooting with All-In-Focus Macro, the camera will display the message

“Could not merge. Will record as normal images.” if it judges that it cannot perform

an operation. The images shot by the camera will be saved even if they cannot be

merged.

90 Using BEST SHOT

You can register up to 999 setups, based on snapshots shot with the camera, as

“Custom Shot” scenes. Selecting a registered “Custom Shot” scene configures the

camera with its settings. The setups of snapshots recorded with the following modes

and features can be registered as “Custom Shot” scenes.

• Program Auto

• A Mode

• S Mode

• M Mode

• BEST SHOT (Excluding “Prerecord (Movie)”, and “HDMI TV Output”)

.To register a “Custom Shot” scene

1. In the BEST SHOT Mode, select “Custom Shot (Register User Scene)”

(page 86).

2. Use [4] and [6] to select the snapshot whose setup you want to save.

3. Select “Save”, and then press [SET].

Your scene will be assigned the name “Custom Scene”, along with a scene

number.

NOTE

• A movie setup cannot be registered as a “Custom Shot” scene.

• You can check the settings of the currently selected “Custom Shot” scene by

displaying the camera’s setting menus and looking at its settings.

• “Custom Shot” scenes are assigned numbers in the sequence: U1, U2, and so on.

• The following are the settings that are saved for each “Custom Shot” scene.

Face Detection, Focus, Exposure, White Balance, Flash, ISO, Metering, Lighting,

Flash Intensity, Sharpness, Saturation, Contrast

• “Custom Shot” scenes are stored in built-in memory (page 170) in the SCENE

folder (snapshots).

• Formatting the camera’s built-in memory (page 180) deletes all user “Custom Shot”

scenes.

• Use the following procedure when you want to delete a “Custom Shot” scene.

1Display the information screen (page 88) of the user BEST SHOT scene you

want to delete.

2Press [2] ( ), select “Clear”, and then press [SET].

Creating and Using Your Own Setups (Custom Shot)

95 Using BEST SHOT

5. Press the shutter button the rest of the way down

and a slide cursor will appear on the monitor

screen. Slowly move the camera in the direction

indicated by the arrow on the screen until the

slide cursor reaches the other end of its

movement range (i.e. all the way to the right

when moving the camera to the right).

• The camera will start composing the panorama image

internally when the slide cursor reached the other end

of the movement range.

• Image composing also will start automatically if you

stop moving the camera during panorama shooting.

NOTE

• The following conditions are not compatible with Slide Panorama shooting.

– Subject whose brightness is very different from that of its surroundings due to

artificial light, sunlight, etc.

– Rivers, waves, waterfalls, or other subject with constantly changing patterns

– Sky, beach, or other subject with continuous patterns

– Camera too close to the main subject

– Moving subject

– Dark surroundings

• Slide Panorama may stop part way through in the following cases.

– Subject or camera movement

– Camera movement that is too fast or too slow

• Shooting a Slide Panorama image after half-pressing the shutter button to perform

Auto Focus may not produce the desired results if there are considerable

differences in the brightness, color, and/or focus of the individual images. If this

happens, try changing the focus position by focusing on a different subject, etc.

• Since a Slide Panorama image is created by joining multiple images together, there

may be some roughness at the point where two images are joined.

• Shooting under a flickering light source (such as fluorescent lighting) may result in

uneven brightness and/or coloring in the final Slide Panorama image.

• The exposure and white balance when shooting Slide Panorama images are fixed

at the levels measured when you half-press the shutter button at the beginning of

the operation.

• Shooting with this function causes the flash setting to change automatically to

?(Flash Off).

Slide cursor

101 Advanced Settings (REC MENU)

Advanced Settings (REC MENU)

The following are menu operations you can use to configure various camera settings.

• You also can use the Control Panel (page 43) to configure some of the settings that

appear on the menu screen. Refer to the page references provided in this section

for information about configuring settings using the Control Panel.

1. In the REC mode, press [MENU].

This will display the menu screen (r REC

MENU).

• Menu contents are different in the REC mode

(r REC MENU) and PLAY mode (p PLAY

MENU).

2. Press [4], use [8] and [2] to select the

“r REC MENU” tab, and then press [6] or

[SET].

• To configure settings on the “p PLAY

MENU”, select the “p PLAY MENU” tab

(which is displayed only in the PLAY mode).

To configure other settings, select the

“¥ SETTING” tab (page 172).

3. Use [8] and [2] to select the menu item

you want, and then press [6] or [SET].

• Operating the zoom controller displays the next

or previous page of menu items.

4. Use [8] and [2] to change the setting of

the selected menu item.

5. After the setting is the way you want, press

[SET] to apply the setting and return to the

viewfinder screen.

• Pressing [MENU] cancels the current selections and returns to the menu

screen.

• To continue with configuration of another setting item, press [4] instead of

[SET], move the selection boundary to the next setting item, and then use [ ] 8

and [2 6] to change the selected setting. Next, press [ ].

• Pressing the shutter button or [p] (PLAY) interrupts the menu operation and

exits the menu screen.

NOTE

• Depending on the recording mode, some of the items on the menu may be dimmed,

which indicates they are not available. While Premium Auto Pro is in use, only the

menu items whose settings can be configured will be displayed on the menus.

Using the Menu Screen to Configure Recording Settings

[MENU] [SET]

[ ]8] [2] [4] [6

Items

Example:

When “Self-timer” is

selected on the “ r REC

MENU” tab

Tabs

104 Advanced Settings (REC MENU)

*1 Functions that can be assigned depend on the recording mode.

*2 Configure the settings below in order to directly adjust focus with the function ring.

Focus Mode: MF (Manual Focus)

Face Detection: Off

Smooth Skin: 0 (Off)

*3 The control dial operates as described below in the M (Manual Exposure)

recording mode.

• When a function other than “Aperture” is assigned to the function ring (page

103), rotating the control dial adjusts aperture.

• When “Aperture” is assigned to the function ring, rotating the dial adjusts

shutter speed.

*4 When performing the operations below, the functions assigned to the left and right

keys are fixed and are not affected by the functions you assign to them with Key

Customize “L/R Key”.

• When “MF” is selected as the focus mode, the left and right keys perform focus

adjustment.

• When “ Multi” is selected as the AF area setting, the left and right keys shift I

the focus area.

Control Dial *3

Exposure Corrects brightness.

Page 51

White Balance Adjusts hue.

Page 45

ISO Changes the ISO sensitivity

setting.

Page 49

ISO High Limit Specifies the ISO sensitivity high

limit.

Page 106

Self-timer Selects the self-timer time.

Page 44

Focus Changes the focus mode.

Page 47

Off No function assigned to the dial.

L/R Key*4

CS Enters the CS Mode.

Page 60

Exposure Corrects brightness.

Page 51

White Balance Adjusts hue.

Page 45

ISO Changes the ISO sensitivity

setting.

Page 49

ISO High Limit Specifies the ISO sensitivity high

limit.

Page 106

Self-timer Selects the self-timer time.

Page 44

Metering Changes the Metering Mode.

Page 54

Off No function assigned to the [4]

and [6] keys.

Operation Setting Description

See page:

114 Advanced Settings (REC MENU)

You can use this setting to optimize the balance between bright areas and dark areas

when shooting images.

NOTE

• Lighting is disabled during movie recording.

You can specify one of five sharpness settings from +2 (sharpest) to –2 (least sharp).

You can specify one of five saturation settings from +2 (most saturated) to –2 (least

saturated).

Optimizing Image Brightness (Lighting)

Menu item: Lighting

Settings Description

Performs brightness correction. When this option is selected, it

takes longer for the image to be stored after the shutter button is

pressed.

Off Does not perform brightness correction.

Controlling Image Sharpness (Sharpness)

Menu item: Sharpness

Controlling Color Saturation (Saturation)

Menu item: Saturation

Specyfikacje produktu

Marka:	Casio
Kategoria:	Aparat cyfrowy
Model:	Exilim EX-ZR3500

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